Canadian Premiere
In the wake of a shocking diagnosis that three of their four kids had retinitis pigmentosa, a rare genetic disease that causes blindness, Edith and Sébastien Pelletier decided to take their family on a whirlwind year of travel, so their children could fill up a visual memory bank of beautiful images around the world before they lost their sight completely. Following a bucket list written by the kids, the Pelletiers embark on a safari in Namibia, horseback riding in Mongolia, surfing in Indonesia, and countless other escapades, all while processing the disease that’s taking their vision.
Working with National Geographic, Oscar-winning directors Daniel Roher and Edmund Stenson (Navalny) capture breathtaking vistas, the far-ranging beauty of planet Earth in a way most of us will never experience first-hand, but also cultivate a powerfully inspirational vision of family and the resiliency of the human spirit. What begins as a childhood fantasia of exotic locales and globe-trotting adventures becomes a bittersweet journey of reflection, self-discovery, and heartwarming family connection.
Media Partner
Edith Lemay, Sébastien Pelletier, Mia Pelletier, Léo Pelletier, Colin Pelletier, Laurent Pelletier
USA/Canada
2024
In French and English with English subtitles
Open to youth!
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Amit Dey, Bob Moore
Producer
Melanie Miller, Diane Becker
Cinematography
Jean-Sébastien Francoeur
Editor
Ryan Mullins, Miranda Yousef
Original Music
Tamar-kali
Edmund Stenson
Edmund Stenson’s work as director, producer, and editor spans documentary and fiction, focusing on social issues, loners, and nomads. He was an associate editor on the BAFTA and Oscar-winning Navalny (2022). His 2018 CBC documentary Finding Fukue went viral with over 14 million views, and The Martyr (2021) won Best Short Doc at Atlanta Shortsfest and FilmQuest. His editing credits include Being Black in Toronto (2020) and Ghosts of Our Forest (2017).
Daniel Roher
Daniel Roher is a Canadian documentary director and producer. His film Once Were Brothers, which explores the legendary Robbie Robertson and The Band, opened the 2019 Toronto International Film Festival. In 2022, Roher’s film Navalny, about the Russian opposition leader Alexei Navalny, premiered at the Sundance Film Festival where it won the U.S. Documentary Audience Award. It went on to win Best Documentary Feature at the 95th Academy Awards.
Filmography: Ghosts of Our Forest (2017); Once Were Brothers (2019); Navalny (2022)
Missing VIFF? Check out what's playing at the VIFF Centre
Marcella
Marcella Hazan taught North Americans that there was more to Italian food than pizza and meatballs. She wrote what remains the definitive book on the subject (Essentials of Classic Italian Cooking). This is her story.
Sabbath Queen
The dynastic heir of 38 generations of Orthodox rabbis, including the Chief Rabbis of Israel, Amichai Lau-Lavie is what you might call the black sheep of the family. His sexuality led him down a different path, but its destination is surprising...
Caught by the Tides
Over two decades, across China’s rapidly changing landscape, two lovers meet and part and meet again. In this magisterial film, Jia Zhangke refracts the 21st century through a reflexive, retrospective look at his era-defining filmography.
The Penguin Lessons
Steve Coogan nails a juicy role in the true story of an English teacher in 70s Argentina who reluctantly p-p-picks up a penguin from an oil-slicked beach but finds his new friend is stickier than he looks.
Sweet Summer Pow Wow
After the local hit The Great Salish Heist, writer-director Darrell Dennis proves his versatility with this charming love story about two young people who meet cute on BC's Pow Wow circuit. Her mom wants her to become a lawyer, but Jinny loves to dance...
One to One: John and Yoko
Both a concert film (Madison Square Gardens, August 1972) and a time machine, dropping us into the dizzying political kaleidoscope of the early 1970s, Kevin Macdonald's latest documentary is a rewarding addition to Lennon Studies.