World Premiere
WaaPaKe is a story about resilience, love and transformation. Examined through an Indigenous lens, the stories of residential school Survivor-Warriors and their families offer an understanding of both intergenerational trauma and healing. We are taken to a studio set-up in front of a green screen. Through compassionate, candid conversations, Jules Koostatchin shares interviews with five individuals, family and friends, that all directly or indirectly experienced intergenerational trauma. They tell of their survival, and the impacts felt throughout families and generations. The word “Waapake“ in swampy Cree means “tomorrow” and it’s used to signify how they move forward in a good way and work towards healing with each other, within families, and within the community around them. Thematically it is a powerful, courageous, and vulnerable documentary. WaaPaKe reflects where we are in Truth and Reconciliation in Canada after the unmarked graves, and offers hopeful and determined perspectives looking to the future.
October 1 & 4: Q&A with director Jules Arita Koostachin & crew
Presented by
Series Media Partner
Community Partner
Canada
2023
Insights
In English and Cree with English subtitles
Depictions of Racism, Residential Schools, Sexual Language
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Shirley Vercruysse
Producer
Teri Snelgrove
Screenwriter
Jules Arita Koostachin
Cinematography
Michael Bourquin
Editor
Jessica Dymond
Original Music
Justin Delorme
Director
Photo by Karolina Turek
Jules Arita Koostachin
Dr. Jules Arita Koostachin (Attawapiskat) is an award-winning filmmaker, mother, and academic. Social justice themes emerge in her films, alongside bravery, healing, connection and humour. Jules honours her Cree-speaking grandparents who raised her, and her mother, a residential school Survivor/warrior. Jules is an alumni from Concordia’s Theatre program, including Toronto Metropolitan University’s Documentary Media masters program, receiving early recognition with an Award of Distinction and an Academic Gold Medal for her thesis documentary film, Remembering Inninimowin. Jules holds a Ph.D. in Indigenous documentary from UBC.
Filmography: Broken Angel (2023); Placenta (2012); Remembering Inninimowin (2010)
Missing VIFF? Check Out What's Playing at the VIFF Centre
Shadow of a Doubt
In our latest film studies series, FRAMEWORK, Michael van den Bos explores the work of Alfred Hitchcock across four monochrome masterworks. This week: smalltown US thriller Shadow of a Doubt (1943), one of the director's personal favourites.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Best Years of Our Lives
One of the finest films to come out of WWII, The Best Years of Our Lives sympathetically conveys the difficulties returning veterans faced in readjusting to life at home. It won 7 of the top Academy Awards including Best Picture, Director and Actor.
Ray Gunn (Special Advance Screening with Brad Bird)
In an alternate future as seen from 1939, a private eye (Sam Rockwell) is drawn into a case involving aliens, murder, and a multimedia star (Scarlett Johansson). Followed by a moderated discussion with director Brad Bird (The Incredibles, Ratatouille).