Framed around a string of unsolved tuba thefts in Los Angeles from 2011 to 2013, the film cuts against the grain: instead of investigating the crimes like a conventional documentary, it reframes them as a metaphysical experiment — how does the absence of sound affect our experience? The film reimagines closed captions, expressing stories and ways of hearing through text placement, font size, colour, and punctuation that’s equally playful and profound. The result is a vibrant new cinematic experience — part historical documentary, part poetic video essay, with interwoven narrative vignettes — that immerses you in a rich parallel world, where you “hear” the humming of plants, the vibrations in the air from Californian forest fires, a 70s punk rock deaf concert, a performance of John Cage’s infamous 4′33″… It forces you to reevaluate your relationship with the quotidian sounds of your life. Drawing on her lived experience as a d/Deaf/Hard of Hearing person, director Alison O’Daniel transcends assumptions of sound, silence, and language in this groundbreaking hybrid documentary.
The Tuba Thieves, by Alison O’Daniel, is a groundbreaking work of art, a wonderfully different, beautiful film that showcases creative captioning and visual and audio poetry.
Chicago Reader
Q&A on September 30 & October 2
Community Partner
Nyeisha “Nyke” Prince, Russell Harvard, Geovanny Marroquin, Warren “WAWA” Snipe, Ajia Jones
USA
2023
Spectrum
In American Sign Language and English with open captions
Coarse & Sexual Language
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Wendy Ettinger, Maida Lynn, Sally Jo Fifer, Lois Vossen
Producer
Rachel Nederveld, Alison O’Daniel, Su Kim, Maya E. Rudolph
Cinematography
Derek Howard
Editor
Alison O’Daniel, Zach Khalil
Production Design
Mboni Maumba, Clover Singsen, Heather Quesada
Original Music
Christine Sun Kim, Ethan Frederick Greene, Steve Roden
Director
Alison O'Daniel
Alison O’Daniel is a filmmaker and visual artist. She has screened and exhibited in galleries and museums internationally, including the Centre Pompidou, Paris, FR; Centro Centro, Madrid, Spain; Renaissance Society, Chicago; Art in General, New York; and many more. O’Daniel is a United States Artist 2022 Disability Futures Fellow and a 2022 Guggenheim Fellow. She was included in Filmmaker magazine’s 25 New Faces of Independent Film and writing. She is an Assistant Professor of Film at California College of the Arts in San Francisco.
Missing VIFF? Check out what's playing at the VIFF Centre
Modern Whore
In director Nicole Bazuin's cheeky, stylized documentary, Modern Whore-memoirist Andrea Werhun (Paying for It) recounts her experiences as an escort and stripper in Toronto, debunking misconceptions about the world’s oldest profession.
Castration Movie Anthology 1: Traps
Louise Weard's underground movie is a talk-a-thon in two chapters and four hours: a sex worker contemplates having her testicles removed, and a movie production assistant pitches himself right out of a job, and other misadventures in Vancouver life.
The Painted Life of E.J. Hughes
A beautiful portrait of E.J. Hughes, who quietly helped reshape the artistic landscape of British Columbia in the 20th century. This extraordinary documentary explores Hughes’s legacy not only as an artist, but as a devoted, humble human being.
Agatha's Almanac
Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.
