North American Premiere
Hamad (Adam Bessa) arrives in Strasbourg on the hunt for a fellow Syrian exile, his “cousin,” Sami. Could he be the notorious prison interrogator who tortured countless adversaries of the Assad regime? The refugee community receives his inquiries with suspicion. The war may be over, but that only makes it harder to recognize your enemy. And the scarred, terse, brooding Hamad doesn’t seem like he’s bringing gifts from home. Then again, who can vouch for Sami?
Jonathan Millet’s crisp, menacing thriller keeps us guessing as Hamad circles his target, convinced in his bones but unable to definitively prove that he’s found his man. As to what he means to do with him, that too can be inferred — there’s a secret support network lurking in the shadows — but it’s not even clear that Hamad has settled on the end game.
Critics have been quick to draw parallels with Spielberg’s Munich. Millet’s movie is leaner and tighter, largely playing out across close-ups of Bessa’s pensive, pained face — until we finally sit down and get to know Tawfeek Barhom’s “Sami” in a couple of chilling late scenes.
Adam Bessa, Tawfeek Barhom, Julia Franz Richter, Hala Rajab, Shafiqa El Till, Sylvain Samson
France/Germany/Belgium
2024
In French, Arabic and English with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Pauline Seigland
Screenwriter
Jonathan Millet, Florence Rochat
Cinematography
Olivier Boonjing
Editor
Laurent Sénéchal
Original Music
Yuksek
Jonathan Millet
After studying philosophy, Jonathan Millet filmed in over fifty countries for image databases, capturing remote regions and learning to convey atmosphere through his lens. His debut feature-length documentary, Ceuta, Douce Prison (2013), was shown at over 60 international festivals, followed by Tell Me About the Stars (2017) and La Disparition (2021). He directed several acclaimed short films, including Et Toujours Nous Marcherons, which was nominated for a César Award in 2018. Ghost Trail is his first fiction feature film.
Filmography: Ceuta, Douce Prison (2013); Tell Me About the Stars (2017); The Wake (2017); La Disparition (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
Forest High
High in the northern Alps, three women take turns caring for a mountain lodge as hikers come and go. Divided into three sections, we follow each caretaker as they settle in for their respective season and have their lives touched in different ways.
Image: © The Blue raincoat
The Diary of a Chambermaid
Radu Jude adapts Octave Mirbeau’s classic (and much-filmed) novel in a uniquely Jude fashion, with our oppressed chambermaid prodded by her smug employers to star in a production of... Diary of a Chambermaid. This is a sly and subversive satire.
A Long Winter
Based on a short story by Colm Toibin and set in the Rockies in the 1950s, the latest from All of Us Strangers director Andrew Haigh is a piercing emotional drama about a family facing hardships over a few months in a cabin far above town.
The Tree of Life
The Tree of Life follows Jack as he reflects on his 1950s Texas childhood and the death of his younger brother. Deeply spiritual and poetic, Malick’s film moves through grief, memory, time, and space. And there are dinosaurs.
Ladies and Gentlemen, Brian Mulroney
Using era-appropriate visuals, ironically deployed music, and copious archival footage, Matthew Rankin tells the story of Brian Mulroney’s rise to power. This is Canadian history as you’ve never seen it before — amusing and dismaying in equal measure.