“Mother’s not quite herself today…” That Norman Bates line from Psycho gets a new spin in this bracingly strange movie based on Rachel Yoder’s acclaimed 2021 novel. Mother (Amy Adams) used to be an artist in the big city. Now she’s just another mom in the suburbs. Her husband (Scoot McNairy) still travels widely for work, leaving Mother to feed, clothe, and amuse their toddler 24/7. Of course, she’s dog-tired. But that can’t explain the fuzziness around her neck and her tailbone… her newly acute sense of smell… or her sudden popularity with the canines in the neighbourhood… ?
Adams (who also produced) entrusted the reins to writer-director Marielle Heller (Diary of a Teenage Girl; Can You Ever Forgive Me?). A mom herself, Heller took on the assignment and ran with it. “It’s a comedy for women and a horror film for men,” she proclaims. Either way, it’s a must-see, not least for Amy Adams’ fearlessly feral performance.
Amy Adams, Scoot McNairy, Arleigh Patrick Snowden, Emmett James Snowden, Zoë Chao, Mary Holland
USA
2024
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Megan Ellison, Allison Rose Carter, Havilah Brewster, Adam Paulsen, Sammy Scher, Rachel Yoder
Producer
Anne Carey, Marielle Heller, Sue Naegle, Christina Oh, Amy Adams, Stacy O’Neil
Screenwriter
Marielle Heller
Cinematography
Brandon Trost
Editor
Anne McCabe
Production Design
Karen Murphy
Original Music
Nate Heller
Marielle Heller
Marielle Heller is a filmmaker, producer, and actor who was born in Marin County, California. Her debut film, The Diary of a Teenage Girl (2015), adapted from Phoebe Gloeckner’s graphic novel, premiered at Sundance and won the Grand Prix at the Berlin International Film Festival. She later directed Can You Ever Forgive Me? (2018) and A Beautiful Day in the Neighborhood (2019). Nightbitch is her latest film.
Filmography: The Diary of a Teenage Girl (2015); Can You Ever Forgive Me? (2018); A Beautiful Day in the Neighborhood (2019)
Missing VIFF? Check Out What's Playing at the VIFF Centre
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
My Undesirable Friends: Part II — Exile
Julia Loktev's follow up to last year's film about dissident journalists in Moscow tracks the reporters as they are forced into exile across a four year period, but still striving to counterbalance state propaganda as Putin pursues the war in Ukraine.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Knife: The Attempted Murder of Salman Rushdie
Alex Gibney's doc relates the near-lethal attack on Salman Rushdie in 2022, the writer's painful rehab and recovery, and his reflections on life before, during and after the publication of The Satanic Verses.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
You Had to Be There
In a strange quirk of fate, the legendary Toronto '72 production of the musical comedy Jesus hit Godspell launched a constellation of comedy stars, all unknown at the time but now known to us as Martin Short, Eugene Levy, Dave Thomas, Victor Garber, et al