Two decades of China’s rapid transformations are on dazzling display in Caught by the Tides, master filmmaker Jia Zhangke’s magisterial latest feature. In the early 2000s, lovers Qiaoqiao and Bin bide their time in a ragtag song-and-dance troupe in the city of Datong. When Bin leaves town and Qiaoqiao goes in search of him, however, the two are swept up in the long drift of the twenty-first century. What ensues is a quietly devastating, decades-spanning romance of two individuals borne along by the forces of time and tide.
Featuring not just callbacks to earlier films, such as Unknown Pleasures (2002) and Still Life (2006), but also contemporaneously shot footage from those productions, Caught traces an alternate path through Jia’s era-defining filmography—one that doubles as a counter-history of contemporary China itself. Anchored by a luminous performance by Zhao Tao, Jia’s longtime partner and artistic collaborator, the film derives its considerable power from the cumulative sense of time gone by.
Media Partner
Zhao Tao, Li Zhubin
China
2024
In Mandarin with English subtitles
At International Village and Vancouver Playhouse
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Jia Zhangke, Tang Yan, Dong Ping, Zhu Weijie
Producer
Casper Liang Jiayan, Shozo Ichiyama
Screenwriter
Jia Zhangke, Wan Jiahuan
Cinematography
Yu Lik-Wai, Eric Gautier
Editor
Yang Chao, Lin Xudong, Matthieu Laclau
Original Music
Lim Giong
Art Director
Ye Qiusen, Liu Qiang, Liu Weixin, Liang Jingdong
Jia Zhangke
Jia Zhangke was born in Fenyang, Shanxi, in 1970 and graduated from Beijing Film Academy. His debut feature Xiao Wu (1997) won prizes in Berlin, Vancouver, and elsewhere. Since then, his films have routinely premiered at major European festivals. Still Life (2006) won the Golden Lion in Venice in 2006, and A Touch of Sin (2013) won the Best Screenplay at Cannes in 2013.
Filmography: Pickpocket (1997); Platform (2000); Still Life (2006); Mountains May Depart (2015); Ash Is Purest White (2018)
Photo by X Stream Pictures
Missing VIFF? Check out what's playing at the VIFF Centre
Mr. Nobody Against Putin
Nominated for the Academy Award for Best Documentary, and Special Jury Prize Winner, Sundance, 2025, this exposé shot by a Russian primary teacher shows how the Putin propaganda machine works to militarize children.
Sirât
A desperate father (Sergi Lopez) searchers for his missing daughter through the spiritual wasteland of the Moroccan desert. An unforgettable sensory powerhouse, Sîrat will have you riveted and rattled for hours after the end credits have rolled.
2026 Oscar® Shorts (Documentary)
Don't come to the program of Oscar®-nominated documentary shorts for escapism. But let's talk about the Canadian contender, Perfectly a Strangeness, featuring an abandoned observatory and three donkeys. More of this, please.
Round Midnight: Ardeshir Plays Dexter Gordon
Loosely based on Bud Powell's time in Paris, Round Midnight (131 mins) is maybe the greatest of all films about jazz thanks to the towering performance of real-life jazz great Dexter Gordon. Saxophonist Ardeshir channels Gordon's vibe in his live set.
The Love That Remains
Anna and Magnús have separated, leaving her to raise their three children as he spends long stretches at sea, working as a fisherman. As the seasons pass, their emotions ebb and flow. A richly conceived story with unexpected delight and humour.
