
The spirit of the late Jean-Luc Godard lives on in It’s Not Me, French iconoclast Leos Carax’s latest unclassifiable whatsit—a film that, its title notwithstanding, is all about the director himself. Originally assembled for an exhibition in the Centre Pompidou, one that never ended up taking place, the film is ostensibly an answer to a simple question: “Where are you at, Leos Carax?” Running just 40 minutes long, Carax’s response is an anarchic, essayistic foray into the process of artistic creation itself, featuring the music of Ravel and David Bowie, the films of artists like Jean Vigo and FW Murnau, not to mention footage from his own iconic filmography (Holy Motors, Lovers on the Bridge, et al)
Endlessly inventive, rhythmically precise, and tonally unpredictable, It’s Not Me is as invigorating a cinematic experience as one is likely to encounter this year. No mere victory lap, it is a self-portrait of an artist confronting his place in movie history—a film that pays tribute to cinema’s past in order to make way for its future.
Denis Lavant, Katerina Yuspina, Nastya Golubeva Carax, Loreta Juodkaite, Anna-Isabel Siefken, Petr Anevskii
France
2024
In French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Charles Gillibert, Leos Carax
Cinematography
Caroline Champetier
Editor
Leos Carax
Production Design
Florian Sanson

Leos Carax
Leos Carax is a French filmmaker renowned for his visually striking and often surreal cinema. A former critic at Cahiers du Cinéma, he transitioned to directing in the early 1980s and immediately established himself with Boy Meets Girl (1984) and Mauvais Sang (1986). Carax’s films frequently explore themes of love, identity, and existential angst. In 2021, his film Annette, starring Adam Driver and Marion Cotillard, opened the Cannes Film Festival where he won the award for Best Director.
Filmography: Boy Meets Girl (1984); Mauvais Sang (1986); Lovers on the Bridge (1991); Holy Motors (2012); Annette (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
Marcella
Marcella Hazan taught North Americans that there was more to Italian food than pizza and meatballs. She wrote what remains the definitive book on the subject (Essentials of Classic Italian Cooking). This is her story.
Sabbath Queen
The dynastic heir of 38 generations of Orthodox rabbis, including the Chief Rabbis of Israel, Amichai Lau-Lavie is what you might call the black sheep of the family. His sexuality led him down a different path, but its destination is surprising...
Caught by the Tides
Over two decades, across China’s rapidly changing landscape, two lovers meet and part and meet again. In this magisterial film, Jia Zhangke refracts the 21st century through a reflexive, retrospective look at his era-defining filmography.
The Penguin Lessons
Steve Coogan nails a juicy role in the true story of an English teacher in 70s Argentina who reluctantly p-p-picks up a penguin from an oil-slicked beach but finds his new friend is stickier than he looks.
Sweet Summer Pow Wow
After the local hit The Great Salish Heist, writer-director Darrell Dennis proves his versatility with this charming love story about two young people who meet cute on BC's Pow Wow circuit. Her mom wants her to become a lawyer, but Jinny loves to dance...
One to One: John and Yoko
Both a concert film (Madison Square Gardens, August 1972) and a time machine, dropping us into the dizzying political kaleidoscope of the early 1970s, Kevin Macdonald's latest documentary is a rewarding addition to Lennon Studies.