Félicité is a proud, free-willed woman working as a singer in a bar in Kinshasa. Her life is thrown into turmoil when her 14-year-old son falls victim to an accident. To save him, she sets out on a breakneck race through the streets of electric Kinshasa – a world of music and dreams where she’ll cross paths with Tabu…
Félicité is a force; a woman who, when faced with the ghastly injury of her son, must pull out all the stops to save him. Through the busy streets of Kinshasa, she rushes against time and all odds to restore order to her life. Véro Tshanda Beya Mputu’s performance is singular in its portrayal of the difficulties of city life as a woman. We witness her navigate her job as a singer and her inevitable grief as a woman touched by life.
Kika Memeh & Ogheneofegor Obuwoma, FOCUS Curators
Presented by
Véro Tshanda Beya Mputu, Gaetan Claudia, Papi Mpaka
France/Senegal/Belgium/
Germany/Lebanon
2017
In Lingala with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Roger Ngandu Kangudia
Producer
Arnaud Dommerc, Alain Gomis, Omar Sall
Screenwriter
Alain Gomis
Cinematography
Céline Bozon
Editor
Fabrice Rouaud
Production Design
Oumar Sall
Original Music
The Kasaï Allstars
Alain Gomis
Alain Gomis was born in Paris, France where he studied art history and film. After making videos and short films, his first feature film L’afrance (2002) won the Silver Leopard at Locarno. Félicité was shown at the Competition section of the 2017 Berlinale.
Filmography: L’afrance (2002); Andalucia (2007); Aujourd’hui (2012); Rewind & Play (2022)
Missing VIFF? Check out what's playing at the VIFF Centre
La Grazia
A contemplative, mournful but richly imagined movie about a retiring Italian President (Toni Servillo from The Great Beauty) facing two thorny ethical decisions that may define his legacy.
Image: © Andrea Pirrello
Innocence
Lucile Hadžihalilović's first feature is a suggestive, subversive fairy tale set in a private school for young girls, the kind of film David Lynch might have made, if he'd been born a French woman in the early 1960s.
Where to Land
Hal Hartley's first new film in a decade is a melancholy farce about mortality and what we'll call "late middle-age". Bill Sage is a semi-retired filmmaker who isn't dying faster than the rest of us but who behaves like he might be.
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
