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The Girl and the Spider film image; girl looking at a huge spider crawling on her arm

The Girl and the Spider

Das Mädchen und die Spinne

Reflections

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Both very sly and very daring, Ramon and Silvan Zürcher’s long-awaited follow-up to The Strange Little Cat (VIFF 2013) is largely set in a spacious bohemian apartment, as tenant Mara (Henriette Confurius) and various friends and family gather to help Mara’s longtime roommate, Lisa (Liliane Amuat), move out. But the story here takes a backseat to the mise-en-scène: this often-funny film choreographs the characters and camera movements with the precision of a ballet. It is a film about looks and the meaning behind them (one realizes quickly that almost all interactions between two characters are observed by a third, off-camera), about how people perceive themselves, and about how they are seen by others. There is a heightened stylization to the intensity of the characters’ interactions that gives the film a tangible erotic frisson and a hallucinatory quality — indeed, one critic wondered if all involved had been microdosing LSD during production — which translates into pure cinematic pleasure for the viewer.

 

Supported by

     

Director
Cast

Henriette Confurius, Liliane Amuat, Ursina Lardi, Flurin Giger, André M. Hennicke, Ivan Georgiev

Credits
Country of Origin

Switzerland

Year

2021

Language

In German with English subtitles

18+
98 min
Beauvoir Films, Zürcher Film, Swiss Radio and Television

Book Tickets

Tuesday October 07

6:00 pm
Hearing Assistance Subtitles
The Cinematheque
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Credits & Director

Producer

Aline Schmid, Adrian Blaser

Screenwriter

Ramon Zürcher, Silvan Zürcher

Cinematography

Alexander Haßkerl

Editor

Ramon Zürcher, Katharina Bhend

Production Design

Sabina Winkler, Mortimer Chen

Original Music

Philipp Moll

Ramon Zürcher headshot; The Sparrow in the Chimney director

Ramon Zürcher

Born in 1982, Swiss screenwriter and director Ramon Zürcher studied visual arts at the Bern Academy of the Arts and film directing at the German Film and Television Academy Berlin. His debut feature, The Strange Little Cat premiered at Berlinale Forum in 2013 and was selected at over 80 festivals. In 2021, his second film, The Girl and the Spider, also premiered at Berlinale where it was awarded Best Director and the FIPRESCI prize in the Encounters section. The Sparrow in the Chimney is his third feature.

Filmography: The Strange Little Cat (2013); The Girl and the Spider (2021)

Photo by Iris Janke

Reflections

See more films in this series

The Strange Little Cat
The Strange Little Cat film image; excited young girl at a breakfast table

The Strange Little Cat

Dir. Ramon Zürcher
72 min

This droll, perfectly executed comedy chronicles a day in the life of a multigenerational family prepping a celebratory dinner in their cramped Berlin apartment. Putting daily life’s absurdities on display, it's an exciting choreography of the quotidian.

The Cinematheque
The Girl and the Spider
The Girl and the Spider film image; girl looking at a huge spider crawling on her arm

The Girl and the Spider

Dir. Ramon Zürcher
98 min

Ramon and Silvan Zürcher’s sly and daring film takes place in Mara and Lisa's spacious bohemian apartment as the latter moves out. Mise-en-scène, humour, and stylized character interactions take centre stage in this pure cinematic pleasure.

The Cinematheque

The Sparrow in the Chimney

Dir. Ramon Zürcher & Sylvan Zürcher
117 min

Preparations are afoot for an extravagant celebration. But as the house fills up, tensions mount and it becomes a veritable pressure cooker of familial strife. Ramon Zürcher delivers precise formal play and acute psychological mystery.

The Cinematheque
Choreographed Chaos: Ramon and Silvan Zürcher on Domestic Surrealism and Cinematic Precision
Ramon and Silvan Zürcher headshot

Choreographed Chaos: Ramon and Silvan Zürcher on Domestic Surrealism and Cinematic Precision

90 min

Employing collaboration and a shared vision, Ramon and Silvan Zürcher create meticulously observed, drolly absurd dramas that transform domestic spaces into surreal landscapes.

Image: © Iris Janke

VIFF Centre - VIFF Cinema