Over the past two months, three-time Emmy-nominated film and television composer Miriam Cutler has mentored four filmmakers and twelve composers to create original scores to scenes from four BC films.
This is your opportunity to hear their final works at a live-to-picture performance featuring 20 members of the Vancouver Symphony Orchestra. You will also hear from each filmmaker, who will talk about how they collaborated with the composers to deliver and record these scores.
This project is the culmination of the second year of VIFF Amp Music in Media Summit’s Composer Filmmaker Accelerator, which has included online mentorship sessions, orchestration support, and professional recording sessions at Bryan Adams’ iconic Warehouse Studios in Vancouver by Damon Tedesco, head engineer at the historic Newman Scoring Stage in Los Angeles.
Films featured include Wild Goat Surf by Caitlyn Sponheimer, which premiered at VIFF in 2023, along Armageddon Road, an upcoming feature film by Karen Lam, N’xaxaitk’w (2022) by Asia Youngman, and Fadeaway (2024) by Brendan Prost.
Meet the composers and filmmakers from this year’s CFA cohort
In Partnership with
Oct 6
1:00 pm
Annex
Book Tickets
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Missing VIFF? Check Out What's Playing at the VIFF Centre
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
