
Two hundred years after the first Civil War, the descendants of African American farmers who settled in rural Canada struggle to keep famine at bay. Hailey Freeman (Danielle Deadwyler) and her husband Galen (Michael Greyeyes) have raised their kids to live off the land and protect their home. Their safety and comfort are interrupted when a bloodthirsty band of cannibals discovers their sanctuary.
R.T. Thorne’s extensive resume in TV and music videos comes through in his exciting debut feature about a family in peril. The Black and Indigenous cast shines with Deadwyler and Greyeyes turning in powerful performances as parents desperate to protect their family, and Kataem O’Connor as Emanuel, the eldest son, who flirts with disaster when he discovers a young woman on the other side of the fence. Building to a sensational climax, 40 Acres is a welcome piece of representational genre filmmaking and a gripping thriller in its own right.
Sept 30 & Oct 2: Q&A with director R.T. Thorne
Supported by
Media Partner
Danielle Deadwyler, Kataem O’Connor, Michael Greyeyes, Milcania Diaz-Rojas, Leenah Robinson, Jaeda LeBlanc
Canada
2024
In English and Cree with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Taj Critchlow, R.T. Thorne, Danielle Deadwyler, Sudz Sutherland, John Lang, Mark Gingras, Andrew Frank
Producer
Jennifer Holness
Screenwriter
R.T. Thorne, Glenn Taylor
Cinematography
Jeremy Benning
Editor
Dev Singh, Sandy Pereira
Production Design
Peter Cosco
Original Music
Todor Kobakov

R.T. Thorne
Toronto-based R.T. Thorne is a versatile triple threat: he is a director, producer, and screenwriter, focused on telling stories that break new ground representing the unrepresented. Known for his bold visual style, R.T. has directed for NBC, The CW, WBTV, Netflix, Disney, and Hulu. His episodic work has taken him to three continents, earning three Canadian Screen Award nominations, and a DGC nomination. R.T. is the Chair of the National BIPOC Members Committee for the Directors Guild of Canada.
Missing VIFF? Check out what's playing at the VIFF Centre
School of Rock
With not one, but two new Richard Linklater movies at VIFF this year (Nouvelle Vague and Blue Moon), we thought it would be fun to revisit a choice cut from his rich back catalogue: the best Black and White movie ever made, School of Rock.
Boyhood
A dozen years in the making, Richard Linklater's masterpiece chronicles the evolution of a boy into a young man, from six to 18. It is the ultimate coming-of-age movie, and one of the most audacious cinematic feats of the decade.
There Will Be Blood
Paul Thomas Anderson's lacerating epic about the birth of the oil age: Daniel Day-Lewis is extraordinary as the prospector entirely consumed with his own enterprise, a Trumpian figure of naked self-assertion; Paul Dano the evangelist who may be his nemesis.
Godland
In the late 19th century, a Danish Lutheran priest is dispatched to a far corner of Iceland where a devout farmer has seen fit to build a church. The physical journey is arduous. His spiritual journey, more taxing still.
The Balconettes
In this flamboyant black comedy set in Marseille during a heatwave, writer-director-star Noémie Merlant and her two besties have to cover up the unpleasant evidence of a disastrous night partying with the hunk across the way.