When her coach falls under investigation following the suicide of a former trainee, Julie (Tessa Van den Broeck), a young tennis ace, is thrown into turmoil. In addition to juggling the pressures of school, adjusting to a new coach, and training for the Belgian Tennis Federation’s upcoming trials, she finds herself under acute pressure to speak out. Her reluctance to do so distances her from family and friends, resulting in a solitary struggle that she alone can resolve.
Directed with unerring precision by Belgian filmmaker Leonardo Van Dijl, this is a tense, topical psychological drama where every gesture and movement, every silence and absence, is charged with import. Featuring claustrophobic shallow-focus compositions, darkly lit interiors, and a foreboding soundscape, and anchored by a steely performance from newcomer Van den Broeck, this is a provocative film about the cultures of abuse within the sports world, and the toll it takes on those caught within it.
The movie’s silence is so loaded with the anxiety, obstinance, inchoate anger and desire for anonymity of the traumatized teenage sportswoman that the constant thwack of her racquet hitting the ball cuts through the tension like violent shocks.
David Rooney, Hollywood Reporter
Community Partner
Tessa Van den Broeck, Grace Biot, Alyssa Lorette, Ruth Becquart, Koen De Bouw, Pierre Gervais
Belgium/Sweden
2024
In Dutch and French with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Gilles De Schryver, Gilles Coulier, Wouter Sap, Roxanne Sarkozi
Screenwriter
Leonardo van Dijl, Ruth Becquart
Cinematography
Nicolas Karakatsanis
Editor
Bert Jacobs
Original Music
Caroline Shaw
Art Director
Julien Denis
Leonardo van Dijl
Leonardo van Dijl is a writer and director based in Belgium. His latest short film Stephanie (2020) was selected for the official competition of Cannes, San Sebastian, and TIFF as well as over 150 other film festivals where it received various national and international awards. Leonardo’s feature debut Julie Keeps Quiet, a co-production between De Wereldvrede, Les Films du Fleuve, Hobab, and Film i Väst, had its world premiere in May 2024 at the prestigious Critics’ Week of the Cannes Film Festival.
Photo by Nicolas Karakatsanis
Missing VIFF? Check out what's playing at the VIFF Centre
Kikuyu Land
Kikuyu Land follows Mr. Mungai’s struggle to reclaim family land taken during the colonial era. Through personal stories and archival research, the film explores the enduring impact of land dispossession in Kenya.
Crocodile
In Crocodile, a group of young, self-taught filmmakers turn Kaduna's streets, homes, and residents into the raw materials of sci-fi cinema. This Tribeca Viewpoints winner examines filmmaking as a means to overcome a city's constraints.
The Only Living Pickpocket in New York
A career thief’s circumstances grow desperate when he fences valuable merchandise stolen from a vengeful crime family. John Turturro is exquisite as a wiseacre who is typically one step ahead of everyone but now finds himself behind the eight ball.
Yo (Love Is a Rebellious Bird)
Winner of the Silver Bear for Outstanding Artistic Contribution at this year's Berlinale, Anna Fitch and Banker White’s exuberant documentary combines vérité interviews with a playful mix of puppetry, collage, and insect actors to memorialize a friend.
Image: © Mirabel Pictures
Ceremony
Powerful and evocative, Ceremony follows the disappearance of the ooligan in Bella Coola, revealing a story of cultural survival, environmental stewardship, and the enduring relationship between the Nuxalk Nation and the land.
No Good Men
Naru, the sole camerawoman at a major Kabul newsroom, is convinced that there are “no good men” left in Afghanistan. But partnered with the station’s star reporter in the leadup to the Taliban’s return to power in 2021, her outlook starts to shift.
