Suellen needs some money. She is a single mother raising a teenage son on the salary of a toll booth worker in an industrial Brazilian town. Her son’s father is out of the picture, and her live-in boyfriend does nothing but take from what little she has. Her solution to her financial woes is to join a gang of thieves who steal wristwatches from wealthy motorists. With this money, Suellen can pay for the most important thing in her life: her son’s conversion therapy.
Director Carolina Markowicz presents a cinematic study of intolerance and hypocrisy. In a town where confession and prayer relieve you of the sins of infidelity, theft, and judgment, no sin is greater than a boy wearing makeup and learning English so he can lip-sync to his favourite American singers. The narrow-minded Suellen considers the perception of others before her son’s happiness, leading her to make a series of rash decisions that will have fateful consequences for the both of them.
Maeve Jinkings, Kauan Alvarenga, Thomás Aquino, Aline Marta Maia, Isac Graça
Brazil/Portugal
2023
Panorama
In Portuguese with English subtitles
Violence
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
João Macedo, Chica Mendonça
Producer
Karen Castanho, Vega Luís, Urbano, Bianca Villar, Fernando Fraiha, Sandro Aguilar, Carolina Markowicz
Screenwriter
Carolina Markowicz
Cinematography
Luis Armando Arteaga
Editor
Lautaro Colace; Ricardo Saraiva
Production Design
Vicente Saldanha
Original Music
Filipe Derado
Director
Carolina Markowicz
Carolina Markowicz has written and directed six short films selected by more than 300 festivals and is the recipient of many awards. The Orphan premiered in Cannes’ Director’s Fortnight in 2018 and won the Queer Palm. Since 2021, Her debut feature, Charcoal, premiered at Toronto and San Sebastian in 2022.
Filmography: Charcoal (2022)
Missing VIFF? Check out what's playing at the VIFF Centre
The Wind Will Carry Us
Kiarostami's dry comic masterpiece follows a Tehrani film team's thwarted attempts to document a traditional Kurdish funeral... Trouble being, there's no one to bury, and, worse, virtually no cell service...
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Ghost Dog: Way of the Samurai
Ghost Dog (Forest Whitaker) is an assassin, but he's also an existential loner who adheres to his personal code. Despite the thriller trappings, this is really a lampoon of that genre, and a melancholy reverie for the cultural melting pot we call home.
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.
