World Premiere
From writer-director Lee Jun Sup comes a jet-black — or rather, blood-red — comedy-thriller about crime, consumerism, and the price people will pay to get ahead. After a close call with her sleazy new boyfriend, Jae-in (Jung Yi Ju) discovers a prominent soap company is offering a service to clean up more than just your average mess. Discreet, corporate-minded, and methodical, the outfit in question does a good job, allowing Jae-in to go back to her life as an aspiring actress. She’s haunted by lingering paranoia, however, and soon she remembers a loose end that needs attending to…
Lee is not one to waste time, and every second of his two-hour film counts. Opening with a warped take on TV commercials, the plot that follows is streamlined and suspenseful. The send-ups of corporate culture and the world of screen acting are darkly amusing, and visually Savon is a treat — sleek, polished, and finely composed. Lee has the smarts of a good satirist and the instincts of a born entertainer.
Oct 4 & 5: Q&A
Cooperating Organizations
Media Partner
Community Partner
Jung Yi Ju, Kwak Minkyu, Park Jong-Hwan, Bang Jae-Min, Oh Gi-Gwang, Kim Do-Young
South Korea
2025
In Korean with English subtitles
Book Tickets
Credits & Director
Producer
Kim Ju-Hyoun, Lee Geun-Ho
Screenwriter
Lee Jun Sup
Cinematography
Hwang Gyeong-Hyeon
Editor
Jeong Ji-Eun
Production Design
Kim Hyun-Ji
Original Music
Shin Sung-Min
Lee Jun Sup 이준섭
Lee Jun Sup, born 1989, is a South Korean filmmaker. He studied film in New York before returning to Seoul, where he has made several short films. Savon (2025) is his feature directorial debut.
Filmography: Before I Grow Up (2016)
Missing VIFF? Check out what's playing at the VIFF Centre
Yunan
In this haunting mood piece, Munir is a middle-aged Syrian writer in exile in Germany. In crisis, he takes himself up to one of the Halligan islands in the North Sea, a suitable place to end it all...
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.