Framed around a string of unsolved tuba thefts in Los Angeles from 2011 to 2013, the film cuts against the grain: instead of investigating the crimes like a conventional documentary, it reframes them as a metaphysical experiment — how does the absence of sound affect our experience? The film reimagines closed captions, expressing stories and ways of hearing through text placement, font size, colour, and punctuation that’s equally playful and profound. The result is a vibrant new cinematic experience — part historical documentary, part poetic video essay, with interwoven narrative vignettes — that immerses you in a rich parallel world, where you “hear” the humming of plants, the vibrations in the air from Californian forest fires, a 70s punk rock deaf concert, a performance of John Cage’s infamous 4′33″… It forces you to reevaluate your relationship with the quotidian sounds of your life. Drawing on her lived experience as a d/Deaf/Hard of Hearing person, director Alison O’Daniel transcends assumptions of sound, silence, and language in this groundbreaking hybrid documentary.
The Tuba Thieves, by Alison O’Daniel, is a groundbreaking work of art, a wonderfully different, beautiful film that showcases creative captioning and visual and audio poetry.
Chicago Reader
Q&A on September 30 & October 2
Community Partner
Nyeisha “Nyke” Prince, Russell Harvard, Geovanny Marroquin, Warren “WAWA” Snipe, Ajia Jones
USA
2023
Spectrum
In American Sign Language and English with open captions
Coarse & Sexual Language
Book Tickets
Indigenous & Community Access
Credits
Executive Producer
Wendy Ettinger, Maida Lynn, Sally Jo Fifer, Lois Vossen
Producer
Rachel Nederveld, Alison O’Daniel, Su Kim, Maya E. Rudolph
Cinematography
Derek Howard
Editor
Alison O’Daniel, Zach Khalil
Production Design
Mboni Maumba, Clover Singsen, Heather Quesada
Original Music
Christine Sun Kim, Ethan Frederick Greene, Steve Roden
Director
Alison O'Daniel
Alison O’Daniel is a filmmaker and visual artist. She has screened and exhibited in galleries and museums internationally, including the Centre Pompidou, Paris, FR; Centro Centro, Madrid, Spain; Renaissance Society, Chicago; Art in General, New York; and many more. O’Daniel is a United States Artist 2022 Disability Futures Fellow and a 2022 Guggenheim Fellow. She was included in Filmmaker magazine’s 25 New Faces of Independent Film and writing. She is an Assistant Professor of Film at California College of the Arts in San Francisco.
Missing VIFF? Check out what's playing at the VIFF Centre
Porcelain War
In Canada we cannot truly comprehend a scenario in which our country is invaded and civilians compelled to take up arms. Yet for Ukrainians, this is the reality. In Porcelain War, three artists elect to stay and fight -- with cameras, yes, and with guns.
Inay (Mama)
Bold and deeply personal, Inay investigates the emotional and psychological repercussions of Canada's Live-In Caregiver Program, which attracted Filipino women migrant workers who left their children to care for strangers out of economic necessity.
La Cocina
First day at the Grill for undocumented Mexican Estella. The work is unremitting, the melting pot is boiling, and Julia (Rooney Mara) is due to have an abortion -- to the fury of her lover, one of the chefs...
Ernest Cole: Lost and Found
Raoul Peck (I Am Not Your Negro) tells the story of South African photographer Ernest Cole, who captured some of the most vivid and compelling images of the apartheid regime in the 1960s but died in near obscurity in the USA just as Mandela was released.
Obsessed with Light
Nearly a century after her death Loie Fuller is still inspiring artists like Taylor Swift, Shakira, Bill T Jones and William Kentridge. She became world famous as an innovative dancer, combining fabric, lighting effects and movement in revolutionary ways.
