Shorts from Belgium, Canada, France, South Korea, Taiwan, and USA.
Oct 1 & 2: Q&A with filmmakers
This short film program includes the following films:
Stuffed
Louise Labrousse, France (11 min)
A woman decides to treat herself to a bowl of noodles in the bath.
Strawberry Shortcake
Deborah Devyn Chuang, Taiwan (21 min)
A teenage girl falls into a Freudian phantasy with her mother.
The Painting
Michèle Lemieux, Canada (11 min)
Using pinscreen animation, an instance of institutionalized incest in art history is examined through the portrait of Queen Mariana of Austria, who was 14 when she married her uncle.
Zanatany, When Soulless Shrouds Whisper
Hachimiya Ahamada, Belgium/France/Qatar (27 min)
Tensions rise in the community, days before the little known 1976 Majunga massacre.
Shadow
Kamell Allaway, USA (12 min)
A young mother’s shadow takes on a life of its own, terrorizing her and her daughter.
Hatch
Alireza Kazemipour & Panta Mosleh, Canada (11 min)
A group of Afghan refugees hide inside a water tanker as they attempt to cross the border to safety.
Time to Dilate
Kim Nayoung, South Korea (22 min)
Two lovers, Myung-ki and Do, break up because of a secret Myung-ki’s been hiding. When they meet again, this secret cannot be ignored.
Supported by
Community Partner
Various
Various
2023-2024
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check out what's playing at the VIFF Centre
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Fight Club
1999 was a very good year for movies, but nothing captured millennial angst quite so vividly as David Fincher's bruising black comedy about what it means to be a man today. This modern classic does everything short of rattling your seat to get a reaction.


