One day, Roman, Nastya, and their two children are enjoying a relaxing vacation in Tenerife. The next, Russia invades their homeland, Ukraine, and the world has shifted beneath their feet. Their newfound status as refugees insidiously, inexorably heightens the tensions typical of any family holiday. The war underwrites their every interaction. While trying to distract their young son and deal with their teenage daughter’s newfound rebellious streak, Roman and Nastya’s marriage is put to the test.
Elliptical in style but unflinchingly honest, this Polish-produced film effectively conveys the Ukrainian family’s maelstrom of emotions—grief, fear, confusion, animosity, depression, self-doubt, lust for revenge, and greater sympathy for other dispossessed strangers. Director Damian Kocur wields the absurdity of being in a holiday destination when your home is under siege to tremendous effect. His brilliant narrative gambit results in a truly unique and invaluable perspective on the Ukraine crisis.
Supported by

Sofia Berezowska, Roman Lutskyi, Anastasiia Karpienko, Fedir Pugachov
Poland
2024
In Ukrainian, Spanish, English, Russian, German and Wolof with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Mikolaj Lizut, Agnieszka Jastrzębska
Screenwriter
Damian Kocur, Marta Konarzewska
Cinematography
Nikita Kuzmienko
Editor
Alan Zejer
Production Design
Aleksandra Markowska
Damian Kocur
Damian Kocur is a director, scriptwriter, cinematographer, and a PhD student at the Łódź Film School. His debut feature film Bread and Salt (2022) was awarded the Special Jury Prize in the Orizzonti competition at the Venice Film Festival 2022, Cairo IFF, Antalya IFF, Cottbus Film Festival, and many more. His last short film As It Was was nominated for the Palme d’Or at Cannes 2023.
Filmography: Bread and Salt (2022)
Missing VIFF? Check out what's playing at the VIFF Centre
Montreal, ma belle
In this Valentine to discovering love later in life, the ever-elegant Joan Chen plays Feng Xia, a 53-year-old Chinese immigrant and mother in Montreal whose world is turned upside down when she meets and falls in love with a young Quebecoise.
The Good, the Bad and the Ugly + Talkback with Special Guests
The third and the best of the so-called 'Dollars' trilogy amplifies Leone's baroque style: crane shots, shock cuts and Morricone music all vying for attention as three rogues hunt buried gold in a series of triangular variations. + Intro and Talkback
The Voice of Hind Rajab
Mixing documentary and reenactment, this film powerfully evokes the desperate attempts of the Red Crescent to rescue a six year old child trapped in a car under Israeli military fire. Oscar nominee: Best International Film
Turner & Constable
Filmed as a supplement to a blockbuster exhibition at Tate Britain happening right now, this doc in the popular Exhibition on Screen series allows us to view these competitive, complementary English landscape artists side by side.