Chile, 1901. Intent on expanding his holdings, notorious cattle rancher José Menéndez (Alfredo Castro) dispatches a trio of gunmen to the southern reaches of Tierra del Fuego to scout and scourge the land. A former British infantryman, MacLennan (Mark Stanley) has nominal command, though rancid American roughneck Bill (Benjamin Westfall) has his own ideas about that, while mestizo Segundo (Camilo Arancibia) knows a word out of place could result in a bullet in his back. Their odyssey across a forbiddingly harsh, ugly-beautiful terrain includes tense, fractious encounters with other colonists and bloody skirmishes with indigenous groups. Evocative of the work of Cormac McCarthy in its commitment to brutal truth-telling (although much of the violence takes place off-screen, it doesn’t feel that way) this South-western makes no bones about its searing critique of white supremacist foundational myths; myths that apply right across the Americas. What’s most impressive, though, is the stunning, elemental imagery limned by DP Simone D’Arcangelo and Harry Allouche’s striking, scratchy score. The Settlers can be a hard ride, but it’s not one you’ll forget in a hurry.
Supported by
Alfredo Castro, Mark Stanley, Benjamin Westfall, Camilo Arancibia
Chile/Argentina/France/
Denmark/UK
2023
Panorama
In Spanish and English with English subtitles
Racist Content, Colonial Violence, Sexual Violence
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Fernando Bascuñán, Alex C. Lo, Constanza Erenchun, Amy Gardner
Producer
Giancarlo Nasi, Benjamin Domenech, Santiago Gallelli, Matías Roveda, Emily Morgan, Thierry Lenouvel, Stefano Centini, Katrin Pors, Eva Jakobsen, Mikkel Jersin, Kristina Börjeson, Anthony Muir, Ingmar Trost, Fernando Bascuñán
Screenwriter
Felipe Gálvez Haberle, Antonia Girardi
Cinematography
Simone D’Arcangelo
Editor
Matthieu Taponier
Production Design
Sebastián Orgambide
Director
Felipe Gálvez
Felipe Gálvez (b. 1983) is a Chilean filmmaker, writer and editor based in Paris. The Settlers is his first feature as director.
Missing VIFF? Check out what's playing at the VIFF Centre
Giant
This was the Yellowstone of its time: a big, sweeping modern Western built around an imposing ranch and family dynamics -- except Giant is much more subversive. James Dean strikes it rich as Jett Rink, much to the disgust of his former boss, Rock Hudson.
Familiar Touch
A loving portrait of an octogenarian transitioning into an assisted living facility, this award-winning first feature by choreographer Sarah Friedland has a simplicity and warmth that's exceptionally poignant.
Super Happy Forever
This beguiling film depicts a man’s return to the Japanese seaside town where he met his now-deceased wife five years earlier. He tries to relive the past, and in the film's final section -- a flashback to 2018 -- the audience is afforded that privilege.
A Streetcar Named Desire
"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.
Georgia O'Keeffe: the Brightness of Light
Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."
