
Canadian Premiere
In this highly original biopic, Birgit Minichmayr (Maren Ade’s Everyone Else) plays the renowned Austrian painter Maria Lassnig at all ages of the artist’s life, traversing the decades with nary a change in appearance. Unbound by conventional narrative form, the film skips freely between disparate times and places, recounting how Lassnig asserted herself as a female artist in the male-dominated art world of postwar Austria. Like the self-portraits for which she was best known, it is a daring experiment with identity, presenting a sensuous rush of emotion that transcends the limitations of a linear story.
Directed by Anja Salomonowitz, Sleeping With a Tiger is a formally innovative look at an uncompromising female artist, and a standout of this year’s Berlinale Forum. Mixing interviews, historical footage, scenes with actors, and fragments of short films directed by Lassnig herself, the film is a radical depiction of the painter’s inner and outer life, one that captures the enduring enigma of her art.
Birgit Minichmayr, Johanna Orsini, Lukas Watzl, Oskar Haag
Austria
2024
In German, English and French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Antonin Svoboda
Screenwriter
Anja Salomonowitz
Cinematography
Jo Molitoris
Editor
Joana Scrinzi
Production Design
Andreas Ertl, Martin Reiter
Original Music
Bernhard Fleischmann

Anja Salomonowitz
Anja Salomonowitz has developed her own film language. Her films are explicitly political while expanding the boundaries and possibilities of film in their artistic form. She studied film in Vienna and Berlin under Ulrich Seidl and mentors students at Aalto University Helsinki and the University of Applied Arts Vienna. Anja was chairwoman of the Austrian Documentary Film Association and the Austrian Film Directors’ Association, served on the supervisory board of the Austrian Film Fund, and is a dramaturge for the Austrian Screenplay Association. Currently based in Vienna, she is working on a film about Ukrainian activist and founder of the feminist group FEMEN, Inna Shevshenko.
Filmography: You Will Never Understand This (2003); It Happened Just Before (2006); Spain (2012); The 727 Days Without Karamo (2013); The Boy Will Be Circumcised (2016); This Movie Is a Gift (2019)
Photo by Heribert Corn
Missing VIFF? Check out what's playing at the VIFF Centre
School of Rock
With not one, but two new Richard Linklater movies at VIFF this year (Nouvelle Vague and Blue Moon), we thought it would be fun to revisit a choice cut from his rich back catalogue: the best Black and White movie ever made, School of Rock.
Boyhood
A dozen years in the making, Richard Linklater's masterpiece chronicles the evolution of a boy into a young man, from six to 18. It is the ultimate coming-of-age movie, and one of the most audacious cinematic feats of the decade.
There Will Be Blood
Paul Thomas Anderson's lacerating epic about the birth of the oil age: Daniel Day-Lewis is extraordinary as the prospector entirely consumed with his own enterprise, a Trumpian figure of naked self-assertion; Paul Dano the evangelist who may be his nemesis.
Godland
In the late 19th century, a Danish Lutheran priest is dispatched to a far corner of Iceland where a devout farmer has seen fit to build a church. The physical journey is arduous. His spiritual journey, more taxing still.
The Balconettes
In this flamboyant black comedy set in Marseille during a heatwave, writer-director-star Noémie Merlant and her two besties have to cover up the unpleasant evidence of a disastrous night partying with the hunk across the way.