North American Premiere
Still reeling from a fresh breakup, thirtysomething David (Iair Said), a chubby gay Jewish man living in a state of arrested development, returns to his native Buenos Aires for his uncle’s funeral. There he has to confront not only his Jewish heritage, but also the impending death of his comatose father, kept alive by a ventilator that his mother Dora (Rita Cortese) has decided to unplug. Faced with these harsh realities, David copes in the only way he seems to know: by getting into agonizing, cringe-worthy situations prompted by his desire for sex and attention.
Directed by Said himself, Most People Die on Sundays reinvigorates a familiar cringe comedy template with a detailed look at the little-seen Argentinean Jewish milieu in which the film unfolds. Featuring memorable, layered performances from both Said and Cortese, this is a darkly comic exploration of the lengths people will go to escape their origins, and the moments of grace they find along the way.
Community Partner
Iair Said, Rita Cortese, Antonia Zegers, Juliana Gattas
Argentina/Italy/Spain
2024
In Spanish with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Nicolás Avruj, Diego Lerman
Screenwriter
Iair Said
Cinematography
Giovanni Cimarosti
Editor
Flor Efrón
Production Design
Coca Oderigo, Cristina Nigro
Original Music
Ascari
Iair Said
Born in Argentina, in 1988, Iair is an actor, director, and casting director. His directorial debut 9 Vaccines (2012) won the Black Pearl Award for Best Narrative Short Film at the Abu Dhabi Film Festival and the Best Short Film Award at the BAFICI Film Festival. His latest short film Present Imperfect (2015) was selected in the official competition for the 68th Cannes Film Festival. Most People Die on Sundays is Iair’s first feature film.
Missing VIFF? Check out what's playing at the VIFF Centre
E.T. the Extra-Terrestrial
One of only a handful of live action children's films to capture the imaginations of generations, E.T. has a luminous warmth; it's a suburban symphony of emotion, and it's fascinating to revisit it in the light of The Fabelmans.
Turner & Constable
Filmed as a supplement to a blockbuster exhibition at Tate Britain happening right now, this doc in the popular Exhibition on Screen series allows us to view these competitive, complementary English landscape artists side by side.
The President's Cake
Nine year old Lamia and her friend Saeed venture into the city to scrounge ingredients for a cake to celebrate Sadaam Hussein's birthday — a quest fraught with real peril in precarious times. Winner, Camera d'Or, Cannes.
Montreal, ma belle
In this Valentine to discovering love later in life, the ever-elegant Joan Chen plays Feng Xia, a 53-year-old Chinese immigrant and mother in Montreal whose world is turned upside down when she meets and falls in love with a young Quebecoise.
The Good, the Bad and the Ugly + Talkback with Special Guests
The third and the best of the so-called 'Dollars' trilogy amplifies Leone's baroque style: crane shots, shock cuts and Morricone music all vying for attention as three rogues hunt buried gold in a series of triangular variations. + Intro and Talkback
