North American Premiere
In his feature debut, writer-director Oh Jung-min gives us the Kim family, from grandparents down through middle-aged offspring to Seong-Jin (Kang Seung-ho), the sole grandchild, who is something of a surrogate for the audience. The Kims hail from a small rural community, though some have left—including Seong-jin, who is trying to make it as an actor in Seoul. In depicting three occasions for reunion, Oh takes us from summer to winter, and he portrays the changes in family dynamics in tandem with the seasonal transformations of the countryside.
House of the Seasons is by turns funny, tender, and tragic. Like any family, the Kims are burdened with years of buried resentments and unacknowledged confusion, and Oh’s mapping of these problems is intricate and subtle. The film is distinguished by its emotional complexity, its fine ensemble cast, and its visual beauty—from a summer of green and brightness to the rich colours of autumn to the stark whiteness of winter, cinematographer Lee Jin-keun creates a vivid backdrop to the human turmoil.
KBS Independent Film Award, Busan 2023
Media Partner
Kang Seung Ho, Woo Sangjeon, Son Sook
South Korea
2023
In Korean with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Jeong Joeun, Jang Ji-won
Screenwriter
Oh Jung-min
Cinematography
Lee Jinkeun
Editor
Oh Jung-min
Original Music
Jang Yeonggyu, Jeong Jungyeop
Oh Jung-min
Oh Jung-min was born in 1989 in Daegu City, South Korea. He majored in Korean Literature at Sungkyunkwan University and studied filmmaking at the Korean Academy of Film Arts. He directed several short films including Yeonji (2016), LIM (2018), CUT (2018), 100 Days (2018), and Coming of Age (2018). House of the Seasons (2023) is his debut feature film.
Missing VIFF? Check out what's playing at the VIFF Centre
Yunan
In this haunting mood piece, Munir is a middle-aged Syrian writer in exile in Germany. In crisis, he takes himself up to one of the Halligan islands in the North Sea, a suitable place to end it all...
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.
