Hakki has a simple life, but a good one. He sells souvenirs and tours at the archaeological ruins at Bergama, in the Aegean; enjoys a loving marriage, takes pride in family, friends, and the home that has been passed down through generations. Another inheritance, poverty, scarcely warrants a second thought until a stroke of good fortune alters Hakki’s way of thinking. While cutting back the troublesome roots of a tree beside his house, he comes across buried treasure: an ancient figurine. This, he senses, will be a life-changing discovery.
And so it proves. Hikmet Özcan’s film is content to tell us a story—a fable, really—without pretension or gratuitous adornment. The early scenes have a pleasing lightness of touch that’s entirely in keeping with Hakki’s unaffected lifestyle. As the tale turns we’re drawn into the protagonist’s determination to stake his claim and prove his worthiness. The movie rests squarely on the psychologically acute performance of Bülent Emin Yarar in the title role. He’s in nearly every scene and commands our attention throughout.
Community Partner
Bülent Emin Yarar, Hülya Gülşen, Cem Zeynel Kılıç, Özgür Emre Yıldırım, Duygu Gökhan, Durukan Çelikkaya
Turkey
2024
In Turkish with English subtitles
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Indigenous & Community Access
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Credits & Director
Executive Producer
Zeynep Santiroglu Sutherland, Alex Sutherland
Producer
Oyku Canli, Hikmet Kerem Özcan
Screenwriter
Hikmet Kerem Özcan
Cinematography
Burak Baybars
Editor
Tatlıhan Tuncel, Hikmet Kerem Özcan
Original Music
Ahmet Kenan Bilgic
Hikmet Kerem Özcan
Hikmet Kerem Özcan is director born in Izmir, Turkey. He studied at Mimar Sinan Fine Arts University in their Cinema & Television department where he learned from important figures in Turkish Cinema. He has worked on commercials and documentaries while also directing his own short films, which have won various awards.
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