A group of young women tweak machines and hammer away at a school for auto mechanics in Ouagadougou in this poetic story about life choices, sisterhood and the endeavour to find your own way. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.
In this hybrid documentary, we glimpse the lives of young women training to become mechanics in Ouagadougou, Burkina Faso. Amidst the quirks of their training, they find solace in their sisterhood. Ouaga Girls proves itself a contemplative film that examines the determination needed to break into a male dominated profession. The rigour demonstrated by the girls establishes this film as an important watch.
Kika Memeh & Ogheneofegor Obuwoma, FOCUS Curators
Presented by
Bintou Konate, Chantale Nissougou, Mouniratou Sedogo, Catherine Nea, Dina Tapsoba, Marthe Ouedraogo
Sweden/Burkina Faso/
France/Qatar
2017
In French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
David Herdies
Cinematography
Iga Mikler, Sophie Winquist
Editor
Alexandra Strauss, Margareta Lagerqvist
Original Music
Christoffer Roth, Seydou Richard Traore, Jenny Wilson
Theresa Traore Dahlberg
Theresa Traore Dahlberg (born 1983 in Värnamo, Sweden) resides and works in Stockholm. She studied film at the New School in New York and the Stockholm Academy of Dramatic Arts. In 2017, she graduated with a Master of Fine Art from The Royal Institute of Art in Stockholm. Her film, The Ambassador’s Wife (2018), won the Tempo Short Film Award and screened internationally at festivals such as TIFF, Berlin Critics’ Week, Clermont-Ferrand, and Telluride. Her first film, Taxi Sisters (2011), and her first feature-length documentary, Ouaga Girls (2017), continue to be widely shown around the world.
Missing VIFF? Check out what's playing at the VIFF Centre
Shame and Money
Shaban and his wife make their living as dairy farmers in a rural Kosovan village, but when an act of betrayal upends their livelihood, they are forced to move to the capital to make ends meet. As pressures mount, Shaban is pushed to the brink.
Image: © Janis Mazuch
Jaripeo
Efraín Mojica and Rebecca Zweig set their sights on Penjamillo, Michoacán, where the annual Jaripeo — a rodeo of bull riding, drinking, and dust that serves as the town’s public theatre of masculinity — becomes a stage for queer desire.
Into the Jaws of the Ogre
Having left Iran for France, filmmaker Mahsa Karampour now reunites with her musician brother in America. Mixing the structure of a road movie with the brashness of a punk anthem, this intimate documentary is humanist filmmaking of the highest order.
Everytime
Winner of this year’s prestigious Un Certain Regard award at Cannes, Sandra Wollner’s exquisite debut is a tender drama in which a mother is drawn closer to her youngest daughter and her late daughter’s boyfriend as they make sense of a shared tragedy.
Image: © The Barricades Panama Film, Gregory Oke
Frank & Louis
In a bid to increase his changes at parole, Frank joins an initiative where long-term inmates care for aging prisoners suffering from dementia. But when he meets the elderly Louis, it puts his own predicament into perspective.
Jim Queen
When far-right activists infect gay influencer Jim Queen with a drug that turns him straight, he must join forces with a closeted follower to cure his ailment. Jim Queen is a film unafraid to skewer gay “body fascism” and bigoted conservatism alike.