North American Premiere
With death looming for both elders of the Lunies clan, their estranged children are forced to meet once more, while dealing with their own tumultuous dramas. Tom (Lars Eidinger), a conductor in his early forties, is working on a composition called “Dying,” while also acting as the surrogate father of his ex-girlfriend’s child. Meanwhile, his sister Ellen (Lilith Stangenberg) begins a destructive affair with a married man. As their lives converge, age-old enmities rise to the surface.
In this epic, three-hour saga by German director Matthias Glasner, Tolstoy’s maxim that “every unhappy family is unhappy in its own way” gets further confirmation. Divided into discrete chapters, the film is a tense drama of impressive scale and ambition. By turns morbid, darkly comic, and unexpectedly invigorating, it is a film about the inescapable vicissitudes of family: those people we can’t seem to live with, but also can’t seem to do without.
Silver Bear for Best Screenplay, Berlin 2024
Managers to be exceedingly funny, often in some of its darkest moments, as well as expectedly sad.
Leslie Felperin, Hollywood Reporter
Lars Eidinger, Corinna Harfouch, Lilith Stangenberg, Ronald Zehrfeld, Robert Gwisdek, Anna Bederke
Germany
2024
In German with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Jan Krüger, Ulf Israel, Matthias Glasner
Screenwriter
Matthias Glasner
Cinematography
Jakub Bejnarowicz
Editor
Heike Gnida
Production Design
Tamo Kunz
Original Music
Lorenz Dangel
Matthias Glasner
Matthias Glasner was born in Hamburg in 1965. In the 90s, he made the hipster trilogy Die Mediocren (1995), Sexy Sadie (1996), and Fandango (2000), all of which premiered at the Berlinale. This was followed by the films Der Freie Wille (2006), This is Love (2009), and Gnade (2011). Glasner has directed several television series including KDD – Kriminaldauerdienst (Grimme Prize and German Television Prize), Blochin – Die Lebenden und die Toten, Landgericht (Grimme Prize), and season two of Das Boot.
Filmography: Die Mediocren (1995); Sexy Sadie (1996); Fandango (2000); Der Freie Wille (2006); This is Love (2009); Gnade (2011)
Missing VIFF? Check out what's playing at the VIFF Centre
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
Yunan
In this haunting mood piece, Munir is a middle-aged Syrian writer in exile in Germany. In crisis, he takes himself up to one of the Halligan islands in the North Sea, a suitable place to end it all...
The Secret Agent
Having run afoul of an influential bureaucrat in Brazil’s military dictatorship circa 1977, Marcelo decamps to Recife to live under an assumed name — but he’ll soon come to understand precisely how rampant the country’s corruption has become.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.