World Premiere
A teenage girl falls into a Freudian phantasy with her mother.
Supported by
Media Partner
Community Partner
Heme Liao, Rou-Ming Huang, Winnie Liu
Taiwan
2024
In Mandarin with English subtitles
Incest, domestic violence
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Pierre Ieong
Screenwriter
Deborah Devyn Chuang
Cinematography
Chun Wang
Editor
Deborah Devyn Chuang, Jamie Lansdowne
Production Design
Hikky Chen
Original Music
Zun Long
Deborah Devyn Chuang 莊岱雯
Deborah “Devyn” Chuang is a Taiwanese-American film director and screenwriter. Their debut short film, Mom if I Were a Vampire (2022), premiered at NYC’s NewFest, before screening in 10+ international festivals, including Taipei Film Festival. Devyn’s new project Strawberry Shortcake (2024) was selected as the semi-finalist for the New Voices Filmmaker Grant by NewFest and Netflix. Devyn had worked as an investment banker and a Michelin-starred restaurant cook before beginning their film MFA at Columbia University.
Missing VIFF? Check out what's playing at the VIFF Centre
Peter Hujar's Day
Ben Whishaw is extraordinary in this conjuring trick of a movie from Ira Sachs (Passages), a minimalist masterpiece recreating a conversation between New York photographer Hujar and writer Linda Rosenkrantz in 1974.
Caravaggio
In the latest from Exhibition on Screen, co-directors David Bickerstaff and Phil Grabsky shed light not only on Caravaggio's paintings, but his life, often kept half-hidden in the same chiaroscuro tones he shaded his masterpieces with.
Jay Kelly
In Noah Baumbach's wise and witty comedy, George Clooney plays Jay Kelly, a world-famous movie star touring Europe with his friend and manager, Ron (Adam Sandler). Faced with nagging dissatisfaction, Jay starts to ask himself some tough questions.
Orwell: 2+2=5
Oscar-nominated director Raoul Peck reimagines 1984 in this urgent essay on power, language, and control. With narration by Damian Lewis, it’s a chilling portrait of how Orwell’s warnings became our reality.
