North American Premiere
The son of a farmer, young Saloth Sar was fostered by his brother and sister-in-law, Chea Samy, who was a star dancer at the Cambodian Royal Palace. Known as a kind boy who played the violin, there was no sign that this young man would become the notorious Pol Pot, the brutal dictator and leader of the Khmer Rouge, responsible for the Cambodian genocide which killed 2-million people from 1975 to 1979. The regime specifically targeted intellectuals and artists. This is the story of how Khmer classical dance was nearly decimated in the process, and how one woman single-handedly revived the form.
Featuring archival footage, dance performance, and behind-the-scenes moments with choreographer Sophine Cheam (one of Samy’s pupils), Enrique Sánchez Lansch’s documentary boasts incredible cinematography and stunning sound design. It is a remarkable achievement that sheds new light on one of the darkest moments of history. Not to be missed.
Thessaloniki IDFF – Greece 2024, DOK.fest München – Germany 2024
Oct 2 & 4: Q&A with director Enrique Sanchez Lansch
Presented by
Media Partner
Community Partner
Sophiline Cheam Shapiro
Germany/Norway
2024
In Central Khmer and English with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Arne Birkenstock, Laryssa Stone
Screenwriter
Enrique Sánchez Lansch
Cinematography
Marcus Winterbauer
Editor
Julia Oehring
Original Music
Christoph Kaiser, Julian Maas
Enrique Sánchez Lansch
A trained singer himself, Spanish-German director Enrique Sánchez Lansch often deals with music in his films. His award-winning documentary films include Rhythm Is It! (2004) about 250 dancing teenagers which sold 650,000 tickets in German theatres, The Reichsorchester (2007) on the Berlin Philharmonic in Nazi Germany, Piano Encounters (2010) on a childhood at the piano, and recently A Symphony of Noise (2021) about musician, music producer and activist Matthew Herbert.
Filmography: Rhythm Is It! (2004); The Reichsorchester (2007); The Promise of Music (2008); Inside the Uffizi (2020); A Symphony of Noise (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
Election
Tracy Flick (Reece Witherspoon) is running for Student President, but Mr. McAllister (Matthew Broderick) has other ideas... This remarkably sour millennial comedy from Alexander Payne (The Holdovers; Sideways; The Descendents) hits twice as hard today.
Memory of Princess Mumbi
In 2093, a filmmaker arrives in the African village of Umata, where he meets Princess Mumbi, a woman torn between love, legacy, and the future of storytelling. It's a fabulous genre-blending fable about memory, invention and cinematic resistance.
Ghost Dog: Way of the Samurai
Ghost Dog (Forest Whitaker) is an assassin, but he's also an existential loner who adheres to his personal code. Despite the thriller trappings, this is really a lampoon of that genre, and a melancholy reverie for the cultural melting pot we call home.
The Straight Story
David Lynch goes a different direction in this linear Midwestern about a septuagenarian (Richard Farnsworth) who drives nearly 400km on a lawnmower to visit his ailing brother (Harry Dean Stanton).
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.


