World Premiere
Harvey (Benjamin Turnbull) is a middle-aged, overweight biologist. He lives a lonely life, often feeling invisible on his daily commute and starving for interaction. He spends his time photographing plants and visiting his comatose father in the hospital. While browsing an adult bookshop, he unearths a gay magazine called Cherub, “For big men and their admirers.” Curious and nervous, he submits a photo to the magazine’s Cherub of the Month contest.
Produced as his M.F.A. thesis at York University, Devin Shears’ debut feature (his previous film Grown in Darkness screened at the 2022 VIFF Short Forum) is a gentle, warmhearted character study featuring a deeply human performance from Turnbull. Harvey flourishes before our eyes as he overcomes the fear of being humiliated and experiences the highs and lows of feeling seen. Featuring richly textured cinematography, a shimmering score, and completely dialogue-free, Cherub is an ambient charmer that heralds the arrival of a bright, young talent in Shears.
Oct 3 & 4: Q&A with director Devin Shears and actor Benjamin Turnbull
Presented by
Media Partner
Benjamin Turnbull
Canada
2024
No Dialogue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Mithila Majithia, Devin Shears
Screenwriter
Devin Shears
Cinematography
Nick Tiringer
Editor
Devin Shears
Production Design
Annette Wanjiku Wanjiru
Original Music
Anastasia Westcott
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
A. Rimbaud
Patrick Wang (The Bread Factory) presents the life of French poet Arthur Rimbaud in this staggeringly adventurous and deeply considered movie, a three-hour, one-man show quite unlike anything we have seen before. "Poetic, audacious and singular."
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.

