“Mother’s not quite herself today…” That Norman Bates line from Psycho gets a new spin in this bracingly strange movie based on Rachel Yoder’s acclaimed 2021 novel. Mother (Amy Adams) used to be an artist in the big city. Now she’s just another mom in the suburbs. Her husband (Scoot McNairy) still travels widely for work, leaving Mother to feed, clothe, and amuse their toddler 24/7. Of course, she’s dog-tired. But that can’t explain the fuzziness around her neck and her tailbone… her newly acute sense of smell… or her sudden popularity with the canines in the neighbourhood… ?
Adams (who also produced) entrusted the reins to writer-director Marielle Heller (Diary of a Teenage Girl; Can You Ever Forgive Me?). A mom herself, Heller took on the assignment and ran with it. “It’s a comedy for women and a horror film for men,” she proclaims. Either way, it’s a must-see, not least for Amy Adams’ fearlessly feral performance.
Amy Adams, Scoot McNairy, Arleigh Patrick Snowden, Emmett James Snowden, Zoë Chao, Mary Holland
USA
2024
English
Book Tickets
Indigenous & Community Access
Credits & Director
Executive Producer
Megan Ellison, Allison Rose Carter, Havilah Brewster, Adam Paulsen, Sammy Scher, Rachel Yoder
Producer
Anne Carey, Marielle Heller, Sue Naegle, Christina Oh, Amy Adams, Stacy O’Neil
Screenwriter
Marielle Heller
Cinematography
Brandon Trost
Editor
Anne McCabe
Production Design
Karen Murphy
Original Music
Nate Heller
Marielle Heller
Marielle Heller is a filmmaker, producer, and actor who was born in Marin County, California. Her debut film, The Diary of a Teenage Girl (2015), adapted from Phoebe Gloeckner’s graphic novel, premiered at Sundance and won the Grand Prix at the Berlin International Film Festival. She later directed Can You Ever Forgive Me? (2018) and A Beautiful Day in the Neighborhood (2019). Nightbitch is her latest film.
Filmography: The Diary of a Teenage Girl (2015); Can You Ever Forgive Me? (2018); A Beautiful Day in the Neighborhood (2019)
Missing VIFF? Check out what's playing at the VIFF Centre
Every Little Thing
If you thought Flow was an emotional rollercoaster, wait til you meet Cactus and Wasabi, baby hummingbirds fighting for their lives under the loving care of hummingbird-whisperer Terry Masear, an Angelino who makes it her mission to nurse injured birds.
Emilia Pérez
When a defence attorney (Zoe Saldana) is enlisted to tend to the affairs of a notorious drug lord (Karla Sofía Gascón) completing gender affirmation surgery, there will be blood, ballads, and dance numbers. A maximalist musical from Jacques Audiard.
Barking Dogs Never Bite
Bong's first film is a genial black comedy involving the deaths -- accidental and otherwise -- of several dogs in a Seoul apartment complex. Saturday's screening will be followed by a talk by Distinguished Professor Dal Yong Jin.
Memories of Murder
Parasite director Bong Joon-ho's police procedural is the centrepiece of our retrospective and arguably his masterpiece. Certainly, among serial killer movies this one is on a par with Zodiac and The Silence of the Lambs, but more politically astute.