Shorts from Brazil, Kenya, Martinique, Mexico, Taiwan, and USA.
Sept 30 & Oct 1: Q&A with filmmakers
This short film program includes the following films:
Minus Plus Multiply
Chu-Chieh Lee, UK (5 min)
Experiments with drawing, stop motion, and ceramics exploring one’s relationship to emotions through space.
Creatures of Light
Sylvie Weber, Mexico (12 min)
Through her connection with the natural world, Valeria brings comfort and lightness to her family.
When the Wind Rises
Hung Chen, Taiwan (18 min)
An elderly activist rallies his community against the expansion of an oil refinery in their tiny fishing village.
The Return
Laissa Malih, Kenya (16 min)
Malih returns to her community as the first Maasai filmmaker—both an insider and an outsider, a woman amongst men—so that she may carry on the sacred tradition of storytelling.
Mermaids
Sarah Malléon, Martinique (16 min)
On the island of Martinique, a young girl attempts to summon mermaids through calls from a conch shell.
Dadá
Luisa Arraes, Brazil (19 min)
In this comedy of manners, chaos ensues at a dinner party when the help does not arrive.
Fishmonger
Neil Ferron, USA (26 min)
A pathetic fishmonger must survive a sex pact with an ancient fish creature in order to save his mother’s soul.
Supported by
Community Partner
Various
Various
2023-2024
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
