The Kingdom of Abraxeon has fallen under siege by the Dreadites, a scourge of bloodthirsty demonic warriors said to herald the return of the sinister, ancient sorcerer Nekromemnon. The titular Deathstalker (martial artist and legendary stuntman Daniel Bernhardt) is a lone wolf who survives by scavenging the corpses strewn about the battlefields. After recovering a mysterious amulet, he becomes cursed by an arcane magick, sending him on a quest to remove the curse and rid the realm of evil.
Inventive practical effects take center stage in FX wizard Steven Kostanski’s (Psycho Goreman, Manborg) thrilling reboot of the 80s cult classic sword-and-sorcery film series. Featuring animatronic demons, rubber masked trolls, stop-motion skeletons, copious amounts of blood, and a hard rock theme song composed by Slash (who is also a producer of the film), Deathstalker is a heavy metal hack-and-slash adventure that offers something for gorehounds, fantasy nerds, and anybody looking for a big dose of direct-to-video nostalgia.
Supported by
Media Partner
Daniel Bernhardt, Christina Orjalo, Paul Lazenby, Nicholas Rice, Patton Oswalt
USA/Canada
2025
English
At International Village
At The Rio
Book Tickets
Credits & Director
Executive Producer
Slash
Producer
Pasha Patriki, Michael Paszt, James Fler, Peter Kuplowsky, Andrew Hunt
Screenwriter
Steven Kostanski
Cinematography
Andrew Appelle
Editor
Robert Hyland
Production Design
Joshua Turpin
Original Music
Blitz//Berlin
Steven Kostanski
Filmography: Manborg (2011); Father’s Day (2011); The Void (2016); Leprechaun Returns (2018); Psycho Goreman (2020); Frankie Freako (2024)
Missing VIFF? Check out what's playing at the VIFF Centre
Islands
In this sly, engrossing mystery, a dissolute English tennis coach in a Canary Islands holiday resort falls under suspicion when the husband of a beautiful guest disappears after a night of heavy drinking...
All That's Left of You
Jordan's submission for the Academy Awards, All That's Left of You makes the most of its epic format to chronicle seven decades of Palestinian history while tracking the psychological impact of cycles of exile and oppression on three generations.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.

