International Premiere
Set on a remote volcanic island in Cape Verde, this mesmerizing feature debut traces three formative stages in a young woman’s life, from birth to young adulthood. We follow Hanami as she comes into her own under the care and guidance of a community of women who surround her in the absence of her mother.
Denise Fernandes reveals a sublime visual sensibility as she explores the perimeters of the mother-daughter bond with an exquisitely textured touch, peppered with moments of magical realism. She interrogates a sense of belonging through a distinctive lens, portraying the two women as counterparts of the same root; where one is pushed out by the island, the other learns to become one with the land and its ways. This is a nuanced, lyrical piece of filmmaking that observes its own storytelling tides.
Best Emerging Director Award, Locarno 2024
Presented by
Media Partner
Sanaya Andrade, Daílma Mendes, Alice da Luz, Nha Nha Rodrigues, João Galinha, Yuta Nakano
Switzerland/Portugal/Cape Verde
2024
In Cape Verdean Creole, Japanese, French and English with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Eugenia Mumenthaler, David Epiney, Luís Urbano, Sandro Aguilar
Screenwriter
Denise Fernandes, Telmo Churro
Cinematography
Alana Mejía Gonzalez
Editor
Selin Dettwiler
Production Design
Mathé
Original Music
Rahel Zimmermann
Denise Fernandes
Denise Fernandes (1990) was born in Lisbon to Cape Verdean parents and grew up in Switzerland. Her latest short film, Nha Mila (2020), premiered at the Locarno Film Festival in the Pardi di Domani section. Nha Mila was a European Film Awards candidate and has been screened at over 40 international film festivals. It was nominated as Best National Short Film at the Sophia Awards 2021 and invited by MoMa and Lincoln Center in New York for the New Directors/New Films Festival. Hanami, filmed in Cape Verde, is her feature directorial debut.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
