World Premiere
WaaPaKe is a story about resilience, love and transformation. Examined through an Indigenous lens, the stories of residential school Survivor-Warriors and their families offer an understanding of both intergenerational trauma and healing. We are taken to a studio set-up in front of a green screen. Through compassionate, candid conversations, Jules Koostatchin shares interviews with five individuals, family and friends, that all directly or indirectly experienced intergenerational trauma. They tell of their survival, and the impacts felt throughout families and generations. The word “Waapake“ in swampy Cree means “tomorrow” and it’s used to signify how they move forward in a good way and work towards healing with each other, within families, and within the community around them. Thematically it is a powerful, courageous, and vulnerable documentary. WaaPaKe reflects where we are in Truth and Reconciliation in Canada after the unmarked graves, and offers hopeful and determined perspectives looking to the future.
October 1 & 4: Q&A with director Jules Arita Koostachin & crew
Presented by
Series Media Partner
Community Partner
Canada
2023
Insights
In English and Cree with English subtitles
Depictions of Racism, Residential Schools, Sexual Language
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Shirley Vercruysse
Producer
Teri Snelgrove
Screenwriter
Jules Arita Koostachin
Cinematography
Michael Bourquin
Editor
Jessica Dymond
Original Music
Justin Delorme
Director
Photo by Karolina Turek
Jules Arita Koostachin
Dr. Jules Arita Koostachin (Attawapiskat) is an award-winning filmmaker, mother, and academic. Social justice themes emerge in her films, alongside bravery, healing, connection and humour. Jules honours her Cree-speaking grandparents who raised her, and her mother, a residential school Survivor/warrior. Jules is an alumni from Concordia’s Theatre program, including Toronto Metropolitan University’s Documentary Media masters program, receiving early recognition with an Award of Distinction and an Academic Gold Medal for her thesis documentary film, Remembering Inninimowin. Jules holds a Ph.D. in Indigenous documentary from UBC.
Filmography: Broken Angel (2023); Placenta (2012); Remembering Inninimowin (2010)
Missing VIFF? Check out what's playing at the VIFF Centre
The Skeleton of Mrs Morales
In this delightful black comedy, an avuncular taxidermist (our old amigo Arturo de Córdova) is beloved by many but not his wife (Amparo Rivelles), a religious fanatic who can't bear to be touched. One day she pushes him too far...
Turner & Constable
Filmed as a supplement to a blockbuster exhibition at Tate Britain happening right now, this doc in the popular Exhibition on Screen series allows us to view these competitive, complementary English landscape artists side by side.
Montreal, ma belle
In this Valentine to discovering love later in life, the ever-elegant Joan Chen plays Feng Xia, a 53-year-old Chinese immigrant and mother in Montreal whose world is turned upside down when she meets and falls in love with a young Quebecoise.
Streetwalker
Middle class and married, Elena (Miroslava Stern) has been seduced by an unscrupulous swindler, who turns out to be the pimp of Maria (Elda Peralta), a prostitute and Elena's estranged sister. But are they really so different under the skin?
A Magnificent Life
Animator Sylvain Chomet (The Triplets of Belleville; The Illusionist) crafts a loving biopic of the revered French writer, playwright and filmmaker Marcel Pagnol (Jean de Florette; My Father's Glory)
Victims of Sin
This movie is a hot scramble of piety and passion, sentimentality and sleaze. Ninón Sevilla plays Violeta, a rumba sensation who oversteps when she rescues a newborn from the trash. This gets her fired and wins the enmity of the pimp who fathered the kid.