World Premiere
WaaPaKe is a story about resilience, love and transformation. Examined through an Indigenous lens, the stories of residential school Survivor-Warriors and their families offer an understanding of both intergenerational trauma and healing. We are taken to a studio set-up in front of a green screen. Through compassionate, candid conversations, Jules Koostatchin shares interviews with five individuals, family and friends, that all directly or indirectly experienced intergenerational trauma. They tell of their survival, and the impacts felt throughout families and generations. The word “Waapake“ in swampy Cree means “tomorrow” and it’s used to signify how they move forward in a good way and work towards healing with each other, within families, and within the community around them. Thematically it is a powerful, courageous, and vulnerable documentary. WaaPaKe reflects where we are in Truth and Reconciliation in Canada after the unmarked graves, and offers hopeful and determined perspectives looking to the future.
October 1 & 4: Q&A with director Jules Arita Koostachin & crew
Presented by
Series Media Partner
Community Partner
Canada
2023
Insights
In English and Cree with English subtitles
Depictions of Racism, Residential Schools, Sexual Language
Book Tickets
Indigenous & Community Access
Credits
Executive Producer
Shirley Vercruysse
Producer
Teri Snelgrove
Screenwriter
Jules Arita Koostachin
Cinematography
Michael Bourquin
Editor
Jessica Dymond
Original Music
Justin Delorme
Director
Photo by Karolina Turek
Jules Arita Koostachin
Dr. Jules Arita Koostachin (Attawapiskat) is an award-winning filmmaker, mother, and academic. Social justice themes emerge in her films, alongside bravery, healing, connection and humour. Jules honours her Cree-speaking grandparents who raised her, and her mother, a residential school Survivor/warrior. Jules is an alumni from Concordia’s Theatre program, including Toronto Metropolitan University’s Documentary Media masters program, receiving early recognition with an Award of Distinction and an Academic Gold Medal for her thesis documentary film, Remembering Inninimowin. Jules holds a Ph.D. in Indigenous documentary from UBC.
Filmography: Broken Angel (2023); Placenta (2012); Remembering Inninimowin (2010)
Missing VIFF? Check out what's playing at the VIFF Centre
Misericordia
Edgy, eccentric, and unapologetically queer, this film goes from drama to comedy without putting a foot wrong. Sex and murder are the subjects, and writer-director Alain Guiraudie (Stranger by the Lake) mines them for suspense and outrageous laughs.
The Stand
This rousing doc explores a 1985 dispute over logging in the Haida Gwaii. Taking us from canny retrospective commentary to the thick of the action, director Chris Auchter employs animation and a wealth of archival footage to riveting effect.
Julie Keeps Quiet
When her coach falls under investigation for inappropriate behaviour, a young tennis ace is thrown into turmoil. Her reluctance to testify about her experience puts her at odds with the club, her parents and her friends.
Resident Orca
Captured in Puget Sound in 1970, killer whale Lolita spent the next half century in a cramped tank in Seaquarium, Miami. The film follows a coalition of Lummi elders, animal lovers and philanthropists on a rescue mission to return her to the ocean.
The Way, My Way
All manner of pilgrims flock to France and Spain to walk the 800 km Camino de Santiago. One such is Bill, a stroppy sexagenarian Australian filmmaker who's determined to do the Camino with minimal prep, a dickey leg, and no firm idea why.