Canadian Premiere
Shortly after the death of her estranged mother, Shoo (Clare Monnelly) a primary care nursing student takes a placement in a remote Irish village to care for Peig (Brid Ni Neachtain) a reclusive, elderly woman who lives in fear, haunted by her experiences in a Catholic asylum. The house in the woods holds plenty of dark secrets and Peig’s paranoia begins to rub off on Shoo, whose own troubled, abusive past begins to catch up with her.
Aislinn Clarke follows up her spooky, found-footage creep show The Devil’s Doorway with another chilling religious horror that values atmosphere over cheap scares. Though the locked cellar with the red door covered in religious trinkets isn’t short on terror, Clarke’s careful direction and smart (predominately Irish-language) script ratchet up the tension slowly, building to a lyrical and frightening climax that combines traditional folklore with the religious trauma of the Magdalene laundries and culminates in a uniquely Irish feminist folk horror.
Supported by
Media Partner
Community Partner
Clare Monnelly, Bríd Ní Neachtain, Aleksandra Bystrzhitskaya
Ireland
2024
In Irish and English with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Diarmuid Lavery, Patrick O’Neill
Screenwriter
Aislinn Clarke
Cinematography
Narayan Van Maele
Editor
John Murphy
Production Design
Nicola Moroney
Original Music
Die Hexen
Aislinn Clarke
Aislinn Clarke is an award-winning writer, director, and academic from Northern Ireland. Her debut feature film The Devil’s Doorway premiered in the Official Competition at the 2018 Seattle International Film Festival and had its European premiere at the Galway Film Fleadh, where Aislinn was nominated for the Bingham Ray New Talent Award. Fréwaka, her latest film and the first-ever Irish-language horror film, had its world premiere Out of Competition at the 2024 Locarno Film Festival.
Filmography: The Devil’s Doorway (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
The Graduate
In The Graduate Benjamin (Dustin Hoffman, 30 playing 20 with masterly understatement) comes home from college and is surprised to be seduced by the wife of his father's business partner, Mrs Robinson (Anne Bancroft).
blur: To the End
Now in their late 50s, Britpopsters blur (of Song 2 fame) do a celebratory lap of Great Britain culminating in their first ever Wembley Stadium show in this appealing observational doc. A companion piece to the concert film Live at Wembley Stadium.
Midnight Cowboy
Jon Voight and Dustin Hoffman are street hustlers on different ends of the innocence / experience spectrum who establish something more than a business partnership in the seedy world of late 60s New York City in John Schlesinger's New Hollywood classic.
Sinners
This year's unexpected box office sleeper is that rare beast, a genre movie full of bold invention and surprise. We are in Mississippi in the early 1930s, and the opening of a new blues joint on the edge of town is the signal for all hell to break out.
The Headless Woman
The pictures tell the story -- and you better not blink -- when Veronica (the superb Maria Onetto) hits something on the road home. But what? She is too traumatized, or panic-stricken, to go back and look, and her fears are too terrible to acknowledge.