North American Premiere
Barcelona, 2005. Enric Marco (Eduard Fernández) has built his reputation on the claim of being a Holocaust survivor. A charismatic speaker, and chairman of a survivors’ association representing the 9,000 Spanish deportees who were imprisoned in Nazi concentration camps during WWII, he is slated to speak before the Spanish prime minister at a Holocaust memorial service. But as the date approaches, a historian uncovers inconsistencies in Marco’s life story, leading to greater implications: in truth, Marco was never imprisoned in the Flossenbürg concentration camp, as he so claimed. He fabricated his own backstory.
This riveting biographical thriller by Aitor Arregi and Jon Garaño (whose past collaborations include Spain’s Oscar entries The Endless Trench and Flowers) deploys time skips to dramatize the inception and unmasking of Marco’s persona. Propelled by a fantastic original score by Aránzazu Calleja, the film’s crisp, dynamic cinematography evokes, at key moments, the vertigo of a great upheaval. A tense depiction of the personal and national devastation wrought by one man’s falsehoods.
Community Partner
Eduard Fernández, Nathalie Poza
Spain
2024
In Spanish, Catalan and English with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Ander Barinaga-Rementeria, Xabier Berzosa, Jaime Ortiz de Artiñano, Ander Sagardoy
Screenwriter
Aitor Arregi, Jon Garaño, Jorge Gil Munarriz, Jose Mari Goenaga
Cinematography
Javier Agirre
Editor
Maialen Sarasua Oliden
Art Director
Mikel Serrano
Aitor Arregi and Jon Garaño are directors and screenwriters who have been working together for over 20 years through their production company Moriarti, alongside Jose Mari Goenaga. Moriarti was founded in 2001, and since then they have produced five feature films, three cinematic documentaries, over a dozen short films, several television documentaries, and a series for Disney+.
Filmography: Sahara Marathon (2004); The Giant (2017); The Endless Trench (2019)
Missing VIFF? Check out what's playing at the VIFF Centre
All That's Left of You
Jordan's submission for the Academy Awards, All That's Left of You makes the most of its epic format to chronicle seven decades of Palestinian history while tracking the psychological impact of cycles of exile and oppression on three generations.
Laura Crema Sings Lorenz Hart
For this unique show, leading jazz vocalist Laura Crema has put together a set of some of Lorenz Hart's most memorable songs. Afterwards, enjoy Ethan Hawke's portrait of the legendary lyricist in Richard Linklater's new movie, Blue Moon.
Islands
In this sly, engrossing mystery, a dissolute English tennis coach in a Canary Islands holiday resort falls under suspicion when the husband of a beautiful guest disappears after a night of heavy drinking...
One Battle After Another
PT Anderson's breathless satire is the best political action movie of 2025, a defiantly anti-MAGA rallying cry featuring a six pack of crackerjack performances. They'll still be talking about this one 50 years from now.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
