North American Premiere
Hamad (Adam Bessa) arrives in Strasbourg on the hunt for a fellow Syrian exile, his “cousin,” Sami. Could he be the notorious prison interrogator who tortured countless adversaries of the Assad regime? The refugee community receives his inquiries with suspicion. The war may be over, but that only makes it harder to recognize your enemy. And the scarred, terse, brooding Hamad doesn’t seem like he’s bringing gifts from home. Then again, who can vouch for Sami?
Jonathan Millet’s crisp, menacing thriller keeps us guessing as Hamad circles his target, convinced in his bones but unable to definitively prove that he’s found his man. As to what he means to do with him, that too can be inferred — there’s a secret support network lurking in the shadows — but it’s not even clear that Hamad has settled on the end game.
Critics have been quick to draw parallels with Spielberg’s Munich. Millet’s movie is leaner and tighter, largely playing out across close-ups of Bessa’s pensive, pained face — until we finally sit down and get to know Tawfeek Barhom’s “Sami” in a couple of chilling late scenes.
Adam Bessa, Tawfeek Barhom, Julia Franz Richter, Hala Rajab, Shafiqa El Till, Sylvain Samson
France/Germany/Belgium
2024
In French, Arabic and English with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Pauline Seigland
Screenwriter
Jonathan Millet, Florence Rochat
Cinematography
Olivier Boonjing
Editor
Laurent Sénéchal
Original Music
Yuksek
Jonathan Millet
After studying philosophy, Jonathan Millet filmed in over fifty countries for image databases, capturing remote regions and learning to convey atmosphere through his lens. His debut feature-length documentary, Ceuta, Douce Prison (2013), was shown at over 60 international festivals, followed by Tell Me About the Stars (2017) and La Disparition (2021). He directed several acclaimed short films, including Et Toujours Nous Marcherons, which was nominated for a César Award in 2018. Ghost Trail is his first fiction feature film.
Filmography: Ceuta, Douce Prison (2013); Tell Me About the Stars (2017); The Wake (2017); La Disparition (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
Kikuyu Land
Kikuyu Land follows Mr. Mungai’s struggle to reclaim family land taken during the colonial era. Through personal stories and archival research, the film explores the enduring impact of land dispossession in Kenya.
Crocodile
In Crocodile, a group of young, self-taught filmmakers turn Kaduna's streets, homes, and residents into the raw materials of sci-fi cinema. This Tribeca Viewpoints winner examines filmmaking as a means to overcome a city's constraints.
The Only Living Pickpocket in New York
A career thief’s circumstances grow desperate when he fences valuable merchandise stolen from a vengeful crime family. John Turturro is exquisite as a wiseacre who is typically one step ahead of everyone but now finds himself behind the eight ball.
Yo (Love Is a Rebellious Bird)
Winner of the Silver Bear for Outstanding Artistic Contribution at this year's Berlinale, Anna Fitch and Banker White’s exuberant documentary combines vérité interviews with a playful mix of puppetry, collage, and insect actors to memorialize a friend.
Image: © Mirabel Pictures
Ceremony
Powerful and evocative, Ceremony follows the disappearance of the ooligan in Bella Coola, revealing a story of cultural survival, environmental stewardship, and the enduring relationship between the Nuxalk Nation and the land.
No Good Men
Naru, the sole camerawoman at a major Kabul newsroom, is convinced that there are “no good men” left in Afghanistan. But partnered with the station’s star reporter in the leadup to the Taliban’s return to power in 2021, her outlook starts to shift.