North American Premiere
The son of a farmer, young Saloth Sar was fostered by his brother and sister-in-law, Chea Samy, who was a star dancer at the Cambodian Royal Palace. Known as a kind boy who played the violin, there was no sign that this young man would become the notorious Pol Pot, the brutal dictator and leader of the Khmer Rouge, responsible for the Cambodian genocide which killed 2-million people from 1975 to 1979. The regime specifically targeted intellectuals and artists. This is the story of how Khmer classical dance was nearly decimated in the process, and how one woman single-handedly revived the form.
Featuring archival footage, dance performance, and behind-the-scenes moments with choreographer Sophine Cheam (one of Samy’s pupils), Enrique Sánchez Lansch’s documentary boasts incredible cinematography and stunning sound design. It is a remarkable achievement that sheds new light on one of the darkest moments of history. Not to be missed.
Thessaloniki IDFF – Greece 2024, DOK.fest München – Germany 2024
Oct 2 & 4: Q&A with director Enrique Sanchez Lansch
Presented by
Media Partner
Community Partner
Sophiline Cheam Shapiro
Germany/Norway
2024
In Central Khmer and English with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Arne Birkenstock, Laryssa Stone
Screenwriter
Enrique Sánchez Lansch
Cinematography
Marcus Winterbauer
Editor
Julia Oehring
Original Music
Christoph Kaiser, Julian Maas
Enrique Sánchez Lansch
A trained singer himself, Spanish-German director Enrique Sánchez Lansch often deals with music in his films. His award-winning documentary films include Rhythm Is It! (2004) about 250 dancing teenagers which sold 650,000 tickets in German theatres, The Reichsorchester (2007) on the Berlin Philharmonic in Nazi Germany, Piano Encounters (2010) on a childhood at the piano, and recently A Symphony of Noise (2021) about musician, music producer and activist Matthew Herbert.
Filmography: Rhythm Is It! (2004); The Reichsorchester (2007); The Promise of Music (2008); Inside the Uffizi (2020); A Symphony of Noise (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
Caravaggio
In the latest from Exhibition on Screen, co-directors David Bickerstaff and Phil Grabsky shed light not only on Caravaggio's paintings, but his life, often kept half-hidden in the same chiaroscuro tones he shaded his masterpieces with.
Left-Handed Girl
Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.
Train Dreams
A lovely, ruminative movie set in the Pacific Northwest in the first half of the last century. Robert (Joel Edgerton) is a lumberjack, a taciturn man who comes to appreciate the life slipping between his fingers.
Thieves' Highway
Set in the world of trucking, this unusual but effective drama fuses elements of film noir and neo-realism. It was director Jules Dassin's last American movie before the blacklist forced him into exile in Europe. Intro by Mike Archibald.
Little Amelie or the Character of Rain
Baby Amelie believes herself to be a god. Her parents (Belgian diplomats in 60s Japan) can barely cope -- but find the perfect nanny to restore order in this delightful animated feature.