North American Premiere
A powerful, insightful docudrama following a teenage boy from France spending the summer at his grandmother’s house in French Guiana, where he learns about his roots and connects with a community of people still reeling from the tragic loss of his uncle, who died under senseless, violent circumstances several years earlier. Through individual stories, he pieces together a legacy of both personal relevance and broader cultural resonance. The intense community immersion also sees him mastering the drums and partaking in a traditional drumming performance, the final act of initiation into the tight-knit circle.
Drawing from his own background in this emotionally charged feature debut, Maxime Jean-Baptiste demonstrates a sharp understanding of form fluidity and hybridity, skillfully blending verité observation with narrative elements. Loosely structured yet beautifully written, Listen to the Voices captures the essence of formative experiences distilled through poignant conversations with community elders, family members, and peers.
Special Jury Prize CINE+, Locarno 2024
Sept 30 & Oct 1: Q&A with director Maxime Jean-Baptiste
Community Partner
Melrick Diomar, Nicole Diomar, Yannick Cébret
French Guiana/Belgium/France
2024
In French and Creole with English subtitles
Racist content
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Rosa Spaliviero, Olivier Marboeuf
Screenwriter
Audrey Jean-Baptiste, Maxime Jean-Baptiste
Cinematography
Arthur Lauters
Editor
Liyo Gong
Original Music
Mayouri Tchô Nèg, Josy Masse, Floating Points, Pharoah Sanders, London Symphony Orchestra
Maxime Jean-Baptiste
Maxime Jean-Baptiste (born 1993) is a filmmaker based in Brussels and Paris. His work delves into the complexity of Western colonial history and its present-day impacts, focusing on archives and re-enactment as a perspective for conceiving a living, embodied memory. Nou voix (2018) won the Jury Prize at the Festival des Cinémas Différents et Expérimentaux. Listen to the Beat of Our Images (2021), co-directed with his sister Audrey, was selected at CPH:DOX, Hot Docs, IDFA, and many other festivals. His latest film, Listen to the Voices, is his debut feature.
Missing VIFF? Check out what's playing at the VIFF Centre
Short Forum 8: Queer Magic
Do you believe in magic?
I Plant My Hand in the Garden
Boris and Hoda, a newly married couple from Serbia and Iran, respectively, embark on a new chapter of their lives in Berlin. As they anticipate the birth of their child, they refuse to be defined by societal expectations.
The Loneliest Man in Town
Vienna-based Al Cook plays a fictionalized version of himself in this poignant deadpan portrait of a bluesman at a crossroads. A beguiling minor-key medley of melancholy and nostalgia that draws you fully into its thrall.
Image: © Vento Film
Aanikoobijigan [Ancestor/Great-Grandparent/Great-Grandchild]
In Aanikoobijigan, Indigenous repatriation specialists work to bring the remains and funerary objects of Ancestors home from institutional collections. This is a film shaped by memory, dignity, and a duty of care.
The Gymnasts of Fisherman Colony
The Gymnasts of Fisherman Colony follows a group of young female gymnasts in Pakistan's Machar Colony, a highly conservative fishing settlement. Habiba Nosheen's deeply empathetic documentary is a celebration of girlhood, resilience, and self-expression.
Midnight Momo
Kunga, a waiter at a Queens momo shop, finds himself trapped in a loop of the final minutes of his shift. Midnight Momo is a frenetic, distinctly Tibetan American indie comedy that puts a working-class spin on the Buddhist cycle of suffering and rebirth.
