A group of young women tweak machines and hammer away at a school for auto mechanics in Ouagadougou in this poetic story about life choices, sisterhood and the endeavour to find your own way. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.
In this hybrid documentary, we glimpse the lives of young women training to become mechanics in Ouagadougou, Burkina Faso. Amidst the quirks of their training, they find solace in their sisterhood. Ouaga Girls proves itself a contemplative film that examines the determination needed to break into a male dominated profession. The rigour demonstrated by the girls establishes this film as an important watch.
Kika Memeh & Ogheneofegor Obuwoma, FOCUS Curators
Presented by
Bintou Konate, Chantale Nissougou, Mouniratou Sedogo, Catherine Nea, Dina Tapsoba, Marthe Ouedraogo
Sweden/Burkina Faso/
France/Qatar
2017
In French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
David Herdies
Cinematography
Iga Mikler, Sophie Winquist
Editor
Alexandra Strauss, Margareta Lagerqvist
Original Music
Christoffer Roth, Seydou Richard Traore, Jenny Wilson
Theresa Traore Dahlberg
Theresa Traore Dahlberg (born 1983 in Värnamo, Sweden) resides and works in Stockholm. She studied film at the New School in New York and the Stockholm Academy of Dramatic Arts. In 2017, she graduated with a Master of Fine Art from The Royal Institute of Art in Stockholm. Her film, The Ambassador’s Wife (2018), won the Tempo Short Film Award and screened internationally at festivals such as TIFF, Berlin Critics’ Week, Clermont-Ferrand, and Telluride. Her first film, Taxi Sisters (2011), and her first feature-length documentary, Ouaga Girls (2017), continue to be widely shown around the world.
Missing VIFF? Check out what's playing at the VIFF Centre
One Battle After Another
PT Anderson's breathless satire is the best political action movie of 2025, a defiantly anti-MAGA rallying cry featuring a six pack of crackerjack performances. They'll still be talking about this one 50 years from now.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
All That's Left of You
Jordan's submission for the Academy Awards, All That's Left of You makes the most of its epic format to chronicle seven decades of Palestinian history while tracking the psychological impact of cycles of exile and oppression on three generations.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Our Premium Pick series invites out Premium members to turn their hands to programming. This month's film was suggested by Steven Savitt, who says Dr Strangelove is "as funny as ever, but even more terrifying."