International Premiere
Cho Hyun-suh’s film is attuned to the poetry in silences, the tension in talk, and the paradox when dedication to one person often means neglect, or even betrayal, of another. Da-bin (Sung Yu-been) is quite burdened for an adolescent: his mother is broke, he’s got a runaway brother, and his little sister is going deaf. Trudging through each day with academic, romantic, social, and economic pressure weighing him down, he nonetheless finds moments of happiness with his best friend Jung-won (Lim Jae-Hyeok) and girlfriend Jae-un (Kang Min-ju).
Cho gets strong performances from Sung, Cha Jun-hui as his adorable younger sibling, and Lee Seung-yeon as his mother. As Da-bin’s thuggish pal Jung-won, Lim radiates menace and pathos in equal measure, and Kang is restrained and graceful as the girl our hero may not be able to hold on to. Cho’s visual style is clean and concise, while still conveying the feel of winter in all its blankness and severity.
Oct 5 & 7: Q&A
Cooperating Organizations
Media Partner
Community Partner
Sung Yu-been, Cha Jun-hui, Lee Seung-yeon
South Korea
2025
In Korean with English subtitles
Book Tickets
Credits & Director
Producer
Jeong Young-joon
Screenwriter
Cho Hyun-suh
Cinematography
Jung Woon-chun
Editor
Han Ji-yoon
Production Design
Suh Joo-yeon
Original Music
Lee Soo-yeon
Cho Hyun-suh
Born in 1995, director Cho Hyun-suh studied directing at the Korean Academy of Film Arts and has directed short films including Tree (2020) and Nobody’s Land (2021). Winter Light is his debut feature film.
Filmography: Tree (2020); Nobody’s Land (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
Yunan
In this haunting mood piece, Munir is a middle-aged Syrian writer in exile in Germany. In crisis, he takes himself up to one of the Halligan islands in the North Sea, a suitable place to end it all...
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.