John Cassavetes’ greatest success is built on a fearless, tour-de-force performance from Gena Rowlands as Mabel Longhetti, a working class wife and mom who sometimes struggles to keep it all together. Peter Falk is her husband, a proud man who loves Mabel, but is also ashamed of her. Love, as the song goes, will tear you apart.
When I think of this film, it’s all about Gena Rowlands; it’s one of the greatest on-screen performances ever in my opinion. But also, Peter Falk is amazing. And it’s John Cassavetes at his best. Although the film explores the difficult and heavy subject matter of mental illness, it somehow manages to deliver so much heart, humor, joy, and love to this beautiful story as well. There is a palpable energy in the performances, the writing, the camera moves and editing that all just leaps through the screen. There is a messiness, a raw, ’don’t give a f***’ attitude in the filmmaking here that I believe is the essence of great indie cinema and which is what makes John Cassavetes truly one of the greats.
Anthony Shim
October 2 & 8: Introduced by Leading Lights guest programmer Anthony Shim
Supported by
Peter Falk, Gena Rowlands, Fred Draper, Lady Rowlands, Katherine Cassavetes
USA
1974
Leading Lights
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Sam Shaw
Screenwriter
John Cassavetes
Editor
David Armstrong, Sheila Viseltear
Original Music
Bo Harwood
Director
John Cassavetes
Among the most influential of all American filmmakers, John Cassavetes forged his own path, combining a successful career as an actor for hire (The Dirty Dozen; Rosemary’s Baby) with his own independent productions as writer-director. Cassavetes’ own films are raw, abrasive portraits of men and women wrestling with their demons, typically shot in a verité style, and feature powerhouse performances from his wife, Gena Rowlands, and regular collaborators Peter Falk, Ben Gazzara and Seymour Cassel, as well as extended family members. Cassavetes died in 1989 at the age of 59.
Filmography: Shadows (1958); Faces (1968); Husbands (1970); Opening Night (1977); Love Streams (1984)
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.