North American Premiere
After turning down her unfaithful fiancé at the altar, Aya (Nina Mélo) leaves the Ivory Coast and starts a dreamy new life at a gourmet tea shop in Guangzhou, China. As her employer Cai (Chang Han) teaches her the ancient art of the tea ceremony, a sensual romance brews between them. But Cai is haunted by an unrealized dream: to be reunited with his estranged daughter Eva in Cape Verde, the child of an affair he kept hidden from his ex-wife Ying (Wu Ke-Shi). Must he keep a lid on his relationship with Aya too?
This long-awaited new feature from Oscar-nominated auteur Abderrahmane Sissako (Timbuktu) sweeps us off our feet with sleekly edited montages and sublime visual compositions. With the aesthetic flavour of Wong Kar-wai, steeped in a vibrant city nightscape of food stalls and beauty salons, the film explores the African diaspora’s search for cross-cultural harmony in China through its intriguing ensemble cast of characters. Black Tea serves up a bittersweet, metaphysical blend of unresolved dreams and desires.
Media Partner
Nina Mélo, Chang Han, Wu Ke-Xi
France/Mauritania/
Luxembourg/Taiwan/
Côte d’Ivoire
2024
In Mandarin, French, English and Portuguese with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
David Gauquié, Julien Deris, Denis Freyd, Charles S. Cohen, Jean-Luc Ormières
Screenwriter
Kessen Fatoumata Tall, Abderrahmane Sissako
Cinematography
Aymerick Pilarski
Editor
Nadia Ben Rachid
Production Design
Véronique Sacrez
Original Music
Armand Amar
Abderrahmane Sissako
Abderrahmane Sissako was born in Mauritania in 1961 and brought up in Mali. He went to the Soviet Union to attend the VGIK film school in Moscow where he made his first short films.
Filmography: Rostov-Luanda (1997); Life on Earth (1998); Waiting for Happiness (2002); Bamako (2006); Timbuktu (2014)
Photo by Chevié Link
Missing VIFF? Check out what's playing at the VIFF Centre
Dead Lover
A foul-smelling gravedigger's romance ends in tragedy, spurring her to attempt a resurrection through a madcap series of science experiments. Grace Glowicki and Ben Petrie’s film is a zany DIY horror that zaps fresh life into Mary Shelley's classic.
Sansho the Bailiff
The third of the great Japanese masters (with Ozu and Kurosawa), Mizoguchi is a poet of suffering. There's plenty of that here in his exquisite telling of an ancient folktale about the enslavement of a woman and her two children.
Agatha's Almanac
Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.
Outrageous!
Two misfits find love and support in this cult classic and landmark for Canadian queer cinema. Determined to retain her freedom after being treated for schizophrenia, Liza grows equally committed to seeing Robin realize his potential as a drag performer.
Vancouver Opera Presents: Moulin Rouge!
Paris has never been gayer than in this headlong karaoke culture crash set in a poptastic 19th century Montmartre, where Ewan McGregor composes The Sound of Music and falls over his heels for Nicole Kidman's courtesan, Satine.
Love & Independence
A program of shorts that introduces daring new voices in Canadian cinema. Personal, playful, provocative, and self-financed, these films offer the freedom to express boldly through practices rooted in filmmaking among friends.
