North American Premiere
After turning down her unfaithful fiancé at the altar, Aya (Nina Mélo) leaves the Ivory Coast and starts a dreamy new life at a gourmet tea shop in Guangzhou, China. As her employer Cai (Chang Han) teaches her the ancient art of the tea ceremony, a sensual romance brews between them. But Cai is haunted by an unrealized dream: to be reunited with his estranged daughter Eva in Cape Verde, the child of an affair he kept hidden from his ex-wife Ying (Wu Ke-Shi). Must he keep a lid on his relationship with Aya too?
This long-awaited new feature from Oscar-nominated auteur Abderrahmane Sissako (Timbuktu) sweeps us off our feet with sleekly edited montages and sublime visual compositions. With the aesthetic flavour of Wong Kar-wai, steeped in a vibrant city nightscape of food stalls and beauty salons, the film explores the African diaspora’s search for cross-cultural harmony in China through its intriguing ensemble cast of characters. Black Tea serves up a bittersweet, metaphysical blend of unresolved dreams and desires.
Media Partner
Nina Mélo, Chang Han, Wu Ke-Xi
France/Mauritania/
Luxembourg/Taiwan/
Côte d’Ivoire
2024
In Mandarin, French, English and Portuguese with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
David Gauquié, Julien Deris, Denis Freyd, Charles S. Cohen, Jean-Luc Ormières
Screenwriter
Kessen Fatoumata Tall, Abderrahmane Sissako
Cinematography
Aymerick Pilarski
Editor
Nadia Ben Rachid
Production Design
Véronique Sacrez
Original Music
Armand Amar
Abderrahmane Sissako
Abderrahmane Sissako was born in Mauritania in 1961 and brought up in Mali. He went to the Soviet Union to attend the VGIK film school in Moscow where he made his first short films.
Filmography: Rostov-Luanda (1997); Life on Earth (1998); Waiting for Happiness (2002); Bamako (2006); Timbuktu (2014)
Photo by Chevié Link
Missing VIFF? Check Out What's Playing at the VIFF Centre
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.