Two hundred years after the first Civil War, the descendants of African American farmers who settled in rural Canada struggle to keep famine at bay. Hailey Freeman (Danielle Deadwyler) and her husband Galen (Michael Greyeyes) have raised their kids to live off the land and protect their home. Their safety and comfort are interrupted when a bloodthirsty band of cannibals discovers their sanctuary.
R.T. Thorne’s extensive resume in TV and music videos comes through in his exciting debut feature about a family in peril. The Black and Indigenous cast shines with Deadwyler and Greyeyes turning in powerful performances as parents desperate to protect their family, and Kataem O’Connor as Emanuel, the eldest son, who flirts with disaster when he discovers a young woman on the other side of the fence. Building to a sensational climax, 40 Acres is a welcome piece of representational genre filmmaking and a gripping thriller in its own right.
Sept 30 & Oct 2: Q&A with director R.T. Thorne
Supported by
Media Partner
Danielle Deadwyler, Kataem O’Connor, Michael Greyeyes, Milcania Diaz-Rojas, Leenah Robinson, Jaeda LeBlanc
Canada
2024
In English and Cree with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Taj Critchlow, R.T. Thorne, Danielle Deadwyler, Sudz Sutherland, John Lang, Mark Gingras, Andrew Frank
Producer
Jennifer Holness
Screenwriter
R.T. Thorne, Glenn Taylor
Cinematography
Jeremy Benning
Editor
Dev Singh, Sandy Pereira
Production Design
Peter Cosco
Original Music
Todor Kobakov
R.T. Thorne
Toronto-based R.T. Thorne is a versatile triple threat: he is a director, producer, and screenwriter, focused on telling stories that break new ground representing the unrepresented. Known for his bold visual style, R.T. has directed for NBC, The CW, WBTV, Netflix, Disney, and Hulu. His episodic work has taken him to three continents, earning three Canadian Screen Award nominations, and a DGC nomination. R.T. is the Chair of the National BIPOC Members Committee for the Directors Guild of Canada.
Missing VIFF? Check out what's playing at the VIFF Centre
Rear Window
James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).
Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Three Colours: Red
Irène Jacob plays Valentine, a runway model living in Geneva, who crosses paths with a retired judge (Jean-Louis Trintignant) who's a bit of an eavesdropper. Initially repelled, she becomes intrigued by this man, as do we... Kieslowski's sublime adieu.
Four Weddings and a Funeral
Four Weddings begins with an onslaught of fucks. It's the first signal that this rom-com will break from tradition, despite the ritualized structural conceit described in the title. The witty screenplay is by Richard Curtis — it's still his best.
Camp
Reeling from two devastating tragedies, Emily (Zola Grimmer) takes refuge at a summer camp for troubled youth, where she has been offered a position as counsellor. She finds friendship, but also something more unexpected, something truly troubling...