John Cassavetes’ greatest success is built on a fearless, tour-de-force performance from Gena Rowlands as Mabel Longhetti, a working class wife and mom who sometimes struggles to keep it all together. Peter Falk is her husband, a proud man who loves Mabel, but is also ashamed of her. Love, as the song goes, will tear you apart.
When I think of this film, it’s all about Gena Rowlands; it’s one of the greatest on-screen performances ever in my opinion. But also, Peter Falk is amazing. And it’s John Cassavetes at his best. Although the film explores the difficult and heavy subject matter of mental illness, it somehow manages to deliver so much heart, humor, joy, and love to this beautiful story as well. There is a palpable energy in the performances, the writing, the camera moves and editing that all just leaps through the screen. There is a messiness, a raw, ’don’t give a f***’ attitude in the filmmaking here that I believe is the essence of great indie cinema and which is what makes John Cassavetes truly one of the greats.
Anthony Shim
October 2 & 8: Introduced by Leading Lights guest programmer Anthony Shim
Supported by
Peter Falk, Gena Rowlands, Fred Draper, Lady Rowlands, Katherine Cassavetes
USA
1974
Leading Lights
English
Book Tickets
Indigenous & Community Access
Credits
Producer
Sam Shaw
Screenwriter
John Cassavetes
Editor
David Armstrong, Sheila Viseltear
Original Music
Bo Harwood
Director
John Cassavetes
Among the most influential of all American filmmakers, John Cassavetes forged his own path, combining a successful career as an actor for hire (The Dirty Dozen; Rosemary’s Baby) with his own independent productions as writer-director. Cassavetes’ own films are raw, abrasive portraits of men and women wrestling with their demons, typically shot in a verité style, and feature powerhouse performances from his wife, Gena Rowlands, and regular collaborators Peter Falk, Ben Gazzara and Seymour Cassel, as well as extended family members. Cassavetes died in 1989 at the age of 59.
Filmography: Shadows (1958); Faces (1968); Husbands (1970); Opening Night (1977); Love Streams (1984)
Missing VIFF? Check out what's playing at the VIFF Centre
No Other Land
Deemed by many critics one of the essential films of 2024, a multiple festival award winner and Academy Award winner for Best Documentary, No Other Land is a reminder that mass expulsion is by no means a new reality for Palestinians.
Misericordia
Edgy, eccentric, and unapologetically queer, this film goes from drama to comedy without putting a foot wrong. Sex and murder are the subjects, and writer-director Alain Guiraudie (Stranger by the Lake) mines them for suspense and outrageous laughs.
There's Still Tomorrow
A critical and box office sensation in Italy, Paola Cortellesi's triumphant directorial debut is the tale of a Roman housewife in 1946, who stands up against the routine sexist abuse she suffers. Funny, heartbreaking and inspiring.
The Way, My Way
All manner of pilgrims flock to France and Spain to walk the 800 km Camino de Santiago. One such is Bill, a stroppy sexagenarian Australian filmmaker who's determined to do the Camino with minimal prep, a dickey leg, and no firm idea why.
The Stand
This rousing doc explores a 1985 dispute over logging in the Haida Gwaii. Taking us from canny retrospective commentary to the thick of the action, director Chris Auchter employs animation and a wealth of archival footage to riveting effect.
Resident Orca
Captured in Puget Sound in 1970, killer whale Lolita spent the next half century in a cramped tank in Seaquarium, Miami. The film follows a coalition of Lummi elders, animal lovers and philanthropists on a rescue mission to return her to the ocean.