Canadian Premiere
Leaving home for university, Abbie (Willow Shields) thrives as she experiences independence and self-actualization. However, she’s tormented by the knowledge that her brother Kayden (Jonathan Simao), who has autism and is non-verbal, is reeling in her absence and pushing her parents (Lochlyn Munro and Elizabeth Mitchell) to their limits. While home for the holidays, Abbie faces the impossible decision between returning to Karly (Ava Capri), the woman she’s fallen for, or providing Kayden the support he seemingly desperately needs.
Drawing from her own experiences growing up with a sibling with ASD, Connie Cocchia creates a clear-eyed depiction of autism’s impacts on an individual and their family. Rather than crafting a scrappy underdog story about an overachieving member of the autism community with savant qualities, When Time Got Louder offers a deeply moving story about good people simply trying to do their best—and just how hard that can be.
Q&A Oct 8 & Oct 9
Presented by
Media Partner
Willow Shields, Lochlyn Munro, Elizabeth Mitchell, Jonathan Simao, Ava Capri
Canada
2021
English
Bullying, coarse language, violence
Open to youth!
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Credits
Executive Producer
Roy Cocchia, Frank Giustra, Austin Kolodney, Navid Soofi
Producer
Connie Cocchia, Ken Frith, Jason Bourque
Screenwriter
Connie Cocchia
Cinematography
Nelson Talbot, Graham Talbot
Editor
Asim Nuraney
Production Design
Heather Coutts
Original Music
Chris Hyson
Director
Connie Cocchia
Connie Cocchia is an LGBTQ+ director, writer, and producer who began her film career in Los Angeles, where she received her Bachelor of Arts in Film and Television at the University of Southern California. While in Los Angeles, she worked in physical production at Lionsgate and in development at Langley Park Pictures on the Warner Brothers lot. She won the Best First-time Director Award at the California Film Awards for her short Awake (2013). Returning to Vancouver, Cocchia received a Master of Fine Arts in Film Production from the University of British Columbia and founded her production company Cocchia Productions.




