Shorts from Brazil, Kenya, Martinique, Mexico, Taiwan, and USA.
Sept 30 & Oct 1: Q&A with filmmakers
This short film program includes the following films:
Minus Plus Multiply
Chu-Chieh Lee, UK (5 min)
Experiments with drawing, stop motion, and ceramics exploring one’s relationship to emotions through space.
Creatures of Light
Sylvie Weber, Mexico (12 min)
Through her connection with the natural world, Valeria brings comfort and lightness to her family.
When the Wind Rises
Hung Chen, Taiwan (18 min)
An elderly activist rallies his community against the expansion of an oil refinery in their tiny fishing village.
The Return
Laissa Malih, Kenya (16 min)
Malih returns to her community as the first Maasai filmmaker—both an insider and an outsider, a woman amongst men—so that she may carry on the sacred tradition of storytelling.
Mermaids
Sarah Malléon, Martinique (16 min)
On the island of Martinique, a young girl attempts to summon mermaids through calls from a conch shell.
Dadá
Luisa Arraes, Brazil (19 min)
In this comedy of manners, chaos ensues at a dinner party when the help does not arrive.
Fishmonger
Neil Ferron, USA (26 min)
A pathetic fishmonger must survive a sex pact with an ancient fish creature in order to save his mother’s soul.
Supported by
Community Partner
Various
Various
2023-2024
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check out what's playing at the VIFF Centre
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.
But I'm a Cheerleader
Megan (Natasha Lyonne) is the perfect All-American Girl, or so she thinks. That is until she’s shipped off to conversion therapy. This pitch black comedy is wrapped in a saccharine bow, featuring the icon herself, RuPaul, as a conversion counsellor.
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.