World Premiere
A teenage girl falls into a Freudian phantasy with her mother.
Supported by
Media Partner
Community Partner
Heme Liao, Rou-Ming Huang, Winnie Liu
Taiwan
2024
In Mandarin with English subtitles
Incest, domestic violence
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Pierre Ieong
Screenwriter
Deborah Devyn Chuang
Cinematography
Chun Wang
Editor
Deborah Devyn Chuang, Jamie Lansdowne
Production Design
Hikky Chen
Original Music
Zun Long
Deborah Devyn Chuang 莊岱雯
Deborah “Devyn” Chuang is a Taiwanese-American film director and screenwriter. Their debut short film, Mom if I Were a Vampire (2022), premiered at NYC’s NewFest, before screening in 10+ international festivals, including Taipei Film Festival. Devyn’s new project Strawberry Shortcake (2024) was selected as the semi-finalist for the New Voices Filmmaker Grant by NewFest and Netflix. Devyn had worked as an investment banker and a Michelin-starred restaurant cook before beginning their film MFA at Columbia University.
Missing VIFF? Check out what's playing at the VIFF Centre
Oldboy
The second movie in Park's Vengeance Trilogy. Choi Min-sik stars as Dae Su, inexplicably held captive by he-knows-not-who for 15 years, and then, just as inexplicably, released. Not surprisingly, after all this time, he has only one thing on his mind...
Apocalypse in the Tropics
An Academy Award nominee for Edge of Democracy, Petra Costa returns with a fascinating take on how the Evangelical movement has taken Brazil by storm and worked with the right to undermine the constitutional separation of Church and State.
Ghosts of the Sea
Imagine an especially poetic true crime podcast about a sailor who built his own sailboat and lived on the high seas, but lost not one, but two wives along the way... Now imagine it told from the vantage point of his daughter: Ghosts of the Sea.
In the Mood for Love
Wong Kar-wai's most acclaimed and popular film is a love story about two neighbours (Tony Leung and Maggie Cheung) who are drawn together by the long absences of their respective spouses + a newly released short companion piece from 2001.
