One of the buzziest titles at Berlin this year, İlker Çatak’s gripping high school drama shows an idealistic young math teacher (the extraordinary Leonie Benesch) seeking to rectify what she reads as a miscarriage of justice, only to make matters unfathomably worse. New to her school, Ms Nowak is reluctantly drawn into the interrogation of two grade 6 class representatives after a series of thefts. They cast suspicion on a Turkish classmate, Ali, despite his proclamation of innocence even after a search turns up a surprisingly fat wallet. Convinced racism is at play, the teacher decides to set up a sting operation to uncover the true culprit. An ethics master class, the film vividly returns us to the everyday anguish of normal school life, when even seemingly the most straightforward problem can open up a minefield of mistrust and humiliation.
C.I.C.A.E. Award, Berlin 2023
Community Partner
Leonie Benesch, Leonard Stettnisch, Eva Lobau, Micheal Klammer Anne-Kathrin Gummich
Germany
2023
Showcase
In German with English subtitles
Bullying
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Ingo Fliess
Screenwriter
Ilker Catak, Johannes Duncker
Cinematography
Judith Kaufmann
Editor
Gesa Jager
Original Music
Marvin Miller
Director
İlker Çatak
İlker Çatak was born in Berlin in 1984 and, the son of Turkish immigrants. He completed a master’s degree in directing at the Hamburg Media School. In 2017, Çatak made his first feature film, Es War Einmal Indianerland, the adaptation of the award-winning novel for young people by Nils Mohl. This was followed in 2019 by Es Gilt Das Gesprochene Wort. In 2021, the filmmaker adapted Finn-Ole Heinrich’s successful novel Rauberhande.
Filmography: Once Upon a Time… Indianerland (2017); I Was, I Am, I Will Be (2019); Stambul Garden (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
The Grapes of Wrath
In this Film Studies workshop, Devan Scott explores the purposes of three-point lighting and the influence of German Expressionism on Hollywood studio filmmaking. Followed by a screening of The Grapes of Wrath, photographed by Gregg Toland.
The Last One for the Road
Two middle-aged drunkards drive across the Veneto region on a freewheeling bender, taking a young college student along for the ride. A celebration of the spirit of drink and the kinds of stories told around a table of old friends and too much wine.
Blue Heron
In the late 1990s, eight-year-old Sasha and her Hungarian immigrant family relocate to a new home on Vancouver Island. Their fresh start is interrupted by increasingly dangerous behaviour from Jeremy, the family’s oldest child.
How Deep Is Your Love
Filmmaker Eleanor Mortimer tags along with a team of oceanographers and marine biologists as they survey the Clarion-Clipperton fracture, one of the most remote spots on Earth, home to a dazzling array of unknown creatures.
Amrum
Twelve-year-old Nanning (Jasper Billerbeck) sets himself a mission to secure bread and honey for his mother to snap her out of her depression. It is 1945. The war is all but lost, and such luxuries are not easy to find on the remote island of Amrum...
