North American Premiere
1989. After decades of all-pervasive Communist oppression under the brutal Ceaușescu dictatorship, Romania is on the brink of change. Six intertwined stories crisscross throughout Bucharest over the course of a single day that will mark the eve of the Romanian Revolution. Students surreptitiously seek ways to leave the country; a television broadcaster panics when a pre-recorded programme becomes politically untenable; an actress thinks she’s found her big break; a child’s Christmas letter to Santa unintentionally incriminates his father. These parallel tales map out the painful absurdities of lives governed by fear, flecked with grim ironies and hopeful glimpses of a better future.
The much-anticipated debut feature film from Bogdan Mureşanu, this polyphonic tragi-comedy shuffles subtle tensions and dry humour with deft craftsmanship. Reflecting national unrest and dissatisfaction through the lens of interfamilial struggles and professional pressures, this is a powerful probe of Romanian political history.
Best Film: Orizzonti, Venice 2024; FIPRESCI Award: Premio Valentina Pedicini under 40, Venice 2024
Adrian Vǎncicǎ, Andrei Miercure, Iulian Postelnicu, Emilia Dobrin, Nicoleta Hâncu, Mihai Cǎlin
Romania
2024
In Romanian with English subtitles
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Credits & Director
Executive Producer
Irina Enea, Bogdan Luca
Producer
Irina Enea, Bogdan Luca
Screenwriter
Bogdan Mureşanu
Cinematography
Boroka Biro, Tudor Platon
Editor
Vanja Kovačević, Mircea Lăcătuș
Production Design
Iulia Fulicea, Victor Fulicea
Bogdan Mureşanu
In 2012, Bogdan directed his first short film, Half Shaved, which won the Audience Award at Anonimul IFF and screened at festivals worldwide. In 2016, he completed the short Spid and Negruzzi 14, an art film showcased at the National Museum of Contemporary Art. In 2017, he worked on the animation The Magician and shot The Christmas Gift, which won Best Film at the European Film Awards and was a Top 10 finalist at the 2020 Oscars. The New Year That Never Came is his first feature film.
Missing VIFF? Check out what's playing at the VIFF Centre
The Colour of Pomegranates + The House Is Black
This month's Pantheon screening is a double-bill, Sergei Parajanov's extraordinary evocation of the life and work of C18th Armenian poet Sayat Nova, and, The House is Black (22 min), the only film directed by the great Iranian poet Forugh Farrokhzad.
Left-Handed Girl
Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.
The Librarians
Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.
Dawn Pemberton Sings Aretha + Amazing Grace Film Screening
These dates are going to knock your socks off: one of the all-time great concert films, Aretha Franklin performing at the New Bethel Baptist Church in 1972, and Canada's own Queen of Soul, Dawn Pemberton, performing live in Aretha's honour.
Caravaggio
In the latest from Exhibition on Screen, co-directors David Bickerstaff and Phil Grabsky shed light not only on Caravaggio's paintings, but his life, often kept half-hidden in the same chiaroscuro tones he shaded his masterpieces with.
Train Dreams
A lovely, ruminative movie set in the Pacific Northwest in the first half of the last century. Robert (Joel Edgerton) is a lumberjack, a taciturn man who comes to appreciate the life slipping between his fingers.