North American Premiere
Ruddy faced, slender, 18, Totone (Clément Faveau) is a country lad, a tearaway, up for a lark and ready to sow his oats. But an accident means he has to grow up fast, assuming control of his father’s small farm and taking responsibility for the care of his kid sister. He lands a job on a dairy farm, but it’s a steep curve. Mistakes come back to kick his butt. What to do? Living in the Franche-Comté region, he thinks to make his own artisanal cheese and ropes his mates in to help…
Louise Courvoisier’s debut feature earns its exclamatory title for its earthy naturalism, and its candor around sex, booze, and the petty feuds that give the lie to rose-tinted visions of country life. Yet what’s most striking and surprising about the film is its bright-eyed optimism. Totone has a low opinion of himself, but Courvoisier clearly feels differently: he’s resourceful, brave, diligent, and he takes his lessons to heart, whether he’s making love, or making cheese.
Youth Award: Un Certain Regard, Cannes 2024
Shot through with compassion for its rascally yet vulnerable protagonist…finding emotion in small details rather than big set pieces. It should charm audiences.
Lee Marshall, Screen Daily
Supported by
Community Partner
Clément Faveau, Luna Garret, Mathis Bernard, Dimitry Baudry, Maïwène Barthelemy, Armand Sancey Richard
France
2024
In French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Muriel Meynard
Screenwriter
Louise Courvoisier, Théo Abadie
Cinematography
Elio Balézeaux
Editor
Sarah Grosset
Original Music
Linda Courvoisier, Charlie Courvoisier
Louise Courvoisier
Born in 1994, Louise Courvoisier grew up in the Jura region before studying cinema at the Cinéfabrique in Lyon. Her graduation short, Mano a Mano, won the first prize at the Cinéfondation in Cannes in 2019. Holy Cow is her first feature film, a sentimental cheese epic set in the village of her childhood.
Photo by Laurent LeCrabe
Missing VIFF? Check out what's playing at the VIFF Centre
Do You Love Me
Lana Daher's bravura and defiant non-fiction film is a cultural-historical self-portrait of Beirut, comprised entirely of film clips (many of them from dramatic features, but also from news reports, TV and home video) culled from the last 70 years.
Blue Heron
In the late 1990s, eight-year-old Sasha and her Hungarian immigrant family relocate to a new home on Vancouver Island. Their fresh start is interrupted by increasingly dangerous behaviour from Jeremy, the family’s oldest child.
How Deep Is Your Love
Filmmaker Eleanor Mortimer tags along with a team of oceanographers and marine biologists as they survey the Clarion-Clipperton fracture, one of the most remote spots on Earth, home to a dazzling array of unknown creatures.
Omaha
Cole Webley's road movie about a single dad taking off with his two young kids is really just a fragment of a story, yet it unfolds with such authentic lyricism it lands with a heartbreaking emotional wallop.
The Last One for the Road
Two middle-aged drunkards drive across the Veneto region on a freewheeling bender, taking a young college student along for the ride. A celebration of the spirit of drink and the kinds of stories told around a table of old friends and too much wine.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.

