A self-described ’Private Ear,’ Turner Prize winner Lawrence Abu Hamdan gathers, investigates, and analyzes audio and video recordings of Israeli fighter jets illegally infringing on the otherwise peaceful skies above Lebanon. Since Israel’s invasion in 2006, the repeated aerial hum of choppers and planes has escalated steadily toward terrorizing noise pollution. These incursions insinuate an intentionally weaponized proximate border, but to what end? Abu Hamdan’s meticulous video-essay pieces together evidence of the normalization of this eroding sensorial boundary, exposing what appear to be tactics verging on auditory torture. Combining monologue with archival record, video recordings, eye witness testimonies and shrewd observation, The Diary of a Sky documents contemporary life in Lebanon, in which the people on the ground must navigate the fickleness of two domineering and opposing forces: Hezbollah and Israel.
Community Partner
Mazen El-Sayed
Lebanon
2024
In Arabic with English subtitles
Self harm
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Lawrence Abu Hamdan
Cinematography
Lawrence Abu Hamdan, Amir Afshar, Ghalya Albani, LarissaAoun, Jad Atoui, Zeinab Awada
Editor
Mohamad A. Gawad
Lawrence Abu Hamdan
Lawrence Abu Hamdan is an independent investigator or Private Ear. His investigations focus on sound and linguistics and have been used as evidence at the UK Asylum and Immigration Tribunal and as advocacy for organizations such as Amnesty International and Defense for Children International together with fellow researchers from Forensic Architecture. Abu Hamdan received his PhD in 2017 from Goldsmiths College University of London and in 2021 completed a professorship at the Johannes Gutenberg University Mainz where he developed his research airpressure.info. Past fellowships have been held at the University of Chicago and the New School, New York.
Photo by Diana Pfanmatter
Missing VIFF? Check out what's playing at the VIFF Centre
The Blue Trail
77-year-old Tereza makes a break for the Brazilian jungle in this trippy septuagenarian fantasy, the latest from Brazilian director Gabriel Mascaro is a quirky picaresque, lushly photographed and filled with mordant humour.
Calle Málaga
Seventy-nine-year-old María Ángeles lives independently in Tangier's Spanish quarter. When her daughter pressures her into selling her apartment, she refuses to give in, finding in her old age a new resilience and an unexpected romantic connection.
Streetwalker
Middle class and married, Elena (Miroslava Stern) has been seduced by an unscrupulous swindler, who turns out to be the pimp of Maria (Elda Peralta), a prostitute and Elena's estranged sister. But are they really so different under the skin?
Two Prosecutors
In the midst of Stalin’s purges, a naïve prosecutor sets out to investigate a prisoner’s innocence, unaware of the labyrinthine bureaucracy awaiting him. A Kafkaesque procedural thriller about the pursuit of justice in the face of corruption.
Image: © SBS Productions
Salón México
Cheated by her pimp, Mercedes recklessly steals his wallet and is only saved from a severe beating by the intervention of a kindly policeman. Hard-hitting social realism sits beside patriotic sentimentality and multiple red hot dance sequences.
The Kneeling Goddess
In which wealthy industrialist Arturo de Cordova purchases the titular nude sculpture of his lover (María Félix) as an anniversary gift for his innocent, adoring wife. Soon enough the wife is dead, though untangling just how and why is part of the fun.