Two decades of China’s rapid transformations are on dazzling display in Caught by the Tides, master filmmaker Jia Zhangke’s magisterial latest feature. In the early 2000s, lovers Qiaoqiao and Bin bide their time in a ragtag song-and-dance troupe in the city of Datong. When Bin leaves town and Qiaoqiao goes in search of him, however, the two are swept up in the long drift of the twenty-first century. What ensues is a quietly devastating, decades-spanning romance of two individuals borne along by the forces of time and tide.
Featuring not just callbacks to earlier films, such as Unknown Pleasures (2002) and Still Life (2006), but also contemporaneously shot footage from those productions, Caught traces an alternate path through Jia’s era-defining filmography—one that doubles as a counter-history of contemporary China itself. Anchored by a luminous performance by Zhao Tao, Jia’s longtime partner and artistic collaborator, the film derives its considerable power from the cumulative sense of time gone by.
Media Partner
Zhao Tao, Li Zhubin
China
2024
In Mandarin with English subtitles
At International Village and Vancouver Playhouse
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Jia Zhangke, Tang Yan, Dong Ping, Zhu Weijie
Producer
Casper Liang Jiayan, Shozo Ichiyama
Screenwriter
Jia Zhangke, Wan Jiahuan
Cinematography
Yu Lik-Wai, Eric Gautier
Editor
Yang Chao, Lin Xudong, Matthieu Laclau
Original Music
Lim Giong
Art Director
Ye Qiusen, Liu Qiang, Liu Weixin, Liang Jingdong
Jia Zhangke
Jia Zhangke was born in Fenyang, Shanxi, in 1970 and graduated from Beijing Film Academy. His debut feature Xiao Wu (1997) won prizes in Berlin, Vancouver, and elsewhere. Since then, his films have routinely premiered at major European festivals. Still Life (2006) won the Golden Lion in Venice in 2006, and A Touch of Sin (2013) won the Best Screenplay at Cannes in 2013.
Filmography: Pickpocket (1997); Platform (2000); Still Life (2006); Mountains May Depart (2015); Ash Is Purest White (2018)
Photo by X Stream Pictures
Missing VIFF? Check out what's playing at the VIFF Centre
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Sandbox
Borders are the faultlines of the world. Kenya-Jade Pinto's doc examines how modern surveillance technology, bio-metrics and AI are combining to make land and sea borders as impenetrable as air travel, and suggests the unspoken cost is our own humanity.
Atonement
A former Marine suffering from PTSD seeks a meeting with the Iraqi family to which he did great wrong ten years earlier in the Gulf War. Atonement navigates challenging, politically-charged psychological territory with diligence and sensitivity.
The Pervert's Guide to Ideology
Slavoj Zizek re-teams with director Sophie Fiennes for another wildly entertaining romp through the crossroads of cinema and philosophy. From The Sound of Music to Titanic, Jaws to The Dark Knight, Zizek offers new ways to understanding Hollywood.
The Pervert's Guide to Cinema
The Pervert's Guide to Cinema takes the viewer on an exhilarating ride through some of the greatest movies ever made (Hitchcock, Lynch, Tarkovsky et al). Serving as guide is Slavoj Zizek, the superstar Slovenian philosopher and psychoanalyst.
You Had to Be There
In a strange quirk of fate, the legendary Toronto '72 production of the musical comedy Jesus hit Godspell launched a constellation of comedy stars, all unknown at the time but now known to us as Martin Short, Eugene Levy, Dave Thomas, Victor Garber, et al