
“Mother’s not quite herself today…” That Norman Bates line from Psycho gets a new spin in this bracingly strange movie based on Rachel Yoder’s acclaimed 2021 novel. Mother (Amy Adams) used to be an artist in the big city. Now she’s just another mom in the suburbs. Her husband (Scoot McNairy) still travels widely for work, leaving Mother to feed, clothe, and amuse their toddler 24/7. Of course, she’s dog-tired. But that can’t explain the fuzziness around her neck and her tailbone… her newly acute sense of smell… or her sudden popularity with the canines in the neighbourhood… ?
Adams (who also produced) entrusted the reins to writer-director Marielle Heller (Diary of a Teenage Girl; Can You Ever Forgive Me?). A mom herself, Heller took on the assignment and ran with it. “It’s a comedy for women and a horror film for men,” she proclaims. Either way, it’s a must-see, not least for Amy Adams’ fearlessly feral performance.
Amy Adams, Scoot McNairy, Arleigh Patrick Snowden, Emmett James Snowden, Zoë Chao, Mary Holland
USA
2024
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Megan Ellison, Allison Rose Carter, Havilah Brewster, Adam Paulsen, Sammy Scher, Rachel Yoder
Producer
Anne Carey, Marielle Heller, Sue Naegle, Christina Oh, Amy Adams, Stacy O’Neil
Screenwriter
Marielle Heller
Cinematography
Brandon Trost
Editor
Anne McCabe
Production Design
Karen Murphy
Original Music
Nate Heller

Marielle Heller
Marielle Heller is a filmmaker, producer, and actor who was born in Marin County, California. Her debut film, The Diary of a Teenage Girl (2015), adapted from Phoebe Gloeckner’s graphic novel, premiered at Sundance and won the Grand Prix at the Berlin International Film Festival. She later directed Can You Ever Forgive Me? (2018) and A Beautiful Day in the Neighborhood (2019). Nightbitch is her latest film.
Filmography: The Diary of a Teenage Girl (2015); Can You Ever Forgive Me? (2018); A Beautiful Day in the Neighborhood (2019)
Missing VIFF? Check out what's playing at the VIFF Centre
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Israel Palestine on Swedish TV 1958-1989
Drawing on 30 years of television archives, Göran Hugo Olsson relates the early history of the state of Israel, as reported by Swedish filmmakers, politicians and journalists. "An astonishing, invaluable document." William Mullally, The National
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.