
In 1983, Elizabeth Bouvia, a young disabled woman in California, made headlines when she demanded the legal right to refuse food and end her life. Her request sparked a national debate about autonomy, dignity, and the perceived value of disabled lives. After years of courtroom battles, Bouvia disappeared from public view — her fate unknown. In Life After, director Reid Davenport picks up her story with urgency and care, asking what happened to Bouvia and why her case still echoes today.
Winner of the U.S. Documentary Special Jury Award at Sundance, Life After blends intimate narration, archival media, and firsthand interviews to explore the collision between disability rights and assisted-dying policy in North America. Davenport, whose debut I Didn’t See You There premiered at Sundance in 2022, brings his participatory lens to a story that’s both personal and expansive. Profound and unflinching, the film confronts the discomfort society has with disability, reframing the right-to-die debate around the right to live — fully, safely, and with dignity.
Michal Kaliszan, Ash Kelly, Teresa Castner, Rebecca Castner, Melissa Hickson, Dr. Ramona Coelho
USA
2025
English
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Jess Devaney, Anya Rous, Ruth Ann Harnisch, Carrie Lozano, Lois Vossen, Dawn Bonder, Daniel J. Chalfen, Marci Wiseman, James Costa, Meryl Metni
Producer
Colleen Cassingham
Cinematography
Amber Fares
Editor
Don Bernier
Original Music
Robert Aiki Aubrey Lowe

Reid Davenport
Reid Davenport makes documentaries about disability from an overtly political perspective. His first feature film, I Didn’t See You There (2022), was hailed by critics and won the Directing Award: U.S. Documentary at the 2022 Sundance Film Festival, among other accolades. Reid was a 2017 TED fellow and named one of the “40 Filmmakers Under 40” in 2020 by DOC NYC. His work has been featured in outlets like NPR, PBS, The Washington Post, MSNBC, and The Chronicle of Higher Education.
Filmography: I Didn’t See You There (2022)
Insights
See more films in this series
Factory
Shot inside a Lenovo factory in Wuhan, Factory is a chilling study of life under global capitalism. Hao Zhou captures a world of control, exhaustion, and quiet revolt. where employees work under surveillance and time itself becomes a mechanism of power.
Marriage Cops
In a cramped police station in India, an all-woman unit attempts to mediate fractured marriages with warmth, pressure, and limited power. Marriage Cops reveals the fragile, improvised systems women build to survive where the law and tradition fall short.
Cutting Through Rocks
Winner of Sundance’s World Cinema Documentary Grand Jury Prize, Cutting Through Rocks follows Sara Shahverdi — motorcyclist, midwife, and first-ever councilwoman elected in her Iranian village. A vérité triumph by Sara Khaki & Mohammadreza Eyni.
Free Leonard Peltier
Leonard Peltier spent nearly 50 years in prison for a crime he says he didn’t commit. This searing, award-winning documentary revisits his case and the fight for his freedom — exposing a justice system built to punish resistance and erase Indigenous voices.
Landmarks
Lucrecia Martel’s first documentary is a haunting portrait of land, violence, and resistance. With rare access to trial footage and the Chuschagasta community, Landmarks reframes a 2009 murder within centuries of Indigenous dispossession in Argentina.
Everest Dark
As the death toll on Everest rises, legendary mountaineer Mingma Tsiri Sherpa leads an elite team on a life-threatening mission to retrieve the fallen and restore peace to Chomolungma, the sacred “Mother Goddess of the World".
Life After
What happened to Elizabeth Bouvia? Reid Davenport investigates the disabled woman’s legacy and public disappearance, reframing the assisted-dying debate into a fight for the right to live. Winner of the U.S. Documentary Special Jury Award at Sundance.
How to Build a Library
Can a library be decolonized? How to Build a Library follows two visionary women on a quest to restore Nairobi’s McMillan Memorial Library and exorcise its colonial ghosts. A powerful documentary on archives, access, and reclaiming civic space.
Shifting Baselines
Towering rockets rise as wetlands vanish in this sly black-and-white documentary about SpaceX’s conquest of Boca Chica, Texas. With sci-fi aesthetics and observational calm, the film exposes how cosmic dreams begin with the quiet erasure of Earth.
Remaining Native
Teenager Ku Stevens runs toward his dreams while retracing the path of his great-grandfather’s escape from an "Indian boarding school". An impressive, urgent debut from Paige Bethmann about memory, endurance, and what it truly means to remain Native.
Seeds
Shot over nine years, Brittany Shyne’s Sundance-winning documentary is a tender portrait of Black farming families in the American South. A moving meditation on land, legacy, and the strength it takes to hold on.
Walls – Akinni Inuk
A Greenlandic woman held in indefinite detention forms a life-changing bond with the filmmaker documenting her case. Walls – Akinni Inuk is a gripping story of survival, systemic injustice, and the quiet freedom found in human connection.
With Hasan in Gaza
A time capsule of Gaza in 2001, With Hasan in Gaza presents rediscovered footage of everyday life before devastation. Assembled by Kamal Aljafari, one of Palestinian cinema’s most formally daring and poetic voices, the film resists erasure through memory.
The Shadow Scholars
Academic ghostwriting is a billion-dollar industry, just not for those doing the writing. Directed by Eloïse King and executive produced by Steve McQueen, this is a gripping documentary about brilliance, erasure, and global inequality.
Cover-Up
Oscar-winner Laura Poitras and Emmy-winner Mark Obenhaus turn their lens on legendary journalist Seymour Hersh in a riveting film that unpacks how one reporter exposed the truths behind My Lai and Abu Ghraib — and what it takes to hold power to account.
Image: © The New York Times