A group of young women tweak machines and hammer away at a school for auto mechanics in Ouagadougou in this poetic story about life choices, sisterhood and the endeavour to find your own way. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.
In this hybrid documentary, we glimpse the lives of young women training to become mechanics in Ouagadougou, Burkina Faso. Amidst the quirks of their training, they find solace in their sisterhood. Ouaga Girls proves itself a contemplative film that examines the determination needed to break into a male dominated profession. The rigour demonstrated by the girls establishes this film as an important watch.
Kika Memeh & Ogheneofegor Obuwoma, FOCUS Curators
Presented by
Bintou Konate, Chantale Nissougou, Mouniratou Sedogo, Catherine Nea, Dina Tapsoba, Marthe Ouedraogo
Sweden/Burkina Faso/
France/Qatar
2017
In French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
David Herdies
Cinematography
Iga Mikler, Sophie Winquist
Editor
Alexandra Strauss, Margareta Lagerqvist
Original Music
Christoffer Roth, Seydou Richard Traore, Jenny Wilson
Theresa Traore Dahlberg
Theresa Traore Dahlberg (born 1983 in Värnamo, Sweden) resides and works in Stockholm. She studied film at the New School in New York and the Stockholm Academy of Dramatic Arts. In 2017, she graduated with a Master of Fine Art from The Royal Institute of Art in Stockholm. Her film, The Ambassador’s Wife (2018), won the Tempo Short Film Award and screened internationally at festivals such as TIFF, Berlin Critics’ Week, Clermont-Ferrand, and Telluride. Her first film, Taxi Sisters (2011), and her first feature-length documentary, Ouaga Girls (2017), continue to be widely shown around the world.
Missing VIFF? Check out what's playing at the VIFF Centre
Delicatessen
Amelie director Jean-Pierre Jeunet collaborated with Marc Caro on their first film, a breathlessly inventive and unexpectedly charming comedy about two young lovers evading a cannibal butcher in a post-apocalyptic France.
Democracy Under Siege
As the USA turns 250, Oscar-nominated director Laura Nix considers the roots of the current political crisis with commentary from historian Heather Cox Richardson, progressive politician Jamie Raskin, and cartoonist Ann Telnaes, among others.
Everybody to Kenmure Street
This rousing documentary (100% Fresh on Rotten Tomatoes) never puts a foot wrong as it recreates a tense, prolonged stand-off between the police and the citizens of Glasgow when an Immigration Enforcement squad attempt to arrest two men from their homes.
Boyz n the Hood
Twenty-three-year-old writer-director John Singleton's groundbreaking portrait of three young men growing up in South Central is a film of integrity and compassion. It's a far richer portrait of Black lives than Hollywood's gangsta exploitation pics.
Romería
An orphan from a young age, 18-year-old Marina intends to pursue a university scholarship. The application, however, requires the signatures of her paternal grandparents, compelling her to embark on a pilgrimage and seek out the family she has never met.