Shorts from Belgium, Canada, France, South Korea, Taiwan, and USA.
Oct 1 & 2: Q&A with filmmakers
This short film program includes the following films:
Stuffed
Louise Labrousse, France (11 min)
A woman decides to treat herself to a bowl of noodles in the bath.
Strawberry Shortcake
Deborah Devyn Chuang, Taiwan (21 min)
A teenage girl falls into a Freudian phantasy with her mother.
The Painting
Michèle Lemieux, Canada (11 min)
Using pinscreen animation, an instance of institutionalized incest in art history is examined through the portrait of Queen Mariana of Austria, who was 14 when she married her uncle.
Zanatany, When Soulless Shrouds Whisper
Hachimiya Ahamada, Belgium/France/Qatar (27 min)
Tensions rise in the community, days before the little known 1976 Majunga massacre.
Shadow
Kamell Allaway, USA (12 min)
A young mother’s shadow takes on a life of its own, terrorizing her and her daughter.
Hatch
Alireza Kazemipour & Panta Mosleh, Canada (11 min)
A group of Afghan refugees hide inside a water tanker as they attempt to cross the border to safety.
Time to Dilate
Kim Nayoung, South Korea (22 min)
Two lovers, Myung-ki and Do, break up because of a secret Myung-ki’s been hiding. When they meet again, this secret cannot be ignored.
Supported by
Community Partner
Various
Various
2023-2024
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check Out What's Playing at the VIFF Centre
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
A. Rimbaud
Patrick Wang (The Bread Factory) presents the life of French poet Arthur Rimbaud in this staggeringly adventurous and deeply considered movie, a three-hour, one-man show quite unlike anything we have seen before. "Poetic, audacious and singular."