North American Premiere
Hamad (Adam Bessa) arrives in Strasbourg on the hunt for a fellow Syrian exile, his “cousin,” Sami. Could he be the notorious prison interrogator who tortured countless adversaries of the Assad regime? The refugee community receives his inquiries with suspicion. The war may be over, but that only makes it harder to recognize your enemy. And the scarred, terse, brooding Hamad doesn’t seem like he’s bringing gifts from home. Then again, who can vouch for Sami?
Jonathan Millet’s crisp, menacing thriller keeps us guessing as Hamad circles his target, convinced in his bones but unable to definitively prove that he’s found his man. As to what he means to do with him, that too can be inferred — there’s a secret support network lurking in the shadows — but it’s not even clear that Hamad has settled on the end game.
Critics have been quick to draw parallels with Spielberg’s Munich. Millet’s movie is leaner and tighter, largely playing out across close-ups of Bessa’s pensive, pained face — until we finally sit down and get to know Tawfeek Barhom’s “Sami” in a couple of chilling late scenes.
Adam Bessa, Tawfeek Barhom, Julia Franz Richter, Hala Rajab, Shafiqa El Till, Sylvain Samson
France/Germany/Belgium
2024
In French, Arabic and English with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Pauline Seigland
Screenwriter
Jonathan Millet, Florence Rochat
Cinematography
Olivier Boonjing
Editor
Laurent Sénéchal
Original Music
Yuksek
Jonathan Millet
After studying philosophy, Jonathan Millet filmed in over fifty countries for image databases, capturing remote regions and learning to convey atmosphere through his lens. His debut feature-length documentary, Ceuta, Douce Prison (2013), was shown at over 60 international festivals, followed by Tell Me About the Stars (2017) and La Disparition (2021). He directed several acclaimed short films, including Et Toujours Nous Marcherons, which was nominated for a César Award in 2018. Ghost Trail is his first fiction feature film.
Filmography: Ceuta, Douce Prison (2013); Tell Me About the Stars (2017); The Wake (2017); La Disparition (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
Heysel 85
This harrowing drama recreates the 1985 European Cup Final in Belgium, when rival football fans clashed before a ball had even been kicked. Teodora Mihal's film captures the hubris, incompetence, and politicking that compounded the escalating chaos.
Yellow Letters
Derya and Aziz, a theatre couple based in Ankara, are celebrating the premiere of their latest play when they find themselves targeted by state investigations. Their lives change practically overnight, they find their political convictions put to the test.
Image: © EllaKnorz ifProductions Alamode Film
Into the Jaws of the Ogre
Having left Iran for France, filmmaker Mahsa Karampour now reunites with her musician brother in America. Mixing the structure of a road movie with the brashness of a punk anthem, this intimate documentary is humanist filmmaking of the highest order.
The Last Angel of History
Special 30th anniversary screening of The Last Angel of History, tracing the origins and significance of Afrofuturism, framed by the journey of a time-traveling data thief. With live performance from Speaker Music and conversation with The Otolith Group.