Shorts from Brazil, Kenya, Martinique, Mexico, Taiwan, and USA.
Sept 30 & Oct 1: Q&A with filmmakers
This short film program includes the following films:
Minus Plus Multiply
Chu-Chieh Lee, UK (5 min)
Experiments with drawing, stop motion, and ceramics exploring one’s relationship to emotions through space.
Creatures of Light
Sylvie Weber, Mexico (12 min)
Through her connection with the natural world, Valeria brings comfort and lightness to her family.
When the Wind Rises
Hung Chen, Taiwan (18 min)
An elderly activist rallies his community against the expansion of an oil refinery in their tiny fishing village.
The Return
Laissa Malih, Kenya (16 min)
Malih returns to her community as the first Maasai filmmaker—both an insider and an outsider, a woman amongst men—so that she may carry on the sacred tradition of storytelling.
Mermaids
Sarah Malléon, Martinique (16 min)
On the island of Martinique, a young girl attempts to summon mermaids through calls from a conch shell.
Dadá
Luisa Arraes, Brazil (19 min)
In this comedy of manners, chaos ensues at a dinner party when the help does not arrive.
Fishmonger
Neil Ferron, USA (26 min)
A pathetic fishmonger must survive a sex pact with an ancient fish creature in order to save his mother’s soul.
Supported by
Community Partner
Various
Various
2023-2024
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check out what's playing at the VIFF Centre
The Wind Will Carry Us
Kiarostami's dry comic masterpiece follows a Tehrani film team's thwarted attempts to document a traditional Kurdish funeral... Trouble being, there's no one to bury, and, worse, virtually no cell service...
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Ghost Dog: Way of the Samurai
Ghost Dog (Forest Whitaker) is an assassin, but he's also an existential loner who adheres to his personal code. Despite the thriller trappings, this is really a lampoon of that genre, and a melancholy reverie for the cultural melting pot we call home.
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.
