North American Premiere
A powerful, insightful docudrama following a teenage boy from France spending the summer at his grandmother’s house in French Guiana, where he learns about his roots and connects with a community of people still reeling from the tragic loss of his uncle, who died under senseless, violent circumstances several years earlier. Through individual stories, he pieces together a legacy of both personal relevance and broader cultural resonance. The intense community immersion also sees him mastering the drums and partaking in a traditional drumming performance, the final act of initiation into the tight-knit circle.
Drawing from his own background in this emotionally charged feature debut, Maxime Jean-Baptiste demonstrates a sharp understanding of form fluidity and hybridity, skillfully blending verité observation with narrative elements. Loosely structured yet beautifully written, Listen to the Voices captures the essence of formative experiences distilled through poignant conversations with community elders, family members, and peers.
Special Jury Prize CINE+, Locarno 2024
Sept 30 & Oct 1: Q&A with director Maxime Jean-Baptiste
Community Partner
Melrick Diomar, Nicole Diomar, Yannick Cébret
French Guiana/Belgium/France
2024
In French and Creole with English subtitles
Racist content
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Rosa Spaliviero, Olivier Marboeuf
Screenwriter
Audrey Jean-Baptiste, Maxime Jean-Baptiste
Cinematography
Arthur Lauters
Editor
Liyo Gong
Original Music
Mayouri Tchô Nèg, Josy Masse, Floating Points, Pharoah Sanders, London Symphony Orchestra
Maxime Jean-Baptiste
Maxime Jean-Baptiste (born 1993) is a filmmaker based in Brussels and Paris. His work delves into the complexity of Western colonial history and its present-day impacts, focusing on archives and re-enactment as a perspective for conceiving a living, embodied memory. Nou voix (2018) won the Jury Prize at the Festival des Cinémas Différents et Expérimentaux. Listen to the Beat of Our Images (2021), co-directed with his sister Audrey, was selected at CPH:DOX, Hot Docs, IDFA, and many other festivals. His latest film, Listen to the Voices, is his debut feature.
Missing VIFF? Check out what's playing at the VIFF Centre
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.
Ravenous
This black comic horror western has a troubled production (no less than three directors) but it's a grisly, atmospheric treat (if cannibalism is your thing). Guy Pearce and Robert Carlyle lead the way.
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.