Canadian Premiere
Street photographer, portraitist, war photojournalist, and on-set photographer, James Hamilton has done it all in a remarkable career spanning six decades. He’s come face to face with icons from Mingus to Madonna, Lou Reed to Alfred Hitchcock. Developing film from an improvised darkroom in his small Manhattan apartment, Hamilton’s eye for composition and instinct for capturing spontaneous moments make him one of the greatest photographers of his generation. His print images shaped The Village Voice, Harper’s Bazaar, and The New York Observer, and he was at the vanguard of culture from the late 60s through the turn of the millennium.
D.W. Young’s energetic documentary not only opens up Hamilton’s voluminous archives but also relates the story of the halcyon days of alternative print media. Featuring interviews with cultural luminaries and commentators like Wes Anderson, Thurston Moore, Sylvia Platchy, and Joe Conason, Uncropped reveals essential insights into an artist who possesses a rare curiosity about the world and a talent for making human connections.
Presented by
Media Partner
Community Partner
James Hamilton
USA
2023
English
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Wes Anderson, Chris Fralic, Irma Fralic, Dan Wechsler
Producer
Judith Mizrachy, D.W. Young
Cinematography
Marika Hacking, Francesco Saviano
Editor
D.W. Young
Original Music
David Ullmann
Art Director
Afternoon Inc.
D.W. Young
D.W. Young’s most recent film, The Booksellers, was released in the U.S. by Greenwich Entertainment and was sold internationally by Magnolia Pictures. His other features include the award-winning documentary A Hole in a Fence (2008) and the narrative The Happy House (2013), and his shorts include Not Interested (2010), A Favor for Jerry (2017), A Body of Language (2020) for The New Yorker, and Dancing on the Silk Razor (2023). His work has screened at the New York Film Festival, SXSW, DOC NYC, Woodstock, and many other festivals worldwide.
Filmography: A Hole in a Fence (2008); The Happy House (2013); Too Cold to Swim (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Giant
This was the Yellowstone of its time: a big, sweeping modern Western built around an imposing ranch and family dynamics -- except Giant is much more subversive. James Dean strikes it rich as Jett Rink, much to the disgust of his former boss, Rock Hudson.
Familiar Touch
A loving portrait of an octogenarian transitioning into an assisted living facility, this award-winning first feature by choreographer Sarah Friedland has a simplicity and warmth that's exceptionally poignant.
Super Happy Forever
This beguiling film depicts a man’s return to the Japanese seaside town where he met his now-deceased wife five years earlier. He tries to relive the past, and in the film's final section -- a flashback to 2018 -- the audience is afforded that privilege.
A Streetcar Named Desire
"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.
Georgia O'Keeffe: the Brightness of Light
Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."
