One of the buzziest titles at Berlin this year, İlker Çatak’s gripping high school drama shows an idealistic young math teacher (the extraordinary Leonie Benesch) seeking to rectify what she reads as a miscarriage of justice, only to make matters unfathomably worse. New to her school, Ms Nowak is reluctantly drawn into the interrogation of two grade 6 class representatives after a series of thefts. They cast suspicion on a Turkish classmate, Ali, despite his proclamation of innocence even after a search turns up a surprisingly fat wallet. Convinced racism is at play, the teacher decides to set up a sting operation to uncover the true culprit. An ethics master class, the film vividly returns us to the everyday anguish of normal school life, when even seemingly the most straightforward problem can open up a minefield of mistrust and humiliation.
C.I.C.A.E. Award, Berlin 2023
Community Partner
Leonie Benesch, Leonard Stettnisch, Eva Lobau, Micheal Klammer Anne-Kathrin Gummich
Germany
2023
Showcase
In German with English subtitles
Bullying
Book Tickets
Indigenous & Community Access
Credits
Producer
Ingo Fliess
Screenwriter
Ilker Catak, Johannes Duncker
Cinematography
Judith Kaufmann
Editor
Gesa Jager
Original Music
Marvin Miller
Director
İlker Çatak
İlker Çatak was born in Berlin in 1984 and, the son of Turkish immigrants. He completed a master’s degree in directing at the Hamburg Media School. In 2017, Çatak made his first feature film, Es War Einmal Indianerland, the adaptation of the award-winning novel for young people by Nils Mohl. This was followed in 2019 by Es Gilt Das Gesprochene Wort. In 2021, the filmmaker adapted Finn-Ole Heinrich’s successful novel Rauberhande.
Filmography: Once Upon a Time… Indianerland (2017); I Was, I Am, I Will Be (2019); Stambul Garden (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
There's Still Tomorrow
A critical and box office sensation in Italy, Paola Cortellesi's triumphant directorial debut is the tale of a Roman housewife in 1946, who stands up against the routine sexist abuse she suffers. Funny, heartbreaking and inspiring.
The Way, My Way
All manner of pilgrims flock to France and Spain to walk the 800 km Camino de Santiago. One such is Bill, a stroppy sexagenarian Australian filmmaker who's determined to do the Camino with minimal prep, a dickey leg, and no firm idea why.
The Stand
This rousing doc explores a 1985 dispute over logging in the Haida Gwaii. Taking us from canny retrospective commentary to the thick of the action, director Chris Auchter employs animation and a wealth of archival footage to riveting effect.
Resident Orca
Captured in Puget Sound in 1970, killer whale Lolita spent the next half century in a cramped tank in Seaquarium, Miami. The film follows a coalition of Lummi elders, animal lovers and philanthropists on a rescue mission to return her to the ocean.
No Other Land
Deemed by many critics one of the essential films of 2024, a multiple festival award winner and Academy Award winner for Best Documentary, No Other Land is a reminder that mass expulsion is by no means a new reality for Palestinians.
Misericordia
Edgy, eccentric, and unapologetically queer, this film goes from drama to comedy without putting a foot wrong. Sex and murder are the subjects, and writer-director Alain Guiraudie (Stranger by the Lake) mines them for suspense and outrageous laughs.