North American Premiere
The son of a farmer, young Saloth Sar was fostered by his brother and sister-in-law, Chea Samy, who was a star dancer at the Cambodian Royal Palace. Known as a kind boy who played the violin, there was no sign that this young man would become the notorious Pol Pot, the brutal dictator and leader of the Khmer Rouge, responsible for the Cambodian genocide which killed 2-million people from 1975 to 1979. The regime specifically targeted intellectuals and artists. This is the story of how Khmer classical dance was nearly decimated in the process, and how one woman single-handedly revived the form.
Featuring archival footage, dance performance, and behind-the-scenes moments with choreographer Sophine Cheam (one of Samy’s pupils), Enrique Sánchez Lansch’s documentary boasts incredible cinematography and stunning sound design. It is a remarkable achievement that sheds new light on one of the darkest moments of history. Not to be missed.
Thessaloniki IDFF – Greece 2024, DOK.fest München – Germany 2024
Oct 2 & 4: Q&A with director Enrique Sanchez Lansch
Presented by
Media Partner
Community Partner
Sophiline Cheam Shapiro
Germany/Norway
2024
In Central Khmer and English with English subtitles
Book Tickets
Indigenous & Community Access
Credits & Director
Producer
Arne Birkenstock, Laryssa Stone
Screenwriter
Enrique Sánchez Lansch
Cinematography
Marcus Winterbauer
Editor
Julia Oehring
Original Music
Christoph Kaiser, Julian Maas
Enrique Sánchez Lansch
A trained singer himself, Spanish-German director Enrique Sánchez Lansch often deals with music in his films. His award-winning documentary films include Rhythm Is It! (2004) about 250 dancing teenagers which sold 650,000 tickets in German theatres, The Reichsorchester (2007) on the Berlin Philharmonic in Nazi Germany, Piano Encounters (2010) on a childhood at the piano, and recently A Symphony of Noise (2021) about musician, music producer and activist Matthew Herbert.
Filmography: Rhythm Is It! (2004); The Reichsorchester (2007); The Promise of Music (2008); Inside the Uffizi (2020); A Symphony of Noise (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
Who by Fire
Jeff, a 17-year-old aspiring filmmaker, goes on vacation with his friend Max and his family to an isolated lodge. Philippe Lesage’s film is a tense, mesmerizing tour de force that is both agonizing and cathartic. A Berlinale award winner.
The Holdovers
Destined to become a seasonal staple, this bittersweet comedy reunites Sideways director and star Alexander Payne and Paul Giamatti in the portrait of a surly classics teacher forced to babysit five "orphans" at boarding school over the holidays.
Wallace & Gromit: Vengeance Most Fowl
Aardman Animation's handcrafted mix of dad jokes, slapstick, mock dramatics and understated emotion makes this return for the claymation odd couple a constant delight. The villainous Feathers McGraw is back to no good, commandeering Norbot the robot. Rated: G
It's a Wonderful Life
Every time a bell rings, an angel gets its wings. This Christmas classic is whimsical, sure, but it has the depth to stand up to multiple watches, and it really should be a communal experience, because that is what it's about. Rated: G
The Count of Monte Cristo
You can't beat this evergreen Alexandre Dumas tale for adventure, intrigue and romance. This lavish French blockbuster from the writers of the recent Three Musketeers movies pulls you in from the first scene and doesn't let off for the next three hours. Rated: PG