Canadian Premiere
Shortly after the death of her estranged mother, Shoo (Clare Monnelly) a primary care nursing student takes a placement in a remote Irish village to care for Peig (Brid Ni Neachtain) a reclusive, elderly woman who lives in fear, haunted by her experiences in a Catholic asylum. The house in the woods holds plenty of dark secrets and Peig’s paranoia begins to rub off on Shoo, whose own troubled, abusive past begins to catch up with her.
Aislinn Clarke follows up her spooky, found-footage creep show The Devil’s Doorway with another chilling religious horror that values atmosphere over cheap scares. Though the locked cellar with the red door covered in religious trinkets isn’t short on terror, Clarke’s careful direction and smart (predominately Irish-language) script ratchet up the tension slowly, building to a lyrical and frightening climax that combines traditional folklore with the religious trauma of the Magdalene laundries and culminates in a uniquely Irish feminist folk horror.
Supported by
Media Partner
Community Partner
Clare Monnelly, Bríd Ní Neachtain, Aleksandra Bystrzhitskaya
Ireland
2024
In Irish and English with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Diarmuid Lavery, Patrick O’Neill
Screenwriter
Aislinn Clarke
Cinematography
Narayan Van Maele
Editor
John Murphy
Production Design
Nicola Moroney
Original Music
Die Hexen
Aislinn Clarke
Aislinn Clarke is an award-winning writer, director, and academic from Northern Ireland. Her debut feature film The Devil’s Doorway premiered in the Official Competition at the 2018 Seattle International Film Festival and had its European premiere at the Galway Film Fleadh, where Aislinn was nominated for the Bingham Ray New Talent Award. Fréwaka, her latest film and the first-ever Irish-language horror film, had its world premiere Out of Competition at the 2024 Locarno Film Festival.
Filmography: The Devil’s Doorway (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Blue Heron
In the late 1990s, eight-year-old Sasha and her Hungarian immigrant family relocate to a new home on Vancouver Island. Their fresh start is interrupted by increasingly dangerous behaviour from Jeremy, the family’s oldest child.
The Last One for the Road
Two middle-aged drunkards drive across the Veneto region on a freewheeling bender, taking a young college student along for the ride. A celebration of the spirit of drink and the kinds of stories told around a table of old friends and too much wine.
How Deep Is Your Love
Filmmaker Eleanor Mortimer tags along with a team of oceanographers and marine biologists as they survey the Clarion-Clipperton fracture, one of the most remote spots on Earth, home to a dazzling array of unknown creatures.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.


