Canadian Premiere
Street photographer, portraitist, war photojournalist, and on-set photographer, James Hamilton has done it all in a remarkable career spanning six decades. He’s come face to face with icons from Mingus to Madonna, Lou Reed to Alfred Hitchcock. Developing film from an improvised darkroom in his small Manhattan apartment, Hamilton’s eye for composition and instinct for capturing spontaneous moments make him one of the greatest photographers of his generation. His print images shaped The Village Voice, Harper’s Bazaar, and The New York Observer, and he was at the vanguard of culture from the late 60s through the turn of the millennium.
D.W. Young’s energetic documentary not only opens up Hamilton’s voluminous archives but also relates the story of the halcyon days of alternative print media. Featuring interviews with cultural luminaries and commentators like Wes Anderson, Thurston Moore, Sylvia Platchy, and Joe Conason, Uncropped reveals essential insights into an artist who possesses a rare curiosity about the world and a talent for making human connections.
Presented by
Media Partner
Community Partner
James Hamilton
USA
2023
English
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Wes Anderson, Chris Fralic, Irma Fralic, Dan Wechsler
Producer
Judith Mizrachy, D.W. Young
Cinematography
Marika Hacking, Francesco Saviano
Editor
D.W. Young
Original Music
David Ullmann
Art Director
Afternoon Inc.
D.W. Young
D.W. Young’s most recent film, The Booksellers, was released in the U.S. by Greenwich Entertainment and was sold internationally by Magnolia Pictures. His other features include the award-winning documentary A Hole in a Fence (2008) and the narrative The Happy House (2013), and his shorts include Not Interested (2010), A Favor for Jerry (2017), A Body of Language (2020) for The New Yorker, and Dancing on the Silk Razor (2023). His work has screened at the New York Film Festival, SXSW, DOC NYC, Woodstock, and many other festivals worldwide.
Filmography: A Hole in a Fence (2008); The Happy House (2013); Too Cold to Swim (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Election
Tracy Flick (Reece Witherspoon) is running for Student President, but Mr. McAllister (Matthew Broderick) has other ideas... This remarkably sour millennial comedy from Alexander Payne (The Holdovers; Sideways; The Descendents) hits twice as hard today.
Memory of Princess Mumbi
In 2093, a filmmaker arrives in the African village of Umata, where he meets Princess Mumbi, a woman torn between love, legacy, and the future of storytelling. It's a fabulous genre-blending fable about memory, invention and cinematic resistance.
Ghost Dog: Way of the Samurai
Ghost Dog (Forest Whitaker) is an assassin, but he's also an existential loner who adheres to his personal code. Despite the thriller trappings, this is really a lampoon of that genre, and a melancholy reverie for the cultural melting pot we call home.
The Straight Story
David Lynch goes a different direction in this linear Midwestern about a septuagenarian (Richard Farnsworth) who drives nearly 400km on a lawnmower to visit his ailing brother (Harry Dean Stanton).