On Becoming a Guinea Fowl

When Shula (Susan Chardy) returns home to Zambia and finds her uncle’s dead body on the roadside by a brothel, the last thing she wants is to mourn him. Her boisterously drunk cousin Nsansa (Elizabeth Chisela) can’t stop laughing, because Uncle Fred died as he lived: a pervert. But when their aunties shame them into helping with three intense days of traditional funeral rites, the cousins must wrestle with the sanctification of a man who caused great harm in his lifetime.

Writer-director Rungano Nyoni (I Am Not a Witch) was awarded a Best Director prize in Cannes’ Un Certain Regard for her powerful sophomore feature. Darkly humorous and occasionally surrealist, her writing is matched by razor-sharp editing and immersive sound design to expose the absurdity of the family’s over-the-top demands. The pressure cooker of the funeral is contrasted with the joys and catharsis of stolen moments between the cousins. On Becoming a Guinea Fowl is a defiant warning call to families who hide predators in their midst.

Best Director: Un Certain Regard, Cannes 2024

The off-kilter, absurdist vibe of the picture is enchanting, but it’s rooted in deep horror: The whole movie is about the ways that cruelty and injustice become codified.

Bilge Ebiri, Vulture

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