Canadian Premiere
Shortly after the death of her estranged mother, Shoo (Clare Monnelly) a primary care nursing student takes a placement in a remote Irish village to care for Peig (Brid Ni Neachtain) a reclusive, elderly woman who lives in fear, haunted by her experiences in a Catholic asylum. The house in the woods holds plenty of dark secrets and Peig’s paranoia begins to rub off on Shoo, whose own troubled, abusive past begins to catch up with her.
Aislinn Clarke follows up her spooky, found-footage creep show The Devil’s Doorway with another chilling religious horror that values atmosphere over cheap scares. Though the locked cellar with the red door covered in religious trinkets isn’t short on terror, Clarke’s careful direction and smart (predominately Irish-language) script ratchet up the tension slowly, building to a lyrical and frightening climax that combines traditional folklore with the religious trauma of the Magdalene laundries and culminates in a uniquely Irish feminist folk horror.
Supported by
Media Partner
Community Partner
Clare Monnelly, Bríd Ní Neachtain, Aleksandra Bystrzhitskaya
Ireland
2024
In Irish and English with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Diarmuid Lavery, Patrick O’Neill
Screenwriter
Aislinn Clarke
Cinematography
Narayan Van Maele
Editor
John Murphy
Production Design
Nicola Moroney
Original Music
Die Hexen
Aislinn Clarke
Aislinn Clarke is an award-winning writer, director, and academic from Northern Ireland. Her debut feature film The Devil’s Doorway premiered in the Official Competition at the 2018 Seattle International Film Festival and had its European premiere at the Galway Film Fleadh, where Aislinn was nominated for the Bingham Ray New Talent Award. Fréwaka, her latest film and the first-ever Irish-language horror film, had its world premiere Out of Competition at the 2024 Locarno Film Festival.
Filmography: The Devil’s Doorway (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
One Battle After Another
PT Anderson's breathless satire is the best political action movie of 2025, a defiantly anti-MAGA rallying cry featuring a six pack of crackerjack performances. They'll still be talking about this one 50 years from now.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
All That's Left of You
Jordan's submission for the Academy Awards, All That's Left of You makes the most of its epic format to chronicle seven decades of Palestinian history while tracking the psychological impact of cycles of exile and oppression on three generations.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Our Premium Pick series invites out Premium members to turn their hands to programming. This month's film was suggested by Steven Savitt, who says Dr Strangelove is "as funny as ever, but even more terrifying."