Dukuya Lekominga, Nderi Lolinge, Patrick Ole Saikong, Reuben Legei, Clinto Lekominga, Rupes Caro
Kenya
2024
In Maasai, Samburu and English with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Tracy Rector
Producer
Kavita Pillay, Tracy Rector, Adam Mazo, Taylor Hensel
Screenwriter
Laissa Malih, Kavita Pillay
Cinematography
Franklyne Mudulia Manono
Editor
Sauli Pillay
Original Music
Soundstripe, Moments
Laissa Malih
Laissa Malih is the first female Maasai filmmaker. Her work focuses on documenting, linking, amplifying, and scaling up youth and women’s voices across diverse Indigenous cultures in Kenya and the world. Her 2020 documentary, River of Brown Waters (2020), looks at the significance of the Ewaso Ng’iro, a river that serves as a lifeline for pastoralist communities surrounding Mount Kenya. In addition to film work, Malih has participated in international conferences and fellowships focused on climate adaptation and cultural legacy.
Missing VIFF? Check out what's playing at the VIFF Centre
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
Yunan
In this haunting mood piece, Munir is a middle-aged Syrian writer in exile in Germany. In crisis, he takes himself up to one of the Halligan islands in the North Sea, a suitable place to end it all...
The Secret Agent
Having run afoul of an influential bureaucrat in Brazil’s military dictatorship circa 1977, Marcelo decamps to Recife to live under an assumed name — but he’ll soon come to understand precisely how rampant the country’s corruption has become.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.


