North American Premiere
Ruddy faced, slender, 18, Totone (Clément Faveau) is a country lad, a tearaway, up for a lark and ready to sow his oats. But an accident means he has to grow up fast, assuming control of his father’s small farm and taking responsibility for the care of his kid sister. He lands a job on a dairy farm, but it’s a steep curve. Mistakes come back to kick his butt. What to do? Living in the Franche-Comté region, he thinks to make his own artisanal cheese and ropes his mates in to help…
Louise Courvoisier’s debut feature earns its exclamatory title for its earthy naturalism, and its candor around sex, booze, and the petty feuds that give the lie to rose-tinted visions of country life. Yet what’s most striking and surprising about the film is its bright-eyed optimism. Totone has a low opinion of himself, but Courvoisier clearly feels differently: he’s resourceful, brave, diligent, and he takes his lessons to heart, whether he’s making love, or making cheese.
Youth Award: Un Certain Regard, Cannes 2024
Shot through with compassion for its rascally yet vulnerable protagonist…finding emotion in small details rather than big set pieces. It should charm audiences.
Lee Marshall, Screen Daily
Supported by
Community Partner
Clément Faveau, Luna Garret, Mathis Bernard, Dimitry Baudry, Maïwène Barthelemy, Armand Sancey Richard
France
2024
In French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Muriel Meynard
Screenwriter
Louise Courvoisier, Théo Abadie
Cinematography
Elio Balézeaux
Editor
Sarah Grosset
Original Music
Linda Courvoisier, Charlie Courvoisier
Louise Courvoisier
Born in 1994, Louise Courvoisier grew up in the Jura region before studying cinema at the Cinéfabrique in Lyon. Her graduation short, Mano a Mano, won the first prize at the Cinéfondation in Cannes in 2019. Holy Cow is her first feature film, a sentimental cheese epic set in the village of her childhood.
Photo by Laurent LeCrabe
Missing VIFF? Check Out What's Playing at the VIFF Centre
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
I Am Not a Witch
Rungano Nyoni's acclaimed debut feature is a visually striking satire about a 9-year-old orphan accused of witchcraft in contemporary Zambia. Screening in the latest African Cinema Now! series, The Witch at the Edge of the Screen.
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
Queen at Sea
An academic is pitted against her stepfather in a moral crisis over the care of her mother, who lives with dementia. Winner of the Silver Bear Jury Prize and Silver Bear for Best Supporting Performance at the 2026 Berlinale.
Image: © Seafaring