
The spirit of the late Jean-Luc Godard lives on in It’s Not Me, French iconoclast Leos Carax’s latest unclassifiable whatsit—a film that, its title notwithstanding, is all about the director himself. Originally assembled for an exhibition in the Centre Pompidou, one that never ended up taking place, the film is ostensibly an answer to a simple question: “Where are you at, Leos Carax?” Running just 40 minutes long, Carax’s response is an anarchic, essayistic foray into the process of artistic creation itself, featuring the music of Ravel and David Bowie, the films of artists like Jean Vigo and FW Murnau, not to mention footage from his own iconic filmography (Holy Motors, Lovers on the Bridge, et al)
Endlessly inventive, rhythmically precise, and tonally unpredictable, It’s Not Me is as invigorating a cinematic experience as one is likely to encounter this year. No mere victory lap, it is a self-portrait of an artist confronting his place in movie history—a film that pays tribute to cinema’s past in order to make way for its future.
Denis Lavant, Katerina Yuspina, Nastya Golubeva Carax, Loreta Juodkaite, Anna-Isabel Siefken, Petr Anevskii
France
2024
In French with English subtitles
Book Tickets
Indigenous & Community Access
Credits & Director
Producer
Charles Gillibert, Leos Carax
Cinematography
Caroline Champetier
Editor
Leos Carax
Production Design
Florian Sanson

Leos Carax
Leos Carax is a French filmmaker renowned for his visually striking and often surreal cinema. A former critic at Cahiers du Cinéma, he transitioned to directing in the early 1980s and immediately established himself with Boy Meets Girl (1984) and Mauvais Sang (1986). Carax’s films frequently explore themes of love, identity, and existential angst. In 2021, his film Annette, starring Adam Driver and Marion Cotillard, opened the Cannes Film Festival where he won the award for Best Director.
Filmography: Boy Meets Girl (1984); Mauvais Sang (1986); Lovers on the Bridge (1991); Holy Motors (2012); Annette (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
Resident Orca
Captured in Puget Sound in 1970, killer whale Lolita spent the next half century in a cramped tank in Seaquarium, Miami. The film follows a coalition of Lummi elders, animal lovers and philanthropists on a rescue mission to return her to the ocean.
No Other Land
Deemed by many critics one of the essential films of 2024, a multiple festival award winner and Academy Award winner for Best Documentary, No Other Land is a reminder that mass expulsion is by no means a new reality for Palestinians.
Misericordia
Edgy, eccentric, and unapologetically queer, this film goes from drama to comedy without putting a foot wrong. Sex and murder are the subjects, and writer-director Alain Guiraudie (Stranger by the Lake) mines them for suspense and outrageous laughs.
There's Still Tomorrow
A critical and box office sensation in Italy, Paola Cortellesi's triumphant directorial debut is the tale of a Roman housewife in 1946, who stands up against the routine sexist abuse she suffers. Funny, heartbreaking and inspiring.
The Way, My Way
All manner of pilgrims flock to France and Spain to walk the 800 km Camino de Santiago. One such is Bill, a stroppy sexagenarian Australian filmmaker who's determined to do the Camino with minimal prep, a dickey leg, and no firm idea why.