North American Premiere
Subjected to loud noises, violent abrasions, water dousing, and unpredictable conditions, the horses of an Israeli police unit face harsh conditioning in the West Bank. With a semi-documentary approach, including the use of treated archival footage, newcomer Alina Orlov visualizes the desensitization process used for controlling these majestic animals, begging questions of how and why certain tactics are enacted and enforced beyond training.
Community Partner
Canada/USA/Israel
2024
In Hebrew with English subtitles
Animal cruelty
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Cinematography
Alina Orlov
Editor
Alina Orlov
ANIM
Alina Orlov
Music
Patrick O’Shea
Alina Orlov
Alina Orlov, born in 1990, is an artist and filmmaker. She earned her MFA from the school of the Art Institute of Chicago in 2020 and a BFA with honors from Bezalel Academy in 2015. Her Work has been showcased internationally, including at the Locarno Film Festival, Galerie Historischer Keller in Berlin and YARAT in Baku. The Cavalry (2024) is her first film.
Missing VIFF? Check out what's playing at the VIFF Centre
Vince Mai Plays Mancini
Local trumpeter and film composer Vince Mai returns to the VIFF Centre with his quintet to play selected hits of celebrated film composer Henry Mancini prior to a screening of the beloved Pink Panther movie A Shot in the Dark.
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
The Chronology of Water
Kristen Stewart's fearless directorial debut is based on the best-selling memoir by Lidia Yuknavitch (Imogen Poots), a chronicle of her abusive childhood, traumatized adulthood, and escapes through swimming, drugs, sex, and ultimately writing.