Canadian Premiere
Street photographer, portraitist, war photojournalist, and on-set photographer, James Hamilton has done it all in a remarkable career spanning six decades. He’s come face to face with icons from Mingus to Madonna, Lou Reed to Alfred Hitchcock. Developing film from an improvised darkroom in his small Manhattan apartment, Hamilton’s eye for composition and instinct for capturing spontaneous moments make him one of the greatest photographers of his generation. His print images shaped The Village Voice, Harper’s Bazaar, and The New York Observer, and he was at the vanguard of culture from the late 60s through the turn of the millennium.
D.W. Young’s energetic documentary not only opens up Hamilton’s voluminous archives but also relates the story of the halcyon days of alternative print media. Featuring interviews with cultural luminaries and commentators like Wes Anderson, Thurston Moore, Sylvia Platchy, and Joe Conason, Uncropped reveals essential insights into an artist who possesses a rare curiosity about the world and a talent for making human connections.
Presented by
Media Partner
Community Partner
James Hamilton
USA
2023
English
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Wes Anderson, Chris Fralic, Irma Fralic, Dan Wechsler
Producer
Judith Mizrachy, D.W. Young
Cinematography
Marika Hacking, Francesco Saviano
Editor
D.W. Young
Original Music
David Ullmann
Art Director
Afternoon Inc.
D.W. Young
D.W. Young’s most recent film, The Booksellers, was released in the U.S. by Greenwich Entertainment and was sold internationally by Magnolia Pictures. His other features include the award-winning documentary A Hole in a Fence (2008) and the narrative The Happy House (2013), and his shorts include Not Interested (2010), A Favor for Jerry (2017), A Body of Language (2020) for The New Yorker, and Dancing on the Silk Razor (2023). His work has screened at the New York Film Festival, SXSW, DOC NYC, Woodstock, and many other festivals worldwide.
Filmography: A Hole in a Fence (2008); The Happy House (2013); Too Cold to Swim (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Blue Heron
In the late 1990s, eight-year-old Sasha and her Hungarian immigrant family relocate to a new home on Vancouver Island. Their fresh start is interrupted by increasingly dangerous behaviour from Jeremy, the family’s oldest child.
How Deep Is Your Love
Filmmaker Eleanor Mortimer tags along with a team of oceanographers and marine biologists as they survey the Clarion-Clipperton fracture, one of the most remote spots on Earth, home to a dazzling array of unknown creatures.
Omaha
Cole Webley's road movie about a single dad taking off with his two young kids is really just a fragment of a story, yet it unfolds with such authentic lyricism it lands with a heartbreaking emotional wallop.
The Last One for the Road
Two middle-aged drunkards drive across the Veneto region on a freewheeling bender, taking a young college student along for the ride. A celebration of the spirit of drink and the kinds of stories told around a table of old friends and too much wine.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
