North American Premiere
With death looming for both elders of the Lunies clan, their estranged children are forced to meet once more, while dealing with their own tumultuous dramas. Tom (Lars Eidinger), a conductor in his early forties, is working on a composition called “Dying,” while also acting as the surrogate father of his ex-girlfriend’s child. Meanwhile, his sister Ellen (Lilith Stangenberg) begins a destructive affair with a married man. As their lives converge, age-old enmities rise to the surface.
In this epic, three-hour saga by German director Matthias Glasner, Tolstoy’s maxim that “every unhappy family is unhappy in its own way” gets further confirmation. Divided into discrete chapters, the film is a tense drama of impressive scale and ambition. By turns morbid, darkly comic, and unexpectedly invigorating, it is a film about the inescapable vicissitudes of family: those people we can’t seem to live with, but also can’t seem to do without.
Silver Bear for Best Screenplay, Berlin 2024
Managers to be exceedingly funny, often in some of its darkest moments, as well as expectedly sad.
Leslie Felperin, Hollywood Reporter
Lars Eidinger, Corinna Harfouch, Lilith Stangenberg, Ronald Zehrfeld, Robert Gwisdek, Anna Bederke
Germany
2024
In German with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Jan Krüger, Ulf Israel, Matthias Glasner
Screenwriter
Matthias Glasner
Cinematography
Jakub Bejnarowicz
Editor
Heike Gnida
Production Design
Tamo Kunz
Original Music
Lorenz Dangel
Matthias Glasner
Matthias Glasner was born in Hamburg in 1965. In the 90s, he made the hipster trilogy Die Mediocren (1995), Sexy Sadie (1996), and Fandango (2000), all of which premiered at the Berlinale. This was followed by the films Der Freie Wille (2006), This is Love (2009), and Gnade (2011). Glasner has directed several television series including KDD – Kriminaldauerdienst (Grimme Prize and German Television Prize), Blochin – Die Lebenden und die Toten, Landgericht (Grimme Prize), and season two of Das Boot.
Filmography: Die Mediocren (1995); Sexy Sadie (1996); Fandango (2000); Der Freie Wille (2006); This is Love (2009); Gnade (2011)
Missing VIFF? Check Out What's Playing at the VIFF Centre
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
The 39 Steps
In our new film studies series, FRAMEWORK, film scholar Michael van den Bos explores the work of Alfred Hitchcock, across four monochrome masterworks. This week: The 39 Steps (1935), a witty and fast-moving spy thriller from Hitchcock's English period.
The Great McGinty
Preston Sturges' first film as writer-director is an omnivorous satire on endemic political corruption, the tale of a tramp who gets his entry into politics by casting 37 votes for mayor at $2 a pop. Eventually he'll be on the ticket himself...
To Be Or Not To Be
Strange but true: one of the greatest comedies of Hollywood's golden era was inspired by Hitler's annexation of Poland in 1938. Jack Benny is the renowned theatre actor whose performance of Hamlet is interrupted by the Germans.