North American Premiere
With death looming for both elders of the Lunies clan, their estranged children are forced to meet once more, while dealing with their own tumultuous dramas. Tom (Lars Eidinger), a conductor in his early forties, is working on a composition called “Dying,” while also acting as the surrogate father of his ex-girlfriend’s child. Meanwhile, his sister Ellen (Lilith Stangenberg) begins a destructive affair with a married man. As their lives converge, age-old enmities rise to the surface.
In this epic, three-hour saga by German director Matthias Glasner, Tolstoy’s maxim that “every unhappy family is unhappy in its own way” gets further confirmation. Divided into discrete chapters, the film is a tense drama of impressive scale and ambition. By turns morbid, darkly comic, and unexpectedly invigorating, it is a film about the inescapable vicissitudes of family: those people we can’t seem to live with, but also can’t seem to do without.
Silver Bear for Best Screenplay, Berlin 2024
Managers to be exceedingly funny, often in some of its darkest moments, as well as expectedly sad.
Leslie Felperin, Hollywood Reporter
Lars Eidinger, Corinna Harfouch, Lilith Stangenberg, Ronald Zehrfeld, Robert Gwisdek, Anna Bederke
Germany
2024
In German with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Jan Krüger, Ulf Israel, Matthias Glasner
Screenwriter
Matthias Glasner
Cinematography
Jakub Bejnarowicz
Editor
Heike Gnida
Production Design
Tamo Kunz
Original Music
Lorenz Dangel
Matthias Glasner
Matthias Glasner was born in Hamburg in 1965. In the 90s, he made the hipster trilogy Die Mediocren (1995), Sexy Sadie (1996), and Fandango (2000), all of which premiered at the Berlinale. This was followed by the films Der Freie Wille (2006), This is Love (2009), and Gnade (2011). Glasner has directed several television series including KDD – Kriminaldauerdienst (Grimme Prize and German Television Prize), Blochin – Die Lebenden und die Toten, Landgericht (Grimme Prize), and season two of Das Boot.
Filmography: Die Mediocren (1995); Sexy Sadie (1996); Fandango (2000); Der Freie Wille (2006); This is Love (2009); Gnade (2011)
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.