In a wintery, Farsi-speaking city that’s equal measures Winnipeg and Tehran, three narratives converge. Schoolchildren Negin (Rojina Esmaeili) and Nazgol (Saba Vahedyousefi) are tormented by a considerable sum of cash that’s encased in Manitoban-grade ice. Meanwhile, Massoud (co-writer Pirouz Nemati) shepherds a group of confounded visitors to tourist attractions such as the Kleenex Repository and the brutalist Beige District. Finally, Matthew Rankin (the film’s director and co-writer) abandons soul-crushing bureaucratic life in Quebec to reunite with his mother in this peculiar prairie outpost. As these storylines become comically entangled, the concepts of space, time, and identity grow increasingly opaque.
On the heels of The Twentieth Century (an absurdist, expressionistic reimagining of William Lyon Mackenzie King’s origin story), Rankin dreams a sophomore feature that’s every bit as deliriously entertaining and visually inventive but possesses considerably more emotional weight. While indebted to the meta-realist work of Abbas Kiarostami and Jafar Panahi, Rankin’s humorous, poetic fable establishes him as a singular voice in international cinema and reminds us that Winnipeg is indeed a wonderland.
Chantal Akerman Audience Award, Directors’ Fortnight 2024
Sept 28 & 29: Q&A with director Matthew Rankin, writer/actor Pirouz Nemati and producer Catherine Boily
Media Partner
Rojina Esmaeili, Saba Vahedyousefi, Pirouz Nemati, Mani Soleymanlou, Matthew Rankin, Ila Firouzabadi
Canada
2024
In Farsi and French with English subtitles
Open to youth at International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Pirouz Nemati, Ila Firouzabadi, Matthew Rankin, Dan Berger, Aaron Katz
Producer
Sylvain Corbeil
Screenwriter
Matthew Rankin, Pirouz Nemati, Ila Firouzabadi
Cinematography
Isabelle Stachtchenko
Editor
Xi Feng
Production Design
Louisa Schabas
Original Music
Amir Amiri, Christophe Lamarche-Ledoux
Matthew Rankin
Matthew Rankin was born in Winnipeg and studied history at McGill and Université Laval. He is the director of some 40 short films and two features which have been presented at Sundance, SXSW, Annecy, TIFF, the Berlinale, Cannes Critics Week, Directors Fortnight, and on the Criterion Channel. His first feature, The Twentieth Century, was awarded the FIPRESCI prize of the international film critics at the 2020 Berlin Film Festival and the 2019 Best First Canadian Feature Award at TIFF. Universal Language, winner of the inaugural People’s Choice Award presented by the Chantal Akerman Foundation at the 2024 Cannes Directors Fortnight, is Matthew’s second feature. He lives in Montréal.
Filmography: The Twentieth Century (2019)
Missing VIFF? Check out what's playing at the VIFF Centre
Montreal, ma belle
In this Valentine to discovering love later in life, the ever-elegant Joan Chen plays Feng Xia, a 53-year-old Chinese immigrant and mother in Montreal whose world is turned upside down when she meets and falls in love with a young Quebecoise.
The Painted Life of E.J. Hughes
A beautiful portrait of E.J. Hughes, who quietly helped reshape the artistic landscape of British Columbia in the 20th century. This extraordinary documentary explores Hughes’s legacy not only as an artist, but as a devoted, humble human being.
A Poet
When embittered poet Oscar Restrepo takes a job at a local high school, he meets Yurlady, a talented student from a poor background. Seeking to help her cultivate her art, he draws her into the poetry world — to disastrous and comedic results.
Sirât
A desperate father (Sergi Lopez) searchers for his missing daughter through the spiritual wasteland of the Moroccan desert. An unforgettable sensory powerhouse, Sîrat will have you riveted and rattled for hours after the end credits have rolled.
The Love That Remains
Anna and Magnús have separated, leaving her to raise their three children as he spends long stretches at sea, working as a fisherman. As the seasons pass, their emotions ebb and flow. A richly conceived story with unexpected delight and humour.
L'Atalante
Jean Vigo died from TB in 1934 at the age of 29. Yet he is revered as one of the great innovators of the medium, and his only feature, L'Atalante, is a seminal film, a tender, lyrical love story set on a barge on the Seine.