Shorts from Belgium, Canada, France, South Korea, Taiwan, and USA.
Oct 1 & 2: Q&A with filmmakers
This short film program includes the following films:
Stuffed
Louise Labrousse, France (11 min)
A woman decides to treat herself to a bowl of noodles in the bath.
Strawberry Shortcake
Deborah Devyn Chuang, Taiwan (21 min)
A teenage girl falls into a Freudian phantasy with her mother.
The Painting
Michèle Lemieux, Canada (11 min)
Using pinscreen animation, an instance of institutionalized incest in art history is examined through the portrait of Queen Mariana of Austria, who was 14 when she married her uncle.
Zanatany, When Soulless Shrouds Whisper
Hachimiya Ahamada, Belgium/France/Qatar (27 min)
Tensions rise in the community, days before the little known 1976 Majunga massacre.
Shadow
Kamell Allaway, USA (12 min)
A young mother’s shadow takes on a life of its own, terrorizing her and her daughter.
Hatch
Alireza Kazemipour & Panta Mosleh, Canada (11 min)
A group of Afghan refugees hide inside a water tanker as they attempt to cross the border to safety.
Time to Dilate
Kim Nayoung, South Korea (22 min)
Two lovers, Myung-ki and Do, break up because of a secret Myung-ki’s been hiding. When they meet again, this secret cannot be ignored.
Supported by
Community Partner
Various
Various
2023-2024
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check out what's playing at the VIFF Centre
The Graduate
In The Graduate Benjamin (Dustin Hoffman, 30 playing 20 with masterly understatement) comes home from college and is surprised to be seduced by the wife of his father's business partner, Mrs Robinson (Anne Bancroft).
blur: To the End
Now in their late 50s, Britpopsters blur (of Song 2 fame) do a celebratory lap of Great Britain culminating in their first ever Wembley Stadium show in this appealing observational doc. A companion piece to the concert film Live at Wembley Stadium.
Midnight Cowboy
Jon Voight and Dustin Hoffman are street hustlers on different ends of the innocence / experience spectrum who establish something more than a business partnership in the seedy world of late 60s New York City in John Schlesinger's New Hollywood classic.
Sinners
This year's unexpected box office sleeper is that rare beast, a genre movie full of bold invention and surprise. We are in Mississippi in the early 1930s, and the opening of a new blues joint on the edge of town is the signal for all hell to break out.
The Headless Woman
The pictures tell the story -- and you better not blink -- when Veronica (the superb Maria Onetto) hits something on the road home. But what? She is too traumatized, or panic-stricken, to go back and look, and her fears are too terrible to acknowledge.