In Nagasaki, 1964, the death of a yakuza leader sets his orphaned son Kikuo on a fateful course. Adopted by a famous Kabuki actor, Kikuo finds both a kindred spirit and intense rival in the actor’s other son, Shunsuke, as both children dedicate themselves to mastering this traditional form of theatre. Over the course of five decades, Kikuo (played in adulthood by Ryu Yoshizawa, who spent a year studying Kabuki for the role) and Shunsuke (Ryusei Yokohama) ascend to Japan’s grandest stages while perfecting the craft of onnagata (men playing women on stage)—but only one of them can be ordained ningen kokuho (“national treasure”).
Currently breaking Japanese box office records, Kokuho is an epic film and passion project 15 years in the making for its director, Sang-il Lee. Lee’s love for Kabuki is evident in the film’s resplendent visuals, from the immaculate set design and impeccable costumes to the precision of its mesmerizing Kabuki performances. Monumental in its ambition and intricate in its dynamics, Kokuho is a work to be treasured.
Oscar Submission: Japan
Media Partner
Ryō Yoshizawa, Ryusei Yokohama, Mitsuki Takahata, Shinobu Terajima, Ken Watanabe
Japan
2025
In Japanese with English subtitles
Book Tickets
Credits & Director
Executive Producer
Atsuhiro Iwakami, Nobuhiko Ito, Hiroyuki Araki, Minami Ichikawa, Akihito Watanabe, Shinzo Matsuhashi
Producer
Shinzo Matsuhashi
Screenwriter
Satoko Okudera
Cinematography
Sofian El Fani
Editor
Tsuyoshi Imai
Production Design
Yohei Taneda
Original Music
Marihiko Hara
Sang-il Lee 李相日
Born in 1974, Sang-il Lee is a Japanese director of Korean descent. He studied at the Japan Institute of the Moving Image, a film school founded by Shōhei Imamura. His 2000 graduation film, Chong, received widespread acclaim. Since then, he has directed ten feature films, including Unforgiven (2013), a remake of Clint Eastwood’s western, which was presented at the Venice Film Festival.
Filmography: Hula Girls (2006); Villain (2010); Unforgiven (2013); Rage (2016); The Blue Hearts (2017); The Wandering Moon (2022)
Missing VIFF? Check out what's playing at the VIFF Centre
Left-Handed Girl
Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.
Köln 75
The true story behind the greatest solo concert in jazz history, this is Keith Jarrett's legendary 1975 Köln Concert — as organized by 18-year-old rebel music promoter Vera Brandes. Fun, inventive and feminist, it's the Bend It Like Beckham of jazz films.
The Librarians
Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.
Caravaggio
In the latest from Exhibition on Screen, co-directors David Bickerstaff and Phil Grabsky shed light not only on Caravaggio's paintings, but his life, often kept half-hidden in the same chiaroscuro tones he shaded his masterpieces with.
