North American Premiere
When a woman decides to rent her home for a film shoot, she’s not prepared for the overwhelming sense of intrusion she will experience by having the film crew in her space. But reality and fiction blur as the production ramps up and she finds herself immersed in the work and on-set camaraderie.
In his feature debut, Iranian director Farshad Hashemi weaves a narratively dense and emotionally textured film tapestry, crafting a quietly affecting drama that lands as a poetic meditation on loneliness and the power of storytelling. The filmmaker nimbly switches between storytelling conventions to interrogate the notion of art imitating life and vice versa. As he himself moves seamlessly in front of and behind the camera (he plays the production manager), he conveys a deep appreciation for the chaotic nature of the creative process, proving that magic is often found in moments of frustration and uncertainty.
Ingmar Bergman International Debut Award, Göteborg 2024
Presented by
Media Partner
Mahboube Gholami, Farshad Hashemi, Ebrahim Azizi, Zahra Aghapour, Navid Aghaei, Arash Deghan Shad
Iran/Germany
2024
In Farsi with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Sina Askari
Producer
Farzad Pak, Farshad Hashemi
Screenwriter
Farshad Hashemi
Cinematography
Davood Malek Hosseini
Editor
Mahdi Iravani
Production Design
Siamak Karinejad
Original Music
Peyman Yazdanian
Farshad Hashemi
Farshad Hashemi is an Iranian writer, director, and actor. His feature directorial debut, Me, Maryam, the Children, and 26 Others premiered at the International Film Festival Rotterdam and was selected for the Göteborg Film Festival where it won the Ingmar Bergman International Debut Award.
Missing VIFF? Check out what's playing at the VIFF Centre
Vince Mai Plays Mancini
Local trumpeter and film composer Vince Mai returns to the VIFF Centre with his quintet to play selected hits of celebrated film composer Henry Mancini prior to a screening of the beloved Pink Panther movie A Shot in the Dark.
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
The Chronology of Water
Kristen Stewart's fearless directorial debut is based on the best-selling memoir by Lidia Yuknavitch (Imogen Poots), a chronicle of her abusive childhood, traumatized adulthood, and escapes through swimming, drugs, sex, and ultimately writing.


