North American Premiere
Barcelona, 2005. Enric Marco (Eduard Fernández) has built his reputation on the claim of being a Holocaust survivor. A charismatic speaker, and chairman of a survivors’ association representing the 9,000 Spanish deportees who were imprisoned in Nazi concentration camps during WWII, he is slated to speak before the Spanish prime minister at a Holocaust memorial service. But as the date approaches, a historian uncovers inconsistencies in Marco’s life story, leading to greater implications: in truth, Marco was never imprisoned in the Flossenbürg concentration camp, as he so claimed. He fabricated his own backstory.
This riveting biographical thriller by Aitor Arregi and Jon Garaño (whose past collaborations include Spain’s Oscar entries The Endless Trench and Flowers) deploys time skips to dramatize the inception and unmasking of Marco’s persona. Propelled by a fantastic original score by Aránzazu Calleja, the film’s crisp, dynamic cinematography evokes, at key moments, the vertigo of a great upheaval. A tense depiction of the personal and national devastation wrought by one man’s falsehoods.
Community Partner
Eduard Fernández, Nathalie Poza
Spain
2024
In Spanish, Catalan and English with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Ander Barinaga-Rementeria, Xabier Berzosa, Jaime Ortiz de Artiñano, Ander Sagardoy
Screenwriter
Aitor Arregi, Jon Garaño, Jorge Gil Munarriz, Jose Mari Goenaga
Cinematography
Javier Agirre
Editor
Maialen Sarasua Oliden
Art Director
Mikel Serrano
Aitor Arregi and Jon Garaño are directors and screenwriters who have been working together for over 20 years through their production company Moriarti, alongside Jose Mari Goenaga. Moriarti was founded in 2001, and since then they have produced five feature films, three cinematic documentaries, over a dozen short films, several television documentaries, and a series for Disney+.
Filmography: Sahara Marathon (2004); The Giant (2017); The Endless Trench (2019)
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Halloween Live! The Crypt Keepers + The Day of the Beast
Amp up your Halloween with a unique live set of holidays cuts from The Crypt Keepers, followed by Alex de la Iglesias's cult comic horror Day of the Beast, a wild ride about a sinful Catholic priest on the warpath against Satan.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
