North American Premiere
Recently winning the International Grand Jury Award at the Sheffield DocFest, director Jose Cardoso’s deeply personal and mesmerizing tapestry of internet and news footage is collected and absorbed, consciously and unconsciously, woven together–– indicative of the stuff that fuels our daily web feeds. He streams disparate details of a war in Ukraine “justified” by a string of seemingly unconnected events, as an ethnocide perpetrated by Brazil’s extreme right-wing unfolds in the Amazon. The duties of parenthood routinely interrupt the onslaught of tense imagery, granting gentle moments in the garden with his young son. All the while, the popular Buddhist monk Thích Nhất Hạnh offers ancient teachings to embrace one’s enemy as the object of our collective compassion.
Community Partner
Vladímir Putin, Thích Nhất Hạnh, Seydú Cardoso, María García Freire, Wynn Alan Bruce, Jair Bolsonaro
Ecuador/South Africa
2024
In Spanish, English, Portuguese, Vietnamese and Tupí with English subtitles
Graphic violence, self harm
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Adrian Van Wyk, María Fernanda García
Editor
José Cardoso
Original Music
Boris Vian
José Cardoso
His previous works such as Iwianch, The Devil Deer (2021) and What the Soil Remembers (2023) was awarded at Ann Arbor Film Festival, IFFR Rotterdam, Regina, CSFF and Ningbo China, among others and selected at Sitges, La Habana, Oberhausen, e-flux, Kurzfilm Hamburg, BlackStar Film Festival, ImagineNative, among others.
Missing VIFF? Check out what's playing at the VIFF Centre
Whatcha Want
Whatcha Want, a hip-hop-infused drama from award-winning Vancouverite Mina Shum (Meditation Park), sees a restless trophy wife from Hong Kong rise above her wealthy husband’s infidelity by rekindling her passion for dance.
James McNeill Whistler
One of America’s greatest artists, James McNeill Whistler fashioned his life as a work of art in its own right. James McNeill Whistler looks beyond his famous portraits and self-styled “nocturnes” to dive into the true depths of Whistler’s legacy.
Let Them Be Seen
Let Them Be Seen is an absurdist portrait of the town of Tapoleng in South Africa’s Eastern Cape, moving through churches, spaza shops, and a Jam Alley re-enactment to document a village reshaping faith and community in post-apartheid life.
Yugo Goes to America
In Yugo Goes to America, millennials from Belgrade drive a Yugo — Yugoslavia’s notoriously unreliable vehicle — from New York to Los Angeles. Their freewheeling road trip traces the car’s volatile history alongside the breakup of Yugoslavia itself.
Elephants in the Fog
In a remote Nepalese village, Pirati takes charge in the search for a missing girl belonging to her family of third-gender Kinnar women. A densely atmospheric thriller and a moving portrait of an embattled but resilient community.
