North American Premiere
Hamad (Adam Bessa) arrives in Strasbourg on the hunt for a fellow Syrian exile, his “cousin,” Sami. Could he be the notorious prison interrogator who tortured countless adversaries of the Assad regime? The refugee community receives his inquiries with suspicion. The war may be over, but that only makes it harder to recognize your enemy. And the scarred, terse, brooding Hamad doesn’t seem like he’s bringing gifts from home. Then again, who can vouch for Sami?
Jonathan Millet’s crisp, menacing thriller keeps us guessing as Hamad circles his target, convinced in his bones but unable to definitively prove that he’s found his man. As to what he means to do with him, that too can be inferred — there’s a secret support network lurking in the shadows — but it’s not even clear that Hamad has settled on the end game.
Critics have been quick to draw parallels with Spielberg’s Munich. Millet’s movie is leaner and tighter, largely playing out across close-ups of Bessa’s pensive, pained face — until we finally sit down and get to know Tawfeek Barhom’s “Sami” in a couple of chilling late scenes.
Adam Bessa, Tawfeek Barhom, Julia Franz Richter, Hala Rajab, Shafiqa El Till, Sylvain Samson
France/Germany/Belgium
2024
In French, Arabic and English with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Pauline Seigland
Screenwriter
Jonathan Millet, Florence Rochat
Cinematography
Olivier Boonjing
Editor
Laurent Sénéchal
Original Music
Yuksek
Jonathan Millet
After studying philosophy, Jonathan Millet filmed in over fifty countries for image databases, capturing remote regions and learning to convey atmosphere through his lens. His debut feature-length documentary, Ceuta, Douce Prison (2013), was shown at over 60 international festivals, followed by Tell Me About the Stars (2017) and La Disparition (2021). He directed several acclaimed short films, including Et Toujours Nous Marcherons, which was nominated for a César Award in 2018. Ghost Trail is his first fiction feature film.
Filmography: Ceuta, Douce Prison (2013); Tell Me About the Stars (2017); The Wake (2017); La Disparition (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
Romería
An orphan from a young age, 18-year-old Marina intends to pursue a university scholarship. The application, however, requires the signatures of her paternal grandparents, compelling her to embark on a pilgrimage and seek out the family she has never met.
Wayne's World
Mike Myers' Canadian roots show through in this smart faux dumb American headbanger comedy directed by Penelope Spheeris (Decline of the American Empire). You'll laugh, you'll cry, you'll hurl!
Malcolm X
In an indelible role, Denzel Washington give us a layered, compassionate, conflicted man who finds the strength in Islam to transcend his demons and confront the inequity and racism in America head-on. Along with Do the Right Thing, this is Spike Lee's greatest film.
Bram Stoker's Dracula
Coppola's woozy, cinematically audacious take on the vampire myth is like a symphonic silent movie in full colour, a delirium of romantic angst with Gary Oldman as the shape-shifting immortal.
Hockney
An engaging, insightful and inspiring film portrait of the late great British and California artist. He’s one of the most accessible figurative painters of the last half century, but look closer, there’s much more to David Hockney than meets the eye.