Canadian Premiere
Set in the heart of Tehran, Bidad follows Seti (Sarvin Zabetian, Terrestrial Verses), a young woman who dreams of singing in the streets and sharing her voice openly. Since the establishment of the Islamic Republic in 1979, women in Iran have faced strict restrictions — forced veiling, and banishment from singing and dancing in public on their own. For younger generations, these rules have only fueled resistance, and Seti is part of Iran’s Gen Z women who have increasingly taken to the streets to protest gender-based discrimination and demand change.
Directed by Soheil Beiraghi, Bidad is a raw, intimate, and character-driven narrative film with an exciting pace that draws the audience into Seti’s world. Her longing to sing becomes more than personal; it symbolizes the collective fight for freedom. A story of courage, resilience, and hope, this is a must-see film about the power of one voice to stand against silence.
Special Jury Prize: Crystal Globe Competition, Karlovy Vary 2025
Sarvin Zabetian, Amir Jadidi, Leili Rashidi
Iran
2025
In Farsi with English subtitles
Book Tickets
Credits & Director
Producer
Soheil Beiraghi
Screenwriter
Soheil Beiraghi
Cinematography
Payman Shadmanfar
Editor
Soheil Beiraghi
Production Design
Soheil Beiraghi
Original Music
Bamdad Afshar
Soheil Beiraghi
Soheil Beiraghi is an independent filmmaker, screenwriter, and producer from Iran known for his bold, socially driven dramas. His films have been celebrated at film festivals around the world, despite frequent censorship in his home country: His third feature, Unpopular (2020), was banned from public screening in Iran for over two years. In 2020, he founded Alef Pictures to support the production of independent films. His most recent film, Bidad, premiered at the 2025 Karlovy Vary International Film Festival, where it received the Jury Prize.
Filmography: I (Me) (2016); Cold Sweat (2018); Popular (2020)
Photo by Alef Pictures
Missing VIFF? Check out what's playing at the VIFF Centre
The Nutcracker at Wethersfield
Back in the long, dark Covid winter of 2020, there was no way the New York City Ballet could mount their traditional Christmas production of Tchaikovsky's fairytale. But choreographer Troy Schumacher had a dream to save the show -- reimagining a classic.
The Secret Agent
Having run afoul of an influential bureaucrat in Brazil’s military dictatorship circa 1977, Marcelo decamps to Recife to live under an assumed name — but he’ll soon come to understand precisely how rampant the country’s corruption has become.
North of Ourselves
In the depths of winter, two adventurers set out to cross Quebec from one end to the other on bike and skis, exploring its staggering geography and meeting its inhabitants (human and otherwise) along the way.
Dean Thiessen Plays Vince Guaraldi + Charlie Brown
In 1965 jazz pianist Vince Guaraldi created the perfect soundtrack to Charles Schultz's beloved Peanuts. Dean Thiessen's 5-tet pays tributes to Guaraldi's catchy tunes, followed by a screening of the first Charlie Brown feature film.
Pictures of Ghosts
A companion piece to Mendonça Filho's The Secret Agent, Pictures of Ghosts is a lovely, relaxed, ruminative riff on movies, memory, the imaginative space conferred by that place we call Cinema, seasoned with love and boundless anecdotes.
It's a Wonderful Life
Every time a bell rings, an angel gets its wings. This Christmas classic is whimsical, sure, but it has the depth to stand up to multiple watches, and it really should be a communal experience, because that is what it's about.