Framed around a string of unsolved tuba thefts in Los Angeles from 2011 to 2013, the film cuts against the grain: instead of investigating the crimes like a conventional documentary, it reframes them as a metaphysical experiment — how does the absence of sound affect our experience? The film reimagines closed captions, expressing stories and ways of hearing through text placement, font size, colour, and punctuation that’s equally playful and profound. The result is a vibrant new cinematic experience — part historical documentary, part poetic video essay, with interwoven narrative vignettes — that immerses you in a rich parallel world, where you “hear” the humming of plants, the vibrations in the air from Californian forest fires, a 70s punk rock deaf concert, a performance of John Cage’s infamous 4′33″… It forces you to reevaluate your relationship with the quotidian sounds of your life. Drawing on her lived experience as a d/Deaf/Hard of Hearing person, director Alison O’Daniel transcends assumptions of sound, silence, and language in this groundbreaking hybrid documentary.
The Tuba Thieves, by Alison O’Daniel, is a groundbreaking work of art, a wonderfully different, beautiful film that showcases creative captioning and visual and audio poetry.
Chicago Reader
Q&A on September 30 & October 2
Community Partner
Nyeisha “Nyke” Prince, Russell Harvard, Geovanny Marroquin, Warren “WAWA” Snipe, Ajia Jones
USA
2023
Spectrum
In American Sign Language and English with open captions
Coarse & Sexual Language
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Wendy Ettinger, Maida Lynn, Sally Jo Fifer, Lois Vossen
Producer
Rachel Nederveld, Alison O’Daniel, Su Kim, Maya E. Rudolph
Cinematography
Derek Howard
Editor
Alison O’Daniel, Zach Khalil
Production Design
Mboni Maumba, Clover Singsen, Heather Quesada
Original Music
Christine Sun Kim, Ethan Frederick Greene, Steve Roden
Director
Alison O'Daniel
Alison O’Daniel is a filmmaker and visual artist. She has screened and exhibited in galleries and museums internationally, including the Centre Pompidou, Paris, FR; Centro Centro, Madrid, Spain; Renaissance Society, Chicago; Art in General, New York; and many more. O’Daniel is a United States Artist 2022 Disability Futures Fellow and a 2022 Guggenheim Fellow. She was included in Filmmaker magazine’s 25 New Faces of Independent Film and writing. She is an Assistant Professor of Film at California College of the Arts in San Francisco.
Missing VIFF? Check out what's playing at the VIFF Centre
All the Lovers in the Night
A lonely proofreader's isolated world begins to open through an unlikely friendship with a gentle physics teacher. Based on Mieko Kawakami's acclaimed novel, this luminous drama is a delicate meditation on loneliness, intimacy, and self-discovery.
Clarissa
Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.
Image: © Courtesy of Elevation Pictures
Opening Gala: The Debut
VIFF is honoured to open the festival with this special by-invitation screening of Jesse Eisenberg's The Debut. When meek Mona (Julianne Moore) lands a part in a musical, she fully inhabits her character, but grows increasingly untethered from reality.
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
The Beloved
When Esteban Martínez, an acclaimed director with violent tendences, invites his estranged daughter to star in his latest project, the stage is set for a familial reconnection. But as tensions flare, questions about his intentions rise to the surface.
MODES 1
Archive and the land reveal other ways of seeing, ensuring that what is meant to endure cannot be erased.