Two decades of China’s rapid transformations are on dazzling display in Caught by the Tides, master filmmaker Jia Zhangke’s magisterial latest feature. In the early 2000s, lovers Qiaoqiao and Bin bide their time in a ragtag song-and-dance troupe in the city of Datong. When Bin leaves town and Qiaoqiao goes in search of him, however, the two are swept up in the long drift of the twenty-first century. What ensues is a quietly devastating, decades-spanning romance of two individuals borne along by the forces of time and tide.
Featuring not just callbacks to earlier films, such as Unknown Pleasures (2002) and Still Life (2006), but also contemporaneously shot footage from those productions, Caught traces an alternate path through Jia’s era-defining filmography—one that doubles as a counter-history of contemporary China itself. Anchored by a luminous performance by Zhao Tao, Jia’s longtime partner and artistic collaborator, the film derives its considerable power from the cumulative sense of time gone by.
Media Partner
Zhao Tao, Li Zhubin
China
2024
In Mandarin with English subtitles
At International Village and Vancouver Playhouse
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Jia Zhangke, Tang Yan, Dong Ping, Zhu Weijie
Producer
Casper Liang Jiayan, Shozo Ichiyama
Screenwriter
Jia Zhangke, Wan Jiahuan
Cinematography
Yu Lik-Wai, Eric Gautier
Editor
Yang Chao, Lin Xudong, Matthieu Laclau
Original Music
Lim Giong
Art Director
Ye Qiusen, Liu Qiang, Liu Weixin, Liang Jingdong
Jia Zhangke
Jia Zhangke was born in Fenyang, Shanxi, in 1970 and graduated from Beijing Film Academy. His debut feature Xiao Wu (1997) won prizes in Berlin, Vancouver, and elsewhere. Since then, his films have routinely premiered at major European festivals. Still Life (2006) won the Golden Lion in Venice in 2006, and A Touch of Sin (2013) won the Best Screenplay at Cannes in 2013.
Filmography: Pickpocket (1997); Platform (2000); Still Life (2006); Mountains May Depart (2015); Ash Is Purest White (2018)
Photo by X Stream Pictures
Missing VIFF? Check out what's playing at the VIFF Centre
Clan of the Painted Lady + Q&A
Jennifer Chiu's engrossing documentary explores the Hakka — a people, a language, and a culture that have been obscured for far too long. Tracing her own lineage back from Canada to China, the director creates an illuminating, bravely personal film.
Fiume o Morte!
The Croatian city of Rijeka rediscovers its own past in this delightfully unconventional hybrid documentary about Italian poet and proto-fascist Gabriele D’Annunzio, who seized the city known in Italian as Fiume in 1919.
Silent Friend
In this entrancing reverie from On Body and Soul director Ildikó Enyedi, we are invited to contemplate several human specimens from the vantage point of a mighty Ginkgo biloba tree on the grounds of a German university.
At the Place of Ghosts
In this supernatural Indigenous thriller from the director of Wildhood, siblings Mise'l and Antle journey into Sk+te'kmujue'katik (the Place of Ghosts), a primordial forest that exists outside of time, to confront their violent upbringing.
Bushido
An impeccable samurai (and "Go" expert), Kakunoshin is framed for a crime and forced into exile. Years later he stumbles across the true reason for his fall from grace, and sets about exacting his revenge...