North American Premiere
Ruddy faced, slender, 18, Totone (Clément Faveau) is a country lad, a tearaway, up for a lark and ready to sow his oats. But an accident means he has to grow up fast, assuming control of his father’s small farm and taking responsibility for the care of his kid sister. He lands a job on a dairy farm, but it’s a steep curve. Mistakes come back to kick his butt. What to do? Living in the Franche-Comté region, he thinks to make his own artisanal cheese and ropes his mates in to help…
Louise Courvoisier’s debut feature earns its exclamatory title for its earthy naturalism, and its candor around sex, booze, and the petty feuds that give the lie to rose-tinted visions of country life. Yet what’s most striking and surprising about the film is its bright-eyed optimism. Totone has a low opinion of himself, but Courvoisier clearly feels differently: he’s resourceful, brave, diligent, and he takes his lessons to heart, whether he’s making love, or making cheese.
Youth Award: Un Certain Regard, Cannes 2024
Shot through with compassion for its rascally yet vulnerable protagonist…finding emotion in small details rather than big set pieces. It should charm audiences.
Lee Marshall, Screen Daily
Supported by
Community Partner
Clément Faveau, Luna Garret, Mathis Bernard, Dimitry Baudry, Maïwène Barthelemy, Armand Sancey Richard
France
2024
In French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Muriel Meynard
Screenwriter
Louise Courvoisier, Théo Abadie
Cinematography
Elio Balézeaux
Editor
Sarah Grosset
Original Music
Linda Courvoisier, Charlie Courvoisier
Louise Courvoisier
Born in 1994, Louise Courvoisier grew up in the Jura region before studying cinema at the Cinéfabrique in Lyon. Her graduation short, Mano a Mano, won the first prize at the Cinéfondation in Cannes in 2019. Holy Cow is her first feature film, a sentimental cheese epic set in the village of her childhood.
Photo by Laurent LeCrabe
Missing VIFF? Check out what's playing at the VIFF Centre
Palimpsest: The Story of a Name
Drawing on home movies and diaries from the 1930s, 40s, 50s and 60s, Canadian filmmaker Mary Stephen (Eric Rohmer's editor for many years) investigates the origins of her surname. After all, she was born in Hong Kong to Chinese parents. Or were they... ?
The Matrix
Can a computer hacker save the world? Maybe if you hack deep enough... One of the most influential movies of the past quarter-century. The Matrix didn't just change the way films looked and moved, it altered the way we perceived the world(s).
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
The Sixth Sense
"I see dead people." Does 10-year-old Cole (Haley Joel Osment) have the sixth sense, as he claims — or is this sensitive, unusual child responding to stress, as his mother (Toni Collette) would like to believe? Psychologist Bruce Willis finds out.
Office Space
This razor sharp comedy from Mike Judge (King of the Hill) captures the indignities of life as a wage slave with rare acumen and caustic wit. Evidently the impending millennial bug weighed heavily on people's minds back in 1999.

